Sentences with phrase «public art works such»

Smith has completed several collaborative public art works such as the floor design in the Great Hall of the new Denver Airport; an in - situ sculpture piece in Yerba Buena Park, San Francisco and a mile - long sidewalk history trail in West Seattle and recently, a new terrazzo floor design at the Denver Airport.

Not exact matches

Students with increased NAPLAN scores are more skewed towards subjects such as interest in science, law, engineering, architecture, social work and arts, and students who consider their academic performance to be above average are more likely to choose medicine, a study of 6492 students from years 3 to 12 across 64 NSW public schools has found.

He has been a senior program associate at Learning Point Associates; worked at Modern Red SchoolHouse and consulted for organizations, such as SchoolWorks, the Global Sleepover, Eduventures, and the Cesar Chavez Public Charter High School for Public Policy; and for 16 years taught language arts to middle and high school students.

After 20 years as a teen librarian at Berkeley Public Library, Debbie Carton now works in the Art & Music department, where she specializes in programming, such as theater groups, noon concerts, and quilt shows.

The West End also includes Downtown Napa's growing cultural attractions such as the new Uptown Theatre, which draws some of the country's greatest acts from rock, jazz, comedy and country, as well as art galleries and public art works.

Installations such as Field (1991, Arts Council Collection), which has been re-made by local communities across the world, and major public works such as Angel of the North (1998, Gateshead), Another Place (2005, Crosby Beach, near Liverpool), One & Other (2009, a Fourth Plinth commission for Trafalgar Square, London) and Exposure (2010, Lelystad, Holland) are amongst the most celebrated examples of contemporary British sculpture.

Her work is in such public collections as The Fogg Museum at Harvard, The Yale University Art Gallery and The New York Public Lipublic collections as The Fogg Museum at Harvard, The Yale University Art Gallery and The New York Public LiPublic Library.

His work can be found in many of the country's leading public and private collections, such as the Museum of Modern Art in New York, Brooklyn Museum and the San Francisico Museum of Modern Art, all of which have loaned work for our exhibition.

Matta - Clark's work is represented in many prominent public collections, such as the Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; Museum van Hedendaagst Kunst Antwerpen, Antwerp; Smithsonian American Art Museum, Washington, D.C.; and the Stedelijk Museum, Amsterdam.

The artist's work has been viewed in prominent public collections such as the Metropolitan Museum of Art, New York; the Corcoran Gallery of Art, Washington, D.C.; The Museum of Fine Arts, Houston, Texas; The Nelson - Atkins Museum of Art, Kansas City, Missouri and the High Museum of Art, Atlanta, Georgia, among others.

His work is included in the public collections of leading institutions such as: the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and Tate, London.

The exhibition brings together works from institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Joan Mitchell Foundation as well as works from private collections which have never or only seldom been shown in public.

Originally from Brooklyn, with roots in Puerto Rico, her work is included in public collections such as the Whitney Museum of American Art and the Studio Museum in Harlem, and has been exhibited at venues such as the Brooklyn Museum, the High Museum in Atlanta, the Contemporary Art Museum in Houston, SNO Contemporary Art Projects in Sidney, Australia, and Peregrine Program in Chicago.

Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.

Rojas» work is in notable public collections such as Berkeley Art Museum, CA; Museum of Modern Art, New York; San Jose Museum of Art, CA; and Museo de Arte Contemporáneo de Castilla y León, Spain.

Frazier is the recipient of many awards, including a fellowship from the John Simon Guggenheim Memorial Foundation (2014), Gwendolyn Knight and Jacob Lawrence Prize of the Seattle Art Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheart collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among others.

Jones» work can be found in many private and public collections such as the Dallas Museum of Art and American Airlines.

Shows opening in museums such as the Whitney, the Bronx Museum and the Met Breuer revolve around politically charged art, works that upend traditional expectations, and reflections on the importance of public art.

His work is included in public collections such as the Nerman Museum of Contemporary Art, Kansas City; Emporia State University, Emporia, KS; and Ohio University, Athens.

Her work is held in various prestigious public collections such as the Museum of Modern Art, New York, Walker Art Center, Minneapolis; San Francisco Museum of Modern Art, New York; Corcoran Gallery of Art, Washington D.C. and Tate Gallery, London.

Public art of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adaart of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adams.

At the same time Iniva has brought to the public's attention established international artists who are little known in the UK, such as Henri Dono (Indonesia), Meshac Gaba (Benin) and Sheela Gowda (India) and re-examined previously unknown or half - forgotten art histories such as the Harlem Renaissance in post-war America and a published critique on the work of artists from Latin America.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart across generations and traditional stylistic confines.

His work has been exhibited throughout the US and venues abroad and is included in major collections in the US, Europe, and Latin America including public collections such as the Museum of Contemporary Art, North Miami and Miami Art Museum.

Kozloff's work is included in public collections such as the Brooklyn Museum of Art, NY; Los Angeles County Museum of Art, CA; Metropolitan Museum of Art, NY; Museum of Modern Art, NY; National Gallery of Art, Washington, D.C.; and Whitney Museum of American Art, NY.

In the late 1980's, after eleven years of public policy work for the California Arts Council, where Purifoy initiated programs such as Artists in Social Institutions, bringing art into the state prison system, Purifoy moved his practice to the Mojave desert.

His work has been exhibited throughout the US and venues abroad and is included in major collections in the US, Europe, and Latin America including public collections such as the ICA Miami and Perez Art Museum.

His work is held in private and public collections worldwide, such as the Museum of Modern Art, Whitney Museum of American Art, Stedelijk Museum and many more.

She is a recent recipient of the prestigious Leonore Annenberg Fellowship and her work is included in public collections such as the Woodmere Museum, the Philadelphia Museum of Art, and our own Pennsylvania Academy of the Fine Arts.

His work is also featured in prominent public and private collections, such as the Museum of Modern Art, NY; the Solomon R. Guggenheim Museum, NY; the Los Angeles County Museum of Art; and the Walker Art Center, Minneapolis, MN.

Her works are also included in many private and public collections such as the Whitney Museum, San Francisco Museum of Modern Art, Centre George Pompidou, Pennsylvania Academy of Fine Arts, Queens Museum, and the Brooklyn Museum.

More recently she has extended into the realm of public art, with works such as her recent The Distance of Your Heart in Sydney (2018).

His work is in the permanent collections of public institutions such as Albright - Knox Art Gallery, Buffalo, NY; The Baltimore Museum of Art, Baltimore, MD; The Denver Art Museum, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Lehmbruck Museum, Duisburg, Germany; Museo de Arte Moderno, Bogota, Colombia; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Chicago, IL; The Museum of Modern Art, NY; Museo de Ponce, Ponce, Puerto Rico; Pasadena Museum, Pasadena, CA; Philadelphia Museum of Art, Philadelphia, PA; Rhode Island School of Design, Providence, RI; and Whitney Museum of American Art, New York, NY, and others.

His work is in public collections such as The Albright Knox Gallery, The Everson Museum of Art, and The Chrysler Museum of Art.

They have exhibited extensively in places such as; Perplexed in Public (2008), various locations, London, Redemptions (2013), CCA Wattis Institute for Contemporary Arts, San Francisco, 1493 (2013), Espacio 1414, Puerto Rico, Using Walls, Floors, and Ceilings: Claire Fontaine (2013), The Jewish Museum, New York and WE THE PEOPLE ARE THE WORK / «I Am Your Voice» (2017), Karst, Plymouth.

His work can be found in museum and public collections such as the San Francisco Museum of Modern Art, California; Rubell Family Collection, Florida; Los Angeles County Museum of Art, California; and Studio Museum in Harlem, New York.

In 1968 he was admitted to the Beijing Art Company, where he worked on state commissions such as propaganda paintings, public murals, and landscape paintings for foreign export.

Miyajima's work is included in numerous public and private collections around the world, such as Benesse Art Site (Naoshima, Japan), Chiba City Museum of Art (Japan), Contemporary Art Museum (Kumamoto, Japan), Dallas Museum of Art (US), Dannheisser Foundation (New York, US), Denver Art Museum (US), DESTE Foundation for Contemporary Art (Athens), Goetz Collection (Munich, Germany), Group Home Sala (Akita, Japan), FARET Tachikawa (Tokyo), Fondation Cartier pour l'art contemporain (Paris), Foundation Teseco per l'Arte (Pisa, Italy), Hara Museum of Contemporary Art (Tokyo), Hiroshima City Museum of Contemporary Art (Japan), Iwaki City Art Museum (Fukushima, Japan), Izumi City Plaza (Osaka, Japan), Kunisaki City (Japan), Kunstmuseum Bern, Kunstmuseum Stuttgart (Germany), la Caixa Collection of Contemporary Art (Barcelona, Spain), Museum of Contemporary Art (Chicago, US), Museum of Contemporary Art Tokyo, Modern Art Museum of Fort Worth (Texas, US), Museum of Modern Art (Saitama, Japan), Museum of Modern Art (Shiga, Japan), Nagoya City Art Museum (Japan), National Gallery of Canada (Ottawa), National Museum of Modern Art (Kyoto, Japan), Samsung Foundation for Culture (Seoul), San Francisco Museum of Modern Art (US), Schweizerische Mobiliar Genossenschaft Collection (Bern), Staatsgalerie Moderne Kunst (Munich), Taipei Fine Arts Museum, Tate Collection (London), Tokyo Opera City Art Gallery, Toyota Municipal Museum of Art (Aichi, Japan), TV Asahi Corporation (Tokyo), and Université de Genève (Switzerland).

Simone Leigh's sculpture, as well as her recent social practice — related work, such as The Free People's Medical Clinic (2014) and The Waiting Room (2016), locates experiential activities geared toward communities of color within museums and art galleries, which are sometimes viewed as elitist by the general public.

His works are included in public collections in over 40 museums in the world such as, The Museum of Modern Art, The Metropolitan Museum of Art, The National Gallery of Art, National Gallery of Australia, Tate Gallery in United Kingdom, and The Uffizi Gallery in Italy.

His works are in public collections including Los Angeles County Museum and Seattle Art Museum, and in private collections such as West Collection, Philadelphia, the collection of Beth Rudin DeWoody, New York City, Galila» Collection, Brussels, Ranza collection, Rome, Jameel Foundation, London and H.H. Sh Zayed bin Sultan bin Khalifa Al Nahyan, UAE.

Ortiz - Torres's work has been collected by such prominent institutions as The Metropolitan Museum of Art, Museum of Modern Art, Brooklyn Museum, and the New York Public Library, NY; Los Angeles County Museum of Art, Museum of Contemporary Art, and the Grunwald Art Center for the Graphic Arts, UCLA Hammer Museum of Art & Cultural Center, Los Angeles, CA; Museum of Fine Arts, Houston, TX; Mexican Museum of Fine Arts, Chicago, IL; Instituto Nacional de Bellas Artes, Mexico City, Mexico; and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. Art Museum opening Oct. 31.

Other leading artists, such as Martin Creed and Tracey Emin, who established their careers with work on challenging themes, are now producing art that urges their public to think positive thoughts.

Her work is held in public collections such as the Walker Art Center, Minneapolis; Museum of Modern Art, New York; Corcoran Gallery of Art, Washington D.C. and Tate Gallery, London.

The aim is to question issues that are relevant to contemporary art practices and the recent history and politics of Lebanon, such as the relation between art and public spaces, the critical reception of works, and censorship.

Her work has been exhibited extensively worldwide, and is in notable public collections such as the Museum of Modern Art, Metropolitan Museum of Art, and Solomon R. Guggenheim Museum, New York; the Hammer Museum, Los Angeles; Moderna Museet, Stockholm; Museum of Contemporary Art, Chicago; San Francisco Museum of Modern Art; Tate Modern, London; among many others.

For this special occasion we have selected with Pilar Ordovás a group of works which are all closely related with Chillida's interest in public art and, therefore themes such as scale - in particular the human scale, which is always an important reference in his work, making his sculptures monumental regardless of their size.

«Deborah Kassʼs work brings the important message of contemporary art to a venue that is not typically associated with public art projects of such prestige,» said Art Production Fund Co-Founders Doreen Remen and Yvonne Force Villareart to a venue that is not typically associated with public art projects of such prestige,» said Art Production Fund Co-Founders Doreen Remen and Yvonne Force Villareart projects of such prestige,» said Art Production Fund Co-Founders Doreen Remen and Yvonne Force VillareArt Production Fund Co-Founders Doreen Remen and Yvonne Force Villareal.

Her work is in major public collections such as the Canada Council Art Bank, Glenbow Museum, Mendel Art Gallery, The National Gallery of Canada, Nickle Arts Museum, University of Lethbridge and Vancouver Art Gallery.