The project, the first by Ai Weiwei in a British
public gallery since Sunflower Seeds at Tate Modern in 2010, will be accompanied by poetry readings from the works -LSB-...]
The first at a public art gallery in Yorkshire (Yorkshire Sculpture Park (YSP) is his first in a British
public gallery since Sunflower Seeds at Tate Modern in 2010.
The idea originated after curators visited the studio of one of the artists, Gillian Carnegie and were «taken aback to discover she had not exhibited in a UK
public gallery since she was nominated for the Turner prize, in 2005» (prior to which she had been included in the Tate Triennial in 2003).
Elizabeth Price's new large - scale video installation, SUNLIGHT launched last Saturday and is the artist's first solo exhibition in
a public gallery since...
SUNLIGHT was Price's first solo exhibition in
a public gallery since winning the Turner Prize in 2012 and was developed as part of her Invisible Dust residency with the Rutherford Appleton Laboratory (RAL).
Elizabeth Price's new large - scale video installation, SUNLIGHT launched last Saturday and is the artist's first solo exhibition in
a public gallery since winning the Turner Prize in 2012.
Not exact matches
Robynne explained that
since it was a
public building, with three restaurants and numerous
galleries, she was not allowed to charge admission to the show in the lobby.
Amid emotional scenes at the makeshift courtroom in Warrington, northern England, when the conclusion of unlawful killing was revealed — almost 27 years to the day
since the disaster struck — families who always suspected wrongdoing by the authorities hugged each other in the
public gallery while outside a spontaneous chorus of «You'll Never Walk Alone», the Liverpool anthem, was sung.
His work has
since been exhibited throughout Australia and is represented in numerous significant
public and private collections, including the Art
Gallery of New South Wales, National
Gallery of Victoria and the National
Gallery of Australia.
He has exhibited internationally and in group shows
since 1958, and his work is represented in
public collections here and abroad including the Tate
Gallery, London and MOMA, New York.
Since then, he has been the subject of exhibitions in both commercial
galleries and leading
public institutions around the world.
Mitchell has
since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major
public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate
Gallery, London and the Whitney Museum of American Art, New York.
Since his representation at Pace, numerous
public collections have acquired works by the artist including the American Embassy in Abuja, Nigeria; the High Museum of Art, Atlanta; the Birmingham Museum of Art; the Museum of Fine Arts, Boston; The Brooklyn Museum; the Cleveland Museum of Art; the Hood Museum of Art at Dartmouth College; the Des Moines Art Center; the Detroit Institute of Arts; the Nasher Museum of Art at Duke University; Fogg Museum at Harvard University, Cambridge; The Museum of Fine Arts, Houston; the Tate, London; the Memphis Brooks Museum of Art; the Pérez Art Museum Miami; the Montclair Art Museum; the Museum of Modern Art, New York; The Nelson - Atkins Museum of Art, Kansas City; the San Francisco Museum of Modern Art; The Toledo Museum of Art, and the National
Gallery of Art, Washington.
Over 30 years later, the University of Greenwich will be showcasing the work of 20 of the studio's artists across three
gallery spaces, many of which have not met the
public's eye
since they were first made or exhibited at Stockwell.
Sara Greenberger Rafferty has exhibited widely
since 2001, including solo presentations at the Kitchen, New York; MoMA P.S. 1, Long Island City; Eli Marsh
Gallery, Amherst College, Massachusetts; and the Suburban, Oak Park, Illinois; and a commissioned sculpture for the
Public Art Fund.
Since the mid-1970s he has shown widely in museums and commercial
galleries and has completed a number of permanent
public art projects.
Since 2006, thanks to the efforts of three
galleries — ARS LONGA, ART - RA, and EXPO - 88 — Dynnikov's works were presented in 25 exhibitions, including 12 solo shows, and the artist's name became familiar to a wide circle of professionals and
public.
In it's 4th year
since being resurrected, EXPO Chicago has been gaining steam attracting major sponsors including returning presenting sponsor Northern Trust Bank, Tiffany & Co., Rolls - Royce, and to kick it off on the evening of Thursday, September 17, the Women's Board of Museum of Contemporary Art (MCA) Chicago hosted the preview night that drew over 7,000 people which included VIPs and the see and be scene crowd checking out the available art pieces from the showing
galleries before the general
public.
Since 2012, Scott has sonically - documented selected exhibitions in
public galleries and artist - run spaces around the UK.
Since 1996 he has been the co-owner of Esso
Gallery in New York, and has organized more than three hundred exhibitions in private and
public spaces worldwide, working with artists of great renown.
Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image
Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA
Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National
Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer
Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush
Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer
Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman
Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach
Gallery, New York, NY, 2004 Signs,
Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed
Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis
Gallery, St. Louis, MO, 1997
Throughout 2016, the
Gallery will commemorate its 75th anniversary with a variety of
public programs and presentations that highlight the generous gifts of art from many individuals
since the museum was established.
Since 1993, Regine Basha has been curating innovative exhibitions for
public institutions, civic spaces, magazines and private
galleries nationally and internationally.
Avant - gardes in Contemporary Art, Museum of Modern and Contemporary Art and Aubette 1928, Strasbourg, France Looks Good on Paper, Singapore Tyler Print Institute, Singapore The Grand Balcony, La Biennale de Montreal, Montreal, Canada Ad Intérieurs, à l'Univers des collectionneurs, La Monnaie de Paris, Paris, France Das Loch, Künstlerhaus Bremen, Bremen, Germany Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles, USA
Public to Private: Photography in Korean Art
since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain Presently, neugerriemschneider, Berlin, Germany Daily Formalism, Mabsociety, Shanghai, China Yoko Ono: LUMIÈRE DE L'AUBE, The Museum of Contemporary Art Lyon, Lyon, France gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht, Netherlands MashUp: The Birth of Modern Culture, Vancouver Art
Gallery, Vancouver, BC Canada kurimanzutto travels to Jessica Silverman
Gallery: from here to there, Jessica Silverman
Gallery, San Francisco, USA
Since his death, Schueler's work continues to be exhibited in
public and private
galleries in Scotland, Australia, and America.
Cassette occupies the central room in «Transience» at the Serpentine
Gallery, the Dublin - born London - based artist's first solo show in a
public institution in his hometown
since 1989.
Parallel to his career as an industrial designer, he has exhibited limited edition works and projects in
galleries and
public institutions
since 1986, including Fondation Cartier pour l'art contemporain, Paris (1995, 2004), Powerhouse Museum, Sydney (2001); the Groninger Museum, Netherlands (2004); and London Design Museum (2004 - 2005).
The work was on
public view at The Art Show for the first time
since the 1937 exhibition Calder: Stabiles & Mobiles at Pierre Matisse
Gallery in New York.
Jan van der Ploeg, Wall Painting No. 277 Untitled (Dignity), 2010 Acrylic on wall 714 x 2304 cm A regular visitor to this part of the world, it is more than a decade
since Jan van der Ploeg's paintings have appeared at the Dunedin
Public Art
Gallery.
The piece had the dramatic
public unveiling in 2011 in the exhibition Leonardo da Vinci: Painter at the Court of Milan at The National
Gallery in London, being the first discovery of a painting by da Vinci
since 1909.
On Saturday the Pace
Gallery opened a new exhibition of works by the Brooklyn - based artist Fred Wilson — his first solo show in the city
since his controversial proposal for a
public sculpture in Indianapolis was abandoned — at its 510 West 25th Street location.
This 15,000 square foot, five - floor visual arts centre in Shoreditch is the first new - build
public gallery in London since the Hayward Gallery opened i
gallery in London
since the Hayward
Gallery opened i
Gallery opened in 1968.
It will also open up the first floor of the
gallery to the
public for the first time
since 1928.
Whiting has had a number of awe - inspiring solo exhibitions with Plus
Gallery since the early start of his career back in 2004, and has gone on to become one of the more significant, focused and successful artists functioning both in the
public and collector realms of contemporary art.
Since we have opened our doors to the
public, the
gallery's exhibitions and artists have been featured in Artforum, Frieze magazine, Flash Art, Modern Painters, Canvas, Harper's Bazaar Art, Metropolis M, art - agenda, Art Daily, Ibraaz, Mada Masr, Al - Ahram Online, Cairo Art Blog and Cairobserver, among others.
Sara Greenberger Rafferty has exhibited widely
since 2001, including solo exhibitions at The Kitchen, New York; MoMA PS1, New York; Eli Marsh
Gallery at Amherst College, Massachusetts; The Suburban, Illinois; and a commissioned sculpture for the
Public Art Fund.
«We are honoured by the trust of Agata Boetti, who is generously allowing us to bring Il Muro — not displayed
since 2013 — to the London
public,» says
gallery director Ursula Casamonti.
Since its inception, the
gallery has placed works in
public and private collections of the Whitney Museum, the Metropolitan Museum, Bonnefantenmuseum, Barjeel Foundation and Sharjah Art Foundation.
Since 2011, the nomadic collective has been traveling across America, setting up green screens in museums and
galleries, recording visitors as they walk onto these makeshift sets, and then broadcasting their image, as put through psychedelic video - editing effects, on
public - access television.
Since becoming a charitable Trust and reopening to the
public in 2000, Somerset House has become home to over 100 cultural and artistic organisations including The Courtauld
Gallery and Institute and The Cultural Quarter at King's College London.
First shows in a
public gallery — in Bath Art Society's group show at the Victoria Art Gallery, Bath — probably Portrait, which has since bee
gallery — in Bath Art Society's group show at the Victoria Art
Gallery, Bath — probably Portrait, which has since bee
Gallery, Bath — probably Portrait, which has
since been lost.
The show, which opened to the
public May 1, is Mr. Tomaselli's first at the
gallery since 2006.
Dine has been represented by the Pace
Gallery since 1976 and has had hundreds of solo exhibitions around the world including major solo shows in museums in Europe and the United States including the Whitney Museum of American Art, New York, the Museum of Modern Art, New York, the Walker Art Center in Minneapolis, the Guggenheim Museum, New York, and the National
Gallery of Art in Washington, D.C.. His work can be found in numerous other
public collections throughout the world in the United States, Europe, Japan, and Israel.
The Arvada Center prides itself on keeping its
gallery and museum exhibitions FREE and open to the
public seven days a week, something that it has done
since inception in 1976.
Since 2007 in England, she has continuously explored her carrier with working at various institutions such as art university, museum,
gallery and consultancy for collectors, which eventually deepened her knowledge to overlook art scenes from different perspectives both from
public and private sectors.
Since July 2010, she has been an independent curator and worked with
public art initiative Smart Spaces and produced exhibitions at Wesleyan University, Gasser / Grunert
Gallery and organized video art festivals and events in the greater New York area.
Cerqueira Leite's work has been exhibited internationally
since 2007 with recent group shows including the Saatchi
Gallery, London; the 4th Marrakech Biennial; DUVE
Gallery, Berlin; Art
Public, Art Basel Miami Beach; and recent solo shows at Galleria Lorcan O'Neil, Rome; Casa Triângulo, São Paulo, Brazil; AIR
Gallery, New York.
Since 1910, the Contemporary Art Society has encouraged appreciation of contemporary art by donating over 8,000 works to museums and
public galleries across the UK.
He has
since exhibited in
public and commercial
galleries in Canada and abroad, including the Queens Museum of Art, in New York City, and Carrie Secrist
Gallery, in Chicago, Il.
He began collecting more than two decades ago and has
since held a number of exhibitions in
public locations and in his private
gallery.