Not exact matches
Word of mouth brought them recently to India, where the
public broadcaster All India Radio brought Nautel a massive challenge: providing enough transmitters to cover the entire country or, as the marketing slogan
went, «
broadcasting to a billion.»
Where
public broadcast systems have
gone commercial, the issue has arisen whether this leads to a massive inflow of US produced TV materials or to increased opportunities for domestic TV production.
A lot of money thus
goes to supporting
broadcast and print media in various ways, media that continue to be important for how people keep informed about
public affairs, but also media that are increasingly being supplemented by online and mobile media of various sorts.
If
Go are successful, they will be awarded
public funding and the rights for political
broadcasts and paid leaflet drops.
In the Commons yesterday Christopher Chope MP introduced a Bill that would ensure revenue from the licence fee would only
go to
public service
broadcasting.
As
public service
broadcasting goes, yesterday's 20 - minute interview was pretty uninformative except in the way it showed how horribly confusing the European Union issue has become.
Public service
broadcasting needs to
go local.
But Jeremy Hunt, the shadow Secretary of State for Culture, Media and Sport has kept his cards close to his chest so far on
broadcasting — apart from some conventional pieties about the importance of
public service
broadcasting and the need to keep Channel 4
going through some funding fudge.
But the relationship between the corporate education reform industry and elements of the
public broadcasting community
go much deeper than the Laura and John Arnold Foundation's $ 3.5 million pay to play maneuver with PBS on pensions.
This month, Phillips — whose googleability
went way down after Tom Hanks portrayed a certain real - life hero, Captain Phillips, first name Richard — will have his first solo museum show in the United States, a survey of old and new work at Dallas Contemporary called «Negation of the Universe,» which will be joined by his headline - grabbing
public sculpture Playboy Marfa, the neon - lit, 40 - foot - tall roadside sign commissioned by the magazine and
broadcasting the artist's queasy fusion of commercialism and art.
He came to wider
public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop
Goes the Easel,
broadcast on BBC television in 1962.
I wonder if they realise
broadcasting the same dishonest talking points on multiple propaganda outlets simultaneously alerts the
public that there really is a conspiracy to mislead
going on...