Sentences with phrase «public installations which»

Not exact matches

In addition to Sweat, which is playing at New York's Public Theater until December 18, Nottage is creating a multimedia installation, featuring interviews, which will be unveiled in Reading's defunct rail station in the spring.

The inaugural ride will begin at 10:30 p.m. at 72nd Street and make stops at the new stations, which feature high ceilings, column free design, vibrant lighting and the largest permanent public art installation in state history.

And it is exactly this question he poses, in one of the many video installations, and what propaganda has come to mean to us today, which defines The British Library's new and stylishly techy exhibition that opened to the public at the end of May.

There were similar reports of NPP supporters arbitrarily taking over public installations across the country, reminiscent of scenes in the aftermath of the 2008 polls won by the NDC, which witnessed some of the triumphant party's supporters taking over the running of public toilets, toll booths, community centres, among other structures.

There were similar reports of alleged NPP supporters arbitrarily taking over public installations across the country, reminiscent of scenes in the aftermath of the 2008 polls won by the NDC, which witnessed some of the triumphant party's supporters take over the running of public toilets, toll booths and community centres.

The ceasefire agreement was expectedly greeted with scepticism by the Nigerian military, who gave the sect a period of one month during which there had to be no attacks on any public place or military installation before they would take them seriously.

With Christian as our guide, we are introduced to mounds of gravel framed as an important work (later hoovered up by cleaners) and to a public installation whose meaning remains bewilderingly opaque throughout (and from which the film takes its name).

A voucher program for military families would reduce or even eliminate funding for Impact Aid - which provides a payment to school districts with concentrations of federally - connected students — for public school districts near military installations.

Entitled Remembrance: A National School Assembly, this unique learning experience will include a close - up view of the wonderful poppy installation which has captured the public's imagination, as well as plenty of opportunities to reflect on the meaning of Remembrance 100 years on from the start of the First World War.

Impact Aid provides funding to school districts that have lost local tax revenue (which traditionally funds public schools) due to the presence of federal tax - exempt land, such as military installations, Native American reservations, or national parks.

The Brooklyn - based artist began making waves after spearheading her now widely - acknowledged, highly controversial «Cliteracy» movement — a revolution unto itself, in which she seeks to educate the public through installation art referencing the fantastically - neglected female sexual anatomy.

The Armory will be the setting for a series of groundbreaking performances, temporary installations, events, and other programs, all free to the public, by Biennial artists from March 4 to March 23, creating an exciting opportunity to present works that could not be accommodated within the Whitney's walls and remaining true to the fluid, interactive way in which these works were conceived.

Installations such as Field (1991, Arts Council Collection), which has been re-made by local communities across the world, and major public works such as Angel of the North (1998, Gateshead), Another Place (2005, Crosby Beach, near Liverpool), One & Other (2009, a Fourth Plinth commission for Trafalgar Square, London) and Exposure (2010, Lelystad, Holland) are amongst the most celebrated examples of contemporary British sculpture.

Gary Simmons» installation inaugurated Culture Lab 2016, a two - day series of discussions, dinners, and public projects centering around different approach to walls — architectural or ideological boundaries which both define cultural practice and limit understandings of art, architecture, and other cultural undertakings.

The exhibition will present the largest collection of his poetic, text - based installation works gathered to date, which are most often found within the public landscape.

Recent public installations include the University of California at San Francisco Library; the Mott Haven School Campus, Bronx, NY; and «Still Life with Landscape (Model for a Habitat) on the High Line, New York, which was awarded the AICA Award for Best Project in a Public Space inpublic installations include the University of California at San Francisco Library; the Mott Haven School Campus, Bronx, NY; and «Still Life with Landscape (Model for a Habitat) on the High Line, New York, which was awarded the AICA Award for Best Project in a Public Space inPublic Space in 2012.

Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

Presented to the public for the first time, these works include large - scale mural and installations, sculptures, paintings and sketches, which aim to reveal essential paradoxes in international relations, political theory and religious worship.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

Art Night also features open artist - studios, provocative art installations, a free concert, the art opening of first year students at Otis MFA Public Practice entitled Autonomy and Ana Guajardo's Marketplace Tianguis, which consists of a cultural explosion of diverse craftworks by twelve artisans in 18th Street's parking lot.

Centering on his fragmentary - Statue - of - Liberty installation We the People, which was the subject of a Public Art Fund show in New York last summer, the exhibition also includes a «dialogue» between Vo and the late photographer Peter Hujar.

Andrea Zittel's trail mix pot - pourri next to it is apparently not for public consumption, likewise the inviting Dominique Gonzalez - Foerster installation inspired by Rainer Werner Fassbinder's bedroom, which provides a sexy moment of dim brown seventies decor.

The work, which made headlines in March after a member of the public accidentally broke a pumpkin sculpture in the installation, was acquired by the DMA in partnership with Dallas - based collectors Howard and Cindy Rachofsky.

Visitors are invited to observe airborne and earthbound geometric constructions saturated in bright colours; examine his Bólides (Fireballs), interactive composite objects filled with sand and other substances, which were intended to be handled by viewers; dance samba in one of his Parangolés, capes designed by the artist to be worn by the public; play billiard on a pool table that is supposed to send you back to the atmosphere of Vincent Van Gogh's painting The Night Cafe; and experience immersive exotic or unfamiliar environments, as in his installations Tropicália (1967) and Eden (1969).

Mark Bradford, the artist representing the United States, arrived with much anticipation — perhaps too much anticipation, as The New York Times published photographs of his installation in advance of the public opening, which Bradford blasted in a public - relations kerfuffle as «bootleg... no one let me have a voice.»

Best known for absurdist public performances, Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.

Recent commissions include an artwork installation for the San Diego International Airport Terminal 2 revitalization, which will be unveiled in late 2013 as well as a commission for the new San Diego Public Library.

In collaboration with Storm King, the artist planned extensive public programming to take place on the installation and within it, such as musical performances, a poetry slam, shrine - making and story - telling workshops, and Hart's ongoing program The Black Lunch Table, in which she invites African American artists of the region for thematic discussion over lunch.

Since 2011, the artist has produced five site - specific public installations with SiTE: LAB, including Hybrid Structures, which consisted of a series of interconnected ramps and platforms that traversed a deconsecrated church campus.

Sean Kelly is delighted to announce that Antony Gormley's latest site - specific permanent public installation, Chord, will be on view at the Massachusetts Institute of Technology in Building 2 — which houses the Department of Mathematics and sections of the Department of Chemistry — as of Saturday, April 23.

Renowned interdisciplinary artist Jennifer Wen Ma (M.F.A.» 99) has created a public art installation titled Alpha Lillstrom Portrait Garden for the 5x5 Project Nonuments, an exhibition in Washington, D.C., which opened to the public on...

Barlow's installation subverts the harmony provided by the relationship between the Serra (which the piece comes within inches of touching) and the Moore, introducing an element of chaos in the public space.

Please note: the ICP Museum is closed through Tuesday, May 22 due to the installation of Henri Cartier - Bresson: The Decisive Moment, Elliott Erwitt: Pittsburgh 1950, Multiply, Identify, Her, and RFK Funeral Train: The People's View, which will open to the public on Wednesday, May 23.

Oldenburg eventually began to create large - scale public installations, many of which were created in collaboration with Coosjie Van Bruggen, whom he later married.

To celebrate Antony Gormley's forthcoming major outdoor public installation Event Horizon, which will be exhibited in New York in and around Madison Square Park from March 26 until August 15, 2010, and our exhibition of new works at the gallery from March 25 until May 1, we will show two outstanding sculptures and a group of works on paper.

The focus of Domènec's research and critical essay is precisely the crisis of modernity and an awareness of the failures of the modern movement, which, in the context of this exhibition, is materialised in the form of sculptures, installations, photographs, videos and interventions in the public space.

Best known for absurdist public performances, William Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.

the exhibition and installation comment on the private / public nature of archival collections and the strategies by which archives are institutionalized and interpreted over time.

Tishman Speyer: Tishman Speyer is the co-owner and manager of Rockefeller Center, which is the site of numerous public exhibits and events, including large - scale installations of public art by world - renowned artists including Takashi Murakami, Jeff Koons and Jonathan Borofsky.

The Public Art Fund commissioned Huyghe to create «A Journey that Wasn't» (2006), which included an expedition to Antarctica, a performance in Central Park, and a video installation at the Whitney Biennial in New York.

This includes installation art, light and space art, art in public spaces, site specific art, and what he now terms, conditional art which draws the focus to the relationship and role of the sentient being vis - à - vis the cognitive self.

At the Whitney at Altria, Momim exhibited Sue de Beer, who plants videos and the viewer in an installation, and «Burgeoning Geometries,» which invaded the public atrium.

In 2015 he participated in the 56th Venice Biennale with the exhibition Together in the Basilica di San Giorgio Maggiore, a collateral event of the Biennale, which won the Global Fine Art Award in the category of Best Public Outdoor Installation in 2015.

Installation view January 8 — February 6, 2010 Primary Atmospheres: Works from California 1960 - 1970 will present to the New York public a long - overdue survey of the particular kind of minimal work that was made in and around Los Angeles, work which differentiated itself in its emphasis on surface, synthetic materials, industrial processes, and perception.

Within her images and installations, she unearths associations between different actors (people, objects, and sites), which, in many cases, problematize the ways that different organizations engage their publics and are shaped by socioeconomic and cultural developments.

In his sculptural installations, Mark Handforth uses objects from public space, which he deforms and reworks into new perspectives and functions...

Within her images and installations, she unearths associations between different actors (people, objects, and sites) that, in many cases, problematize the ways in which different organizations engage their publics and are shaped by socioeconomic and cultural developments in society.

In Swell, Simeti transforms appropriated images from Brooklyn waterways, such as the Gowanus Canal, into a motorized installation in which the public can contemplate the consequences of human activity on our surroundings.