Sentences with phrase «public arts institutions such»

Not exact matches

UCU general secretary Sally Hunt said such courses will be «starved of funds» and warned that higher education was about to enter an era «in which many arts - based and teaching - focused institutions, which rely on public funding far more than the larger research - intensive universities, will face an uncertain future».

SUPERFLEX are represented in several public art institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico Ciart institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico CiArt Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico CiArt, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico City.

His work is included in the public collections of leading institutions such as: the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and Tate, London.

The exhibition brings together works from institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Joan Mitchell Foundation as well as works from private collections which have never or only seldom been shown in public.

The client list of Jackson Fine Art, Inc. includes public institutions such as The Metropolitan Museum of Art, The Los Angeles County Museum of Art, and The Museum of Fine Arts in Houston.

In the late 1980's, after eleven years of public policy work for the California Arts Council, where Purifoy initiated programs such as Artists in Social Institutions, bringing art into the state prison system, Purifoy moved his practice to the Mojave desert.

She has exhibited at such venues as the 2011 Istanbul Biennial, Turkey; the Manifesta 9 Biennial, Belgium; the Getty Center, Los Angeles; Atlanta Contemporary Arts Center; Rowan University, New Jersey; SUNY, New York; galleries in Los Angeles, Düsseldorf, Belgrade, and Tijuana; and many other public sites and institutions.

His work is in the permanent collections of public institutions such as Albright - Knox Art Gallery, Buffalo, NY; The Baltimore Museum of Art, Baltimore, MD; The Denver Art Museum, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Lehmbruck Museum, Duisburg, Germany; Museo de Arte Moderno, Bogota, Colombia; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Chicago, IL; The Museum of Modern Art, NY; Museo de Ponce, Ponce, Puerto Rico; Pasadena Museum, Pasadena, CA; Philadelphia Museum of Art, Philadelphia, PA; Rhode Island School of Design, Providence, RI; and Whitney Museum of American Art, New York, NY, and others.

His numerous solo exhibitions include several in public institutions such as the Miami Art Museum, in 2001.

Ortiz - Torres's work has been collected by such prominent institutions as The Metropolitan Museum of Art, Museum of Modern Art, Brooklyn Museum, and the New York Public Library, NY; Los Angeles County Museum of Art, Museum of Contemporary Art, and the Grunwald Art Center for the Graphic Arts, UCLA Hammer Museum of Art & Cultural Center, Los Angeles, CA; Museum of Fine Arts, Houston, TX; Mexican Museum of Fine Arts, Chicago, IL; Instituto Nacional de Bellas Artes, Mexico City, Mexico; and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

Artistsʼ works have been acquired through LMAKgallery by such institutions as Public Library of New York; Museo del Barrio, New York; Contemporary Museum of Photography, Chicago; Guggenheim, New York; the Whitney Museum of American Art, New York; The Philbrook Museum, Tulsa OK; Kadist Art Foundation, Paris, France and San Fransisco, US; Rhode Island Museum of Art, RI; Minneapolis Institute of Art, MN; Bonnefanten Museum, Maastricht; William Benton Museum of Art, CT; Mott Warsh Collection, MI.

The weekend before this year's Art Basel, the Löwenbräu art center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & WirArt Basel, the Löwenbräu art center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirart center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirart galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirth.

Yangyang's work is widely collected in numerous private and public institutions such as Government of Ontario Art Collection, Apple (USA), The Rochester Museum of Fine Art (USA), The Sichuan Fine Art Institute (China) and retail giants including Holt Renfrew (Canada) and Anthropologie (USA).

His works are in the collections of numerous public institutions such as the Whitney Museum, the Neuberger Museum, and the San Francisco Museum of Modern Art among others.

MacDonald has had a two - person exhibition at Projekt722, in Brooklyn, NY, and her work has been collected by such public institutions as Walker Art Center, Minneapolis, MN; Yale University Library, New Haven, CT; Library of Congress, Washington, DC; Newark Public Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, Tallahasseepublic institutions as Walker Art Center, Minneapolis, MN; Yale University Library, New Haven, CT; Library of Congress, Washington, DC; Newark Public Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, TallahasseePublic Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, Tallahassee, FL..

Her work can be found in notable private foundations and public institutions such as the Museum of Modern Art, New York; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; Moderna Museet, Stockhom; Museum of Contemporary Art, Chicago; San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; Tate Modern, London; among many others.

Such is the expansion and the growth of both the London art market and parallel exhibition gallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high orSuch is the expansion and the growth of both the London art market and parallel exhibition gallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high orsuch as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high order.

Outside of the last 80 shows at Postmasters, Bebecka has also worked on over 40 contemporary art projects with institutions such as MoMA, The New Museum, Performa, ICP, Times Square Alliance, CUNY Segal Theatre, Socrates Sculpture Park, MoMA PS1, AICA, Public Art Fund, and The NYC Department of Parks and Recreatiart projects with institutions such as MoMA, The New Museum, Performa, ICP, Times Square Alliance, CUNY Segal Theatre, Socrates Sculpture Park, MoMA PS1, AICA, Public Art Fund, and The NYC Department of Parks and RecreatiArt Fund, and The NYC Department of Parks and Recreation.

Her work is held in over sixty public collections in the United States, and has been the subject of over eighty solo exhibitions worldwide, including exhibitions organized by institutions such as the San Francisco Museum of Modern Art (1988) and the Wexner Center for the Arts, Columbus, Ohio (1991 — 92), among many others.

Uecker's work is included in numerous public institutions such as the Albright - Knox Art Gallery, Buffalo; Tate Modern, London; Museum of Modern Art, New York; Georges Pompidou Centre, Paris; and the Peggy Guggenheim Collection, Venice, Italy.

The demand for such commentary was a product of the similarly novel institution of regular, free, public exhibitions of the latest art».

Her works are held in the public collections of such prominent institutions as Art Institute of Chicago; Brooklyn Museum, New York; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; National Gallery of Art, Washington D.C.; and the Whitney Museum of American Art, New York.

With countless works in the public space around the world, Alexandre's work has also been exhibited both in solo and group exhibitions in institutions such as Fundação EDP - Museu da Electricidade in Lisbon, Magda Danysz Gallery in Paris, Coa Museum in Portugal, Museum of Contemporary Art in San Diego, Centre Pompidou in Paris, Museu de Arte do Rio in Rio de Janeiro, Lazarides Gallery in London, among many others.

The client list of Jackson Fine Art, includes public institutions such as The Metropolitan Museum of Art; The High Museum of Art; The Los Angeles County Museum of Art; The Museum of Fine Arts in Houston; Maison Europeenne de la Photgraphie.

Bendheim's work has been viewed and collected world - wide including such institutions as The Museum of Art & Design, NY; The San Francisco Museum of Modern Art; The Montclair Art Museum; The National Gallery of Costa Rica; The Instituto Veneto di Scienze, Lettere ed Arti, Venice, Italy; The Scottsdale Museum of Contemporary Art, The Plotkin Museum, The Brooklyn Public Library, NY; Denise Bibro Fine Art, NY; Jason Mccoy Gallery, Bradley International Airport, Los Angeles, CA; The Mayo Center for Humanities, Scottsdale, AZ..

His work is featured in many major public collections worldwide at institutions such as Tate Modern, London; Kunstmuseum Basel, Basel; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art and San Francisco Museum of Modern Art.

Since 2007 in England, she has continuously explored her carrier with working at various institutions such as art university, museum, gallery and consultancy for collectors, which eventually deepened her knowledge to overlook art scenes from different perspectives both from public and private sectors.

He has been the subject of many one - person exhibitions in prestigious public and private institutions such as The Museum of Modern Art, New York (2005), Serpentine Gallery, London (2006), the Neue Nationalgalerie, Berlin (2009), Fondazione Prada, Milan (2007, 2016), MOT, Tokyo (2012) and he has represented Germany at the Biennale of São Paulo in 2004.

Bencomo's work can be found permanently within public collections at institutions such as the Metropolitan Museum of Art in New York, Blanton Museum of Art at the University of Texas, The National Museum of Fine Arts of Havana in Cuba, and Art Museum of the Americas in Washington among many others.

His work has been featured in the press by The New York Times, The New Yorker, The Atlantic, Time Out, Hyperallergic, Brooklyn Magazine, PDN, and many others as well as collected by institutions such as the Brooklyn Public Library, Tufts University, and the Fitchburg Art Museum.

ICI's newest public program series, Third Tuesday, kicks off on September 20 with a talk by Yandro Miralles, an independent curator, who has worked with institutions such as the National Museum of Fine Arts, Havana, Cuba, the Cuban National Ballet, as well as the Cuban Artists Fund, where he is currently the Curator in Residence.

To think of the street as the ideal location on which the many - faceted, cultural life of the metropolis is shown now seems outdated, but still phrases such as street art and street culture are forever being used by numerous art institutions, generally funded with public money.

He has exhibited in numerous solo and group exhibitions at institutions such as the Smithsonian, National Museum of African Art, Washington, the New Museum of Contemporary Art, New York and the Hood Museum of Art, Dartmouth, and his works are housed in international public and private collections.

His work is in the permanent collections of such public institutions as the Museum of Modern Art, NY and the Hammer Museum, Los Angeles where his large - scale outdoor installation, Demon Hill, 2010, is currently on view.

NEH grant for Fine Arts Museums: When the public thinks about the colossal expense of an institution such as the M.H. de Young Memorial Museum reinventing itself architecturally, attention usually goes to building costs.

His works have been widely collected and feature in the following public and private institutions: Musac, Museo Nacional Centro de Arte Reina Sofïa, Museo de Arte Moderno de Buenos Aires, MAR Museo de Arte de Rio de Janeiro, Blanton Museum of Art, Houston Museum of Fine Arts, Museo Nacional de Bellas Artes de Argentina, Museo de Arte Contemporaneo de Bahia Blanca, Argentina and in many private collection such as the Coleccion Cisneros, New York City and Caracas.

ICI's newest public program series, Third Tuesday, kicks off with a talk by Yandro Miralles, an independent curator, who has worked with institutions such as the National Museum of Fine Arts, Havana, Cuba, the Cuban National Ballet, and more.

In addition to her work at The Contemporary, Deana lectures extensively, consults on various public art initiatives, contributes to cultural publications, and teaches at institutions such as Towson University and Johns Hopkins University.

His work is in the public collections of institutions such as the Museum of Modern Art (New York), the Whitney Museum of American Art (New York) and the Musée des beaux - arts de Montréal.

Exhibitions include public institutions such as the Museum Katharinenhof, Kranenburg, Kunstmuseum Mülheim / Ruhr, Germany and has shown with various international galleries and art fairs.

His works, or «specific objects,» are included in numerous private collections and in the permanent holdings of a host of such major public institutions as the Museum of Modern Art, the Whitney, the Guggenheim, the Hirshhorn, the Art Institute of Chicago, the San Francisco Museum of Modern Art, and the National Gallery of Canada.

His work has been featured in the press by The New York Times, The New Yorker, The Atlantic, Time Out, KATALOG, Hyperallergic, Brooklyn Magazine, PDN, Featureshoot, and many others as well as collected by institutions such as the Brooklyn Public Library, MoMA Library, Tufts University, and the Fitchburg Art Museum.

His work is represented in the public collections of such notable institutions as the Dallas Museum of Art, Dallas, TX; Hammer Museum, Los Angeles, CA; Henry Art Gallery, Seattle, WA; Guggenheim Museum, New York, NY; Museum of Contemporary Art, Los Angeles, CA; Museum of Modern Art, New York, NY; National Gallery of Canada, Ottawa; San Francisco Museum of Modern Art, San Francisco, CA; and the Whitney Museum of American Art, New York, NY, among others.

• Served as Head of Programming Committee, providing expertise to academic institutions, organized events, and fostered collaborative relationships with institutions such as public libraries, museums and art galleries to successfully promote various aspects of Arab culture within the state.