Sentences with phrase «public exhibition spaces on»

On the boards of The Vera List Center for Art and Politics at The New School University and the Art Omi International Artist Colony, he has presented lectures at the Whitney Museum of American Art, MoMA in New York, and is on the advisory panels for theChelsea Art Museum in New York, Art and Med in Los Angeles, and the Streaming Museum, a cybersite with public exhibition spaces on all seven continents.

Not exact matches

The Manchester Art Gallery presents Raqib Shaw's largest solo exhibition to date, featuring 28 recent recent paintings, sculptures, and works on paper, many on public view for the first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the space.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

Activate the exhibition space through creative public programs and events on contemporary curatorial practice

The exhibition, showcasing Secondary Stories as well as three video installation works, opens at SPACE, the public gallery of the Linda Pace Foundation, located at 111 Camp Street, on April 30, 2016 and will remain on view through July 29, 2017.

With the support of Harvard Innovation Learning Technology, ArtPlace America, and NEA Our Town grants, he created an exhibition at the town's public library that housed the EPA's field repository on the site, a streetlighting intervention to illuminate the groundwater contamination below the town today, and a permanent public space, The Ashland Memorial Healing Garden.

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

The new venue's two floors, Mr. Sanders said, could provide opportunities to «hybridize» the space, having an exhibition on one level, for example, while hosting public events on the other.

Its seasonal New Prints exhibition, curated by Nicola López and titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).

Eshun is the curator of exhibitions including Made You Look: dandyism and black masculinity at The Photographer's Gallery; Power & Architecture: public space and the post-Soviet world and Post-Soviet Visions: image and identity in the new Eastern Europe at Calvert 22, and Just Kids: Magnum photographers on youth culture, in association with Magnum.

Currently on display at the DESTE Project Space Slaughterhouse in Hydra, Figa is an exhibition of a single work, combining the tradition of monumental public sculpture with the ritualism of visiting a quasi-relic.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

The project, a full renovation of a 7,500 - square - foot former Chase Bank branch on St. Marks Place, will feature a library, a bookstore (launched in partnership with Printed Matter) and a rooftop alongside spaces for exhibitions and public programs.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

Anthony Elms I knew the exhibition had to have a lot of space because of the great amount of compression and density in so many of the individual works on view — Reinke and Mott, Joseph Grigely, Michel Auder, Public Collectors, Charline von Heyl, Susan Howe, etc..

``... the annual event that stretches from East Williamsburg to Ridgewood in a grandiose three - day celebration of art on levels both individually intimate — as artists open their creative spaces to the public — and collectively extravagant — via group exhibitions, performances of various sorts, screenings, parties and so forth.»

But the black - and - white gouaches and photographs by Jay DeFeo in the other Presenhuber space were gorgeous and sadly neglected by too many rushing to the buffet lunch preceding «POOL,» an exhibition and four - hour - long symposium on collecting and public / private curating hosted by Maja Hoffmann's LUMA Foundation.

For her exhibition at Chisenhale, Pica also focuses on the gallery space as a public site with works situated in areas usually excluded from the arena of exhibition display.

Pratt Manhattan Gallery will present a panel discussion titled «Glass, Light, and Public Space,» in conjunction with the current Pratt Manhattan Gallery exhibition «Bright Future: New Designs in Glass,» on Thursday, April 5 at 6 PM in Lecture Hall 213 on Pratt's Manhattan campus at 144 West 14th Street, second floor.

Art received the International Art Critics Association (AICA - USA)'s 2010 Second Place award for «Best Project in a Public Space» for the organization's exhibition of Antony Gormley: Event Horizon, which featured 31 sculptures of the human form placed in and around Madison Square Park and on the rooftops of architectural treasures throughout New York City's Flatiron District and environs.

We were fortunate to have the support of our curatorial colleagues to situate contemporary works in various public spaces and new galleries on different floors in proximity to their exhibitions.

The San Francisco Museum of Modern Art (SFMOMA) announced Wednesday that a thoroughly transformed SFMOMA will open to the public on Saturday, May 14, 2016, offering nearly three times the previous exhibition space, featuring 260 works from the Fisher Collection, a first showing of more than 600 artworks promised to the museum, the debut of the new Pritzker Center for Photography and an outward - looking architectural design that weaves the museum into the city as never before.

Focusing on the perceptual experience of space, the exhibition offers opportunities for discovering public architectural features and galleries throughout the newly expanded building.

Housed in a 17th - century building in the city's San Marco district, the new gallery will complement her existing spaces in Mayfair and east London, and will open to the public on 10 May with an exhibition by Chris Ofili.

The new exhibition will showcase extensive press cuttings about Space's first site at St Katharine Docks, as well as public screenings of a rare interview with Bridget Riley talking about the impact more room had on artists» work.

The exhibition focuses on the way our private spaces, a «guard» from the public, are invaded.

Furthermore, an installation on the outer facade of the exhibition cener is displayed as art in the public space.

Selected solo exhibitions include: The Curtain Breathed Deeply, Artspace, Sydney, 2014; Handbag Hammer Meditation, La Centrale Galerie Powerhouse, Montréal, 2013; Static Ballet, Sarah Cottier Gallery, Sydney, 2013; She came over signing like a drainpipe shaking spoon infused mixers, a public work for Christchurch Art Gallery, 2013; Turnstile Heaped on Pour Down, St Paul St Gallery, AUT Auckland University, 2012; and BIGHEAD GARBAGEFACE GUARDS GHOST DERR SONATA, Contemporary Project Space, Art Gallery of New South Wales, Sydney, 2009.

Through this non-partisan PAC, Thomas and Gottesman sought to use art to inspire deeper political engagement, inviting other artists to work with them on advertisements, exhibitions, and public meetings across the country that claimed political space for art.

Artists have the opportunity to use the exhibition space directly outside of their studio door, post on social media and program workshops / performances / events in public program spaces at the Center.

65 years after Audrey Hepburn performed at renowned West End night club Ciro's, the space on Orange Street now used by the National Portrait Gallery as a public archive, the gallery hosts a major exhibition celebrating the life of this much celebrated film star and fashion icon.

The school's structure acknowledges that contemporary artists have to be trained at the intersection of several fields — an approach exemplified by the school's new pilot program, the Masters in Art and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the traditional museum or exhibition institution.

Between the Past and the Coming / Debate: Art in Public Space Thursday, March 12, 2015, 18:00 — 20:00 On the occasion of Ruth Campau's exhibition, Overgaden invites you to a panel debate about art projects integrated in public Public Space Thursday, March 12, 2015, 18:00 — 20:00 On the occasion of Ruth Campau's exhibition, Overgaden invites you to a panel debate about art projects integrated in public sSpace Thursday, March 12, 2015, 18:00 — 20:00 On the occasion of Ruth Campau's exhibition, Overgaden invites you to a panel debate about art projects integrated in public public spacespace.

Earnest's installation Private Spaces / Public Personas coincides with the temporary exhibition Michael Chow aka Zhou Yinghua: Voice For My Father, Michael Chow's first solo exhibition in the U.S., and it is on view in The Warhol Store's street - facing windows.

Chicago, September 19, 2017 — July 29, 2018 - This Fall, Jane Addams Hull - House Museum opens Claiming Space: Creative Grounds and Freedom Summer School, a collaborative exhibition with artists, educators and students that explores the transformation of public school space amidst the backdrop of depopulation, divestment and school closures on Chicago's West Space: Creative Grounds and Freedom Summer School, a collaborative exhibition with artists, educators and students that explores the transformation of public school space amidst the backdrop of depopulation, divestment and school closures on Chicago's West space amidst the backdrop of depopulation, divestment and school closures on Chicago's West Side.

The Best Side runs as a compatible show with Claiming Space: Creative Grounds and Freedom Summer School, a collaborative exhibition with artists, educators and students that explores the transformation of public school space amidst the backdrop of depopulation, divestment and school closures on Chicago's West Space: Creative Grounds and Freedom Summer School, a collaborative exhibition with artists, educators and students that explores the transformation of public school space amidst the backdrop of depopulation, divestment and school closures on Chicago's West space amidst the backdrop of depopulation, divestment and school closures on Chicago's West Side.

The exhibition is based on a series of inversions and infiltrations: from transposing how the work of art is viewed in a collector's private home into a public space to physically shifting and personalizing the sometimes passive viewing experience of a museum; from recreating aspects of the domestic interior to choosing artworks that speak about the psychic interior to new works that intentionally blur the relationship between abstraction and décor.

Artists are encouraged to use the space — which is open to the public — in a dynamic capacity, collaborating with other artists, using the gallery as a studio, developing on - going programs and events, creating installations, or modifying their exhibition layout over the course of their 3 - month residency.

Alongside the exhibition is planned an intervention by Hélène Jayet with photo portraits shooting sessions on the theme of Afro hair open to the public, as well as an exciting programme of public events organised by Amal Alhaag, independent curator and co-founder of The Side Room, a space for intersectional feminist, queer and anti-colonial discourses and art.

Rowland's work, which focuses on economic and social issues, stimulates a critical debate about the relationship between exhibition spaces and public spaces.

Through July 29, 2018: A collaborative exhibition with artists, educators, and students that explores the transformation of public school space amidst the backdrop of depopulation, divestment and school closures on Chicago's West Side.

Lauren Cornell will give an overview of her work with Rhizome and the New Museum, focusing specifically on her most recent exhibition Free, which explored how the internet has re-defined our notion of public space and transformed our landscape of information through the work of twenty - three emerging artists.

It focuses on how art and artistic practice manifest themselves and function in various public contexts outside the art institution's traditional exhibition space.

Exhibitions are mounted on a regular basis in various public spaces around the hotel and a variety of cultural events take place regularly.

Since 2011 there is also the exhibition space on the 2nd floor of Linienstrasse 40 and the public project space in the foyer of that building.

Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition draws on the current political and cultural concerns of Dnepr, the largest city in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public space and its reshaping by various social groups, urban planning and attempts to create a dialogue in and about public spaces between communities, governments and activists.»

The public gallery space, set on a Hollywood hill with panoramic views of the city, is an apt setting for this exhibition that explores the ever - shifting grit and evanescence of Los Angeles.

Based on Pietro Martini's classic engraving, The Exhibition at the Salon Du Louvre in 1787, Parterre refers to the open space in a the theater where the public could traditionally interrupt and intervene in performances, and their opinions, much as the populist bent of the Salon could do for the artist, could validate or obliterate a production's success.

Meanwhile, special exhibitions put the spotlight on artists in some of Somerset House's dedicated exhibition spaces and across the site (as in Wolfgang Tillmans» timely display of his EU «Remain» campaign posters, Building Bridges, displayed in the public pavilion).