Sentences with phrase «public common spaces»

Their are real economic incentive issues when it comes to the collective bargaining power of lobbyists and large business entities, public common spaces like parks and monuments, and natural monopolies.

Not exact matches

This is the first time Stennis has signed such a public - private partnership agreement, which is becoming increasingly common in NASA's strategy to foster the space industry.

At its core, it is opposed to the idea of a civic space functioning as a public, shared commons,» writes Ms Tufekci.

The popular clamor for more science and mathematics in the public schools lest the Russians outdistance us in military achievements and in the conquest of outer space is a symptom of the common assumption that science has the answer.

«We live in a common public space, there are rules to follow.»

The commons is envisioned as a collection of green space, shops, some housing and public buildings, including a new library, a Park District recreation center and a new village hall.

The common good is itself an object of public contest, and citizens must be provided the space and opportunity to contest the procedures and principles that give rise to it.

In these public spaces, they have manifested directly the republican ideal of the active citizen engaged with others in seeking a common good.

Loud, distorted and repetitive announcements are common in noisy public spaces like airports and train stations.

«In close alliance with but never subordinate to the Protestant churches, the common public school occupied a «sacred space» where its mission was beyond debate and where to question it was a kind of blasphemy.»

Leash reactivity is a common issue for city dogs who share public space with people and many other dogs.

The game's pedigree is excellent, being created by Platinum Games (Bayonetta, Mad World) and headed by Shinji Mikami (Devil May Cry, Resident Evil) but the early screenshots and teaser trailer released to the gaming public made the game seem, at best, an interesting take on the overused «space marine» trope all too common in current - gen titles.

However, across time they share common themes, challenging why and how public space, life, and activities are separated from private ones; how boundaries are drawn, built, and transgressed; and who is allowed to stand and speak, and where.

John Miller's Suburban Past Time examines public space through artificial situations and common objects.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

About The Gordon Parks Foundation exhibition space The Gordon Parks Foundation's mission is to permanently preserve the work of Gordon Parks, make it available to the public through exhibitions, books, and electronic media, and support artistic and educational activities that advance what Parks described as «the common search for a better life and a better world.»

Flux hosts over 40 artists annually from around the world, who share a labyrinthine building that houses 16 studios, 7 common workspaces, and a large public exhibition space.

What they all have in common is a strong link with public spaces, the sites for their favorite expressions and a source of constant inspiration.

A Public Space Apogee Journal Belladonna * Collaborative Black Sun Lit / VESTIGES BOMB Magazine Common Notions Endless Editions The Feminist Press at CUNY Futurepoem Inpatient Press Litmus Press n +1 / Paper Monument OR Books Pioneer Works Printed Matter, Inc..

Because of their existence in «common» and «public» space, the reactions elicited are varied, tempestuous and sometimes violent.

Throughout the summer, the chair — designed to seat two — will facilitate a series of off - site public discussions and workshops (see schedule below), engaging its history within the broader concept of «the commons» as a utopian ideal and shared intellectual space, as well as a critical site of communication and exchange.

The chair is a mobile work of public art moving into and out of public space throughout the summer, shifting from the Carpenter Center to the Cambridge Common for workshops and performances during select evenings and weekends.

By collaborating with offsite venues that are public as well as educational spaces for cultural promotion, Copeland will produce an environment that will question the idea of what an exhibition can be and how peripheral structures and strategies can affect and inform the center both in terms of space (The David Roberts Art Foundation) as well as common cultural thought.

In these collaborations, public art, prints and installations are ways for Arai to use the cultural specificity of her experience as an Asian American as a personal space in which to locate broader issues of race, gender and cultural equity; a space in which she believes a glimpse of common ground can be made possible.

Common projects with Matej Al - Ali, Petr Dub or Roman Štětina than promote the open space to comment on the artistic collaboration, or react towards public space.

In the late 1940s, they began experimenting with the increasingly popular material of plastic, creating the legendary fibreglass chairs that soon became a common fixture in many households and public spaces.

By bringing together practitioners from different creative fields, Delfina Foundation explored how artistic strategies have and can be used to address wide - ranging issues related to the commons and public space, both the real and the imagined, from the city square to the computer screen.

The public is invited to observe five disparate working methods, though they all share and exploit a greater notion and common area of felt space while applying a diverse set of tactics of presentation.

Taken together these artworks use the common materials of outdoor advertising to investigate how the industry uses our city streets to monopolize our collective attention in public space.

What they all have in common is that they are using found photographs and objects to question the intersecting forces and racial biases that place photographic images of Black males in public spaces.

Through «Art in Common Spaces» the Art Center seeks to activate our public space to visitors with immersive public art.

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

Externalities may be addressed by either a tax / credit or some other public policy, public ownership and management of the commons, or privatization of the commons, or through court actions — each option may have it's own costs — for example, the large - scale privatization of the climate system may be impractical with given technology (analogy with toll roads), and even without that, it has at least an aesthetic cost (nature is supposed to be nature; and psychologically, humans may benifit from some amount of public space) and perhaps scientific (ie nature — in this context, nature as it is with relatively small impacts of humankind — is not nature if it is not being itself) costs; there may be inefficiencies in the court system that could be bypassed for issues that are easily addressed with legislation (unless we had a class - action lawsuit on behalf of all people now until the year).

Intended as a project that will raise interesting questions about how common and public spaces could be redefined in an age where everything is relentlessly and greedily privatized for profit and the few, the Bow House is a «vertical extension of the property parcel» while positioning itself staunchly in the commons:

The Supreme Court of Canada held that students are entitled to privacy in a school environment and police do not have the right to conduct searches of public spaces when the search is not authorized by statute or at common law.

These recognitions are now common place for all public spaces in recent years, not as something which has been done for quite some time.

-LSB-...] Though we colloquially say we socialize in «public,» in truth our personal interactions are usually enveloped in zones of obscurity, where our identity and personal context are shielded to those we interact or share common space with.

Under common law, unwanted incidental touching - say, in the context of a public space - is not illegal per se.

This clause essentially means that the rentable area, unlike the useable area, includes the tenant's share of the building's common spaces such as lobbies and other non-rentable space such as elevators, mechanical rooms and shared or public bathrooms.

Placemaking is a global movement that helps citizens transform their underused public spaces into places that highlight local assets, spur rejuvenation, and serve common needs.

Listing Status: Active, Lot Size Source: Public Records, System Locale: CARETS, Listing Terms: Cash To New Loan, Common Walls: No Common Walls, Rooms: LivingRoom, Laundry Locations: Inside, Listing Terms: Cash, Driveway, Eating Areas: Bar, Sewer: In Street Paid, CARETS Listing Status: Back Up Offer, Heating Type: Central Furnace, Direct Garage Access, Buyer Financing: Cash, Rooms: Formal Entry, ListingAgreement: Lease, Buyer Financing: Cash to New Loan, Rooms: Master Bedroom, SpecialConditions: Standard Sale, Garage Spaces Total: 2.0, Legal Disclosures: Take Property As Is, Legal Disclosures: CommissionToBuyerAgent, Parking Type: Garage - Two Door

Amenities \ Common Amenities \ Club Facilities, Amenities \ Common Amenities \ Club Pool, Amenities \ Interior Amenities \ Built - in - Bookshelves, Amenities \ Interior Amenities \ French Door (s), Amenities \ Interior Amenities \ Wall - to - Wall Carpet, Amenities \ Interior Amenities \ Window Treatment (s), Bath \ Ownr Bath Shwr No Tub, Bathrooms \ Bath \ Ownr Bath Shwr No Tub, Bedrooms \ Bedrooms \ Split Bedrooms, Bedrooms \ Split Bedrooms, Building Stories \ 4 Stories, Club House, Common Amenities \ Club Facilities, Common Amenities \ Club Pool, Common Amenities \ Clubhouse, Country \ USA, Dining \ Eating Space - Kitchen, Dining \ Living \ Dining Combo, Elementary School: Ocean Palms, Export Options \ Allow VOW AVM, Export Options \ Display VOW Comments, Export Options \ Publish Address, Export Options \ Publish Directions, Export Options \ Publish Public Rmrks, Export Options \ Publish Square Feet, Heating system: Forced Air, High School: Allen D. Nease, Interior Amenities \ Built - in - Bookshelves, Interior Amenities \ French Door (s), Interior Amenities \ Wall - to - Wall Carpet, Interior Amenities \ Window Treatment (s), Kitchen \ Breakfast Bar, Kitchen \ Kitchen \ Breakfast Bar, Kitchen \ Kitchen \ Pantry - Closet, Kitchen \ Kitchen \ Solid Srfce Cntrtops, Kitchen \ Pantry - Closet, Kitchen \ Solid Srfce Cntrtops, Laundry: In Unit, Location \ Road Surface \ Asphalt Road, Location \ Unit Location \ 3rd Story, Location \ Unit Location \ End Unit, Lot Description \ Regular Lot, Lot \ Lot Description \ Regular Lot, MLS Listing ID: 909597, MLS Name: NEFMLS ZDD (NEFMLS ZDD), Microwave Oven, Middle School: Alice B. Landrum, Min Rental Term \ 7 Months, Other Rooms \ Dining \ Eating Space - Kitchen, Other Rooms \ Dining \ Living / Dining Combo, Other \ Building Stories \ 4 Stories, Other \ Export Options \ Allow VOW AVM, Other \ Export Options \ Display VOW Comments, Other \ Export Options \ Publish Address, Other \ Export Options \ Publish Directions, Other \ Export Options \ Publish Public Rmrks, Other \ Export Options \ Publish Square Feet, Other \ Min Rental Term \ 7 Months, Other \ Payment Freq \ Monthly, Other \ Status \ Active, Other \ Tenant Pays \ All Utilities, Parking Facilities \ Not Assigned Parking, Payment Freq \ Monthly, Pool \ Hot Tub \ No Pool, Road Surface \ Asphalt Road, Sources \ Square Foot Source \ Tax Roll, Square Foot Source \ Tax Roll, Status \ Active, Tenant Pays \ All Utilities, Unit Location \ 3rd Story, Unit Location \ End Unit, Utilities \ Sewer - Public, Utilities \ Utilities \ Sewer - Public, Utilities \ Utilities \ Water - Public, Utilities \ Water - Public, Water \ Pool / Hot Tub \ No Pool

It will also include 20,000 square feet of common area space, 2,300 square feet of retail space, 775 underground parking spots, and close to an acre of new public open space.