Sentences with phrase «public books moved»

The line stayed steady until Wednesday, where some public books moved the Packers to a full 3 - point favorite.

The line stayed steady until Wednesday, where some public books moved the Packers to...

Not exact matches

But Comey's own credibility has undergone some damage in the process, and it's unclear whether the book and its accompanying media blitz have moved the needle of public opinion in his favor.

Some public books have started to move the line to Bears +4.

In other scenarios you're correct that there is so much public money taking one team that books are forced to move their number, which gives added value to the other side.

We saw similar line movement in the NCAA Football National Championship game between Alabama and Notre Dame, where the Fighting Irish received two - thirds of public bets, yet moved from 7.5 to 10 point underdogs at most books.

Our readers may want to check their sports books because if you move quickly, your book may still have the +3.5 on the team the public hates — allowing you to get the same point spread as the sharps.

As I previously mentioned, extreme cases of public betting can cause books to move their lines so they don't take a huge loss.

At the time of publication, most sportsbooks have this game at 24.5, but notoriously public books like Bodog and SIA have already moved to a full 25.

Alternatively, are the books giving you a breakdown of «sharp» vs «public»... or are you assuming all info from the Books is «public» and using your algorithms on how lines move to then determine shbooks giving you a breakdown of «sharp» vs «public»... or are you assuming all info from the Books is «public» and using your algorithms on how lines move to then determine shBooks is «public» and using your algorithms on how lines move to then determine sharps?

These books are less likely to move their lines solely based on public betting and are willing to take five - figure bets.

Since a majority of public bets continue to take Buffalo, it's entirely possible that more offshore books will move back to +3.

With so much public support, both books have moved Green Bay from -9.5 to -10.5 which is significant for a number of reasons.

Books like BetUS and GTBets have already moved the Tar Heels to -10.5 and early public betting is high on UNC (68 % of spread bets).

Despite the public hammering Bama, books have been hesitant to move above -7, knowing sharper bets will likely come in on Mississippi State +7.5.

The public may not have a lot of say in moving lines each week but they definitely move the needle when it comes to a book's profitability on any given Sunday.

Her boss loaned her an intro - to - epidemiology book and moved her to a project that made public education videos about disease outbreaks.

It is particularly moving to see amazing film, books, and public appearances from Breillat under extreme physical limitations, about which she has written most eloquently.

Her 1974 book The Great School Wars describes how New York City has played educational three - card monte over its long public school history by moving apparent control over decisions up and down the system, between the central chancellor's office and the local superintendents, but never yielding any fraction of control to the schools.

His book bears vital testimony to the deep divisions built into our public education system, and to just how tough it is to move that system even to the slightest degree.

A cooler - headed Esquith later explained the book's theme on National Public Radio: «If I could care so much I didn't even know my hair was on fire, I was moving in the right direction as a teacher — when I realized that you have to ignore all the crap, and the children are the only thing that matter.»

The current debate over school funding must move beyond teacher salaries and whether the books in public schools are tattered.

«This book pioneers new ground as the authors move the literature on the marketization of education into a more nuanced analysis of how branding discourses and practices, and the managerialist and neoliberal economic theories they are based on, have entered the logic of public schooling.»

Dedicated eBooks Readers may not have truly moved into the mainstream of all consumer purchasing, but they've certainly taken dedicated book purchasers and the book reading public by storm.

At the peak of the nastiness over the summer, when Amazon was slowing shipments of some Hachette books and removing presale buttons on others, and after Comedy Central host Stephen Colbert eviscerated the retail giant in a popular segment on his show, Amazon made the very rare move of going public with what it wanted from Hachette — namely, $ 9.99 pricing on most ebooks.

At present I don't know how many of these books will already be in the PG archives but nonetheless this is going to be another great move in making all public domain books available.

After a brief introduction, and a reproduction of a letter Kennedy herself wrote to Santa from the White House in 1962, the book moves on to include dozens of musings on the season from authors, musicians and public figures.

Large majorities of those under age 30 say it is «very important» for libraries to have librarians as well as books for borrowing, and relatively few think that libraries should automate most library services, move most services online, or move print books out of public areas.

[162][163] The move prompted outcry and comparisons to Nineteen Eighty - Four itself: in the novel, books, magazines, and newspapers in public archives that contradict the ruling party are either edited long after being published or destroyed outright; the removed materials go «down the memory hole», the nickname for an incinerator chute used in 1984.

In light of the New York Public Library's ongoing plan to move many of its books away from its main branch into offsite storage with 24 - hour advance request required, Bell wonders to what extent libraries really need to keep books around anymore, and what the changing role of the library might mean in years to come.

A bit off topic, but another sign of the changing times: http://www.startribune.com/entertainment/books/124974789.html Will book signings move to public libraries?

Dubbed the 1000 Great New Zealand eBooks, the idea is to provide a focus for the industry's own move to digitising books, to provide a platform for a joint marketing programme, and to generate public interest in e-reading.

Three months after pulling «Tintin in America» for review, the Winnipeg Public Library has decided to move Herge's book into the adult graphic novel section.

However, there was a downside to moving away from Createspace towards KDP paperback publishing — unlike Createspace, KDP paperback publishing didn't allow authors to order proof copies or author copies (i.e. books for the author to sell direct to the public).

If you had them, you could move on to being smart about selecting books (in the case of non-fiction, almost always before they were were completely written), being skilled at developing them, being capable of packaging them attractively, and being managers of another network — of reviewers and broadcast conversation producers and, more recently, bloggers and social megaphones — to bring word of them to the public.

Keep your eye on Project Gutenberg, because 2019 will be the first time since 1998 that new books are expected to move over to public domain, and Project Gutenberg is sure to be the place to carry these new treasures.

Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

This clear and compelling book will make it easier for the general public to see through their tricks, and more likely that the world will move faster to take action on the most urgent environmental problem we have ever faced.»

This underlying narrative is reflected in the structure of the book, which begins with the most basic of questions about the nature of judicial review (described as the keys to understanding what the court is doing), before moving on to parameters of judicial review (further dominant themes shaping the law and practice) and grounds for judicial review (public law wrongs justifying the court's intervention).

Then when law firms began to hire marketing professionals I moved over because 1) it meant more money, and 2) I have a PhD in comparative law and public policy and my post-doc was to write a book on the Supreme Court, so I know more about law than audits.

The nonprofit provides free public online access to various collections of digitized materials, including software applications / games, websites, movies and videos, music, moving images, as well as public - domain books.