In the piece, indigo children, conscious dancers, and time travelers will perform and then lead
the public out of the museum at the moment of its closure for expansion and transformation.
Not exact matches
Some
museums have pushed a mission to educate the
public about the evolution
of the penal system, but there has been criticism that, depending on the institution, the «history» is sanitized, leaving
out abuse
of prisoners and other unsavory aspects
of the criminal justice system.
Jing Daily looks at the intersection
of luxury and culture in China: the ins and
outs of business development there with an eye toward the upscale consumer market, as well as the business
of culture — from auctions,
museums, and contemporary art to performance,
public events, and more.
In the West, we imprison beauty in
museums and concert halls; we have taken beauty off the streets and
out of our
public places.
Chance recently gave Chicago
Public Schools $ 1,000,000
out of his own pocket, and argued that it's the schools and local students that need resources like a pool and
museum — items that are apparently in the budget for the police academy.
In honor
of the Peggy Notebaert Nature
Museum's 160th anniversary, staff there are pulling some rarely seen specimens out of storage for the public — on view at the Lincoln Park museum through Sat
Museum's 160th anniversary, staff there are pulling some rarely seen specimens
out of storage for the
public — on view at the Lincoln Park
museum through Sat
museum through Saturday.
The state
museum says that many
of the artifacts and items that are to be displayed have never been seen by the
public before — from damaged emergency vehicles, a religious symbol that workers on site crafted
out of steel, and even landing gear from one
of the airplanes that hit the twin towers.
Smitsonian Institution Programs Summer Archeology Programs Connected with DC Universities [Program for Deaf Students] Drinking Water Quality Research Center, Miami, FL [proposal for outreach to disabled students]
Museum of Science and Industry, IL Chicago Schools Cooperative
Museum Program, IL Recreational Faculties for the Handicapped at Rend Lake, IL SELPH Material Lawrence Hall King Report on Survey
of the Special Educational Programs
of Members
of the Association
of Science Technology Centers University
of Kentucky Outdoor Education for Handicapped Project Directory
of OOPS Programs Maryland Science Center, Baltimore, MD [notes on interview] ABCD Collaboration Science Program Non-Mainstreamed
Museum of Fine Arts, Boston, MA Technical Education Research Center Camp Happy Hollow, Mayrille, MI Squam Lakes Science Center, NH Science Enrichment Program Opened to Handicapped Students NY League
of Hard
of Hearing, NY Center
of Science and Industry, OH Carnegie
Museum, Pittsburg, PA Pacoma Environmental Education Center, PA Roanoke Valley Science
Museum, VA Fairfax County
Public Schools, VA US Geological Survey Earth Science Program, WI ERIC - CRESS Info on Outdoor Ed - Science Programs National Council for Therapy and Rehabilitation through Horticulture Environments for the Able and Disabled Nature Study - A Journal
of Education and Interpretation OOPS
Out of School Science Proposal and Drafts Original Newspaper Article, 1980 - 1981 OOPS
Out of School Science Proposal and Drafts II, 1980 - 1981
You and your date could find
out by attending one
of the
Museum Lates events at the National
Museum of Scotland, when their doors are open to the
public outside
of the usual hours.
Rounding
out the crew is former tennis star Richie, who has a
public love for extra-peppered Blood Marys and a private love for Margot, likely due to one excursion in which the pair deliberately disappeared and hid
out in the African wing
of the city
museum.
Each year the
public supports the
Museum by cleaning
out their book shelves and bringing boxes
of gently used books for the sale.
• A private tour
of the Metropolitan
Museum of Art's latest exhibit hours before opening to the
public • Private after - hours trunk show at Bergdorf Goodman to preview and preorder designer shoe collections • Get backstage access to meet the cast
of a Tony Award - winning Broadway show • Procure court - side tickets to sold -
out NBA playoff games • Secure the most coveted reservations in New York City's hottest restaurants
According to Sheryline Jones, Director
of the
Museum of Belize, the last time the exhibit was
out for
public display was in 2009.
Garance Reus - Deelder, managing director
of the Anne Frank House, says: «It may sound quite off - hand, «
of course we're staying open», but it's no simple matter to welcome visitors with the same level
of public service in a
museum where renewal work is being carried
out, especially if that
museum deals with such a sensitive theme as the Anne Frank House.
Occupying a former prison that now sits inside a
public park, the Corrections
Museum offers an unnerving yet fascinating journey through the history
of Thai prisons and the many forms
of torture once carried
out in them.
During all year long Edinburgh attracts millions
of tourists who enjoy walking around the city and taking pictures to capture plenty
of beautiful places around our gorgeous city, shopping, going
out to pubs, restaurants and bars, visiting attractions,
museums, art galleries,
public parks and exhibitions, taking the City bus and especially visiting the iconic Edinburgh Castle and the historic old city.
It amounts to many a postmodern critique
of art institutions and arts funding — starting well before Jeffrey Deitch took over LA MOCA, the New
Museum sold out to the Joannou collection, or the New York Public Library unloaded a great American landscape to Wal - Mart as, in time, the core of a new m
Museum sold
out to the Joannou collection, or the New York
Public Library unloaded a great American landscape to Wal - Mart as, in time, the core
of a new
museummuseum.
Each July and August the Williams College
Museum of Art (WCMA) produces Summer School, a series
of public programs that teases
out new ways
of thinking about learning, art, community, and
museums.
Joan Jonas, Performa founder RoseLee Goldberg, Bass
Museum director Silvia Karman - Cubina, Sharjah Biennial curator Eungie Joo,
Public Art Fund director Nicholas Baume, and dealer Alex Logsdail obediently followed, straining (and failing) to make
out words lost to the echoing acoustics
of the gallery.
It resides simultaneously inside the
museum and
out, enclosed by high walls and yet visible from above as one enters, part
of a
museum but adjacent to
public areas for shopping and eating, potentially barring no one and yet requiring a seeming drawbridge above to the
museum's entrance.
In it's 4th year since being resurrected, EXPO Chicago has been gaining steam attracting major sponsors including returning presenting sponsor Northern Trust Bank, Tiffany & Co., Rolls - Royce, and to kick it off on the evening
of Thursday, September 17, the Women's Board
of Museum of Contemporary Art (MCA) Chicago hosted the preview night that drew over 7,000 people which included VIPs and the see and be scene crowd checking
out the available art pieces from the showing galleries before the general
public.
The letter «urge [s] the UK's national
museums to follow the example
of a growing number
of international
museums and provide open access to images
of publicly owned,
out -
of - copyright paintings, prints and drawings so that they are free for the
public to reproduce.»
After thirty years
of the Guerrilla Girls presenting statistics that repeatedly show the underrepresentation and misrepresentation
of women in
public collections,
museums, and galleries around the world, one would think that these institutions would have been driven to promote changes en masse, if only
out of shame.
Her work has been part
of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016);
Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures,
Public - art exhibition organized by the Cincinnati Art
Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).
Taking its title from anthropologist Mary Douglas's analyses
of how disturbances arise in the city's physical contours and social order, Matter
Out of Place presents new work by New York — based artists who observe, represent, and activate
public sites, generating alternative relationships to such strictly defined spaces as the housing project, park, and
museum lobby.
The new
museum will provide an educational venue for Bard students as well as the wider
public, and a place to test
out the possibilities
of exhibition making utilizing the remarkable resources
of the collection as a whole.
Hammons reached
out to the
museum sharing a sketch
of what he had in mind for the
public art work.
Paintings like this don't come on the market very often, for Klimt's jewelled sarcophagus - like portrait
of one
of his many Jewish patrons in fin de siecle Vienna hung in that city's Belvedere
museum until it was prised
out of this major
public collection by law.
More than 50
of his landscapes are gathered together at Brandywine River
Museum of Art, a 30 - minute drive
out from Philadelphia into a bucolic landscape that has long attracted both the hugely wealthy (two Du Pont family estates, Longwood and Winterthur, are open to the
public) and artists from Hudson Valley painters to three generations
of Wyeths.
Select highlights include: Lisson Gallery's sale
of an Anish Kapoor work listed as # 1.2 Million; David Kordansky Gallery sold
out its booth
of Tala Madani paintings, ranging from $ 22,000 to $ 110,000 each, to both collectors and
public institutions; Hauser & Wirth placed paintings and sculptures by American artist Lorna Simpson with both
museums and private collections, ranging from $ 150,000 to $ 300,000; David Zwirner sold
out of works by American sculptor Carol Bove, including four sculptures and one work on paper at prices ranging from $ 50,000 to $ 550,000; Grimm Gallery completely sold
out its stand, including works by William Monk ranging from $ 20,000 to $ 26,000; and Mendes Wood DM sold works ranging between $ 10,000 and $ 50,000.
The newly enhanced San Francisco
Museum of Modern Art (SFMOMA) officially re-opens to the public on May 14, 2016, but a flurry of press previews, member events, a pink - lit splashy gala that artists like Chuck Close attended dressed in their best out - of - the - box attire, a fancy ball, and even an ABC News Special have already inaugurated the m
Museum of Modern Art (SFMOMA) officially re-opens to the
public on May 14, 2016, but a flurry
of press previews, member events, a pink - lit splashy gala that artists like Chuck Close attended dressed in their best
out -
of - the - box attire, a fancy ball, and even an ABC News Special have already inaugurated the
museummuseum.
Focusing primarily on African American artists in and
out of the Black Arts Movement, the exhibition features approximately 100 objects assembled from the Smart
Museum's collection and other
public and private collections, including art and ephemera associated with the Wall
of Respect, Black Creativity, the Civil Rights Movement, AfriCOBRA, Afrofuturism, the Hairy Who, and the radical sounds
of the Association for the Advancement
of Creative Musicians.
Knight Foundation January 21 - April 8, 2018 - Solo Show The Unavoidable Twilight - AIRIE Nest Gallery - Everglades National Park October 18, 2017 - January 8, 2018 - Solo Show Mythology & Site - Deering Estate - Miami November 19, 2017 - January 5, 2018 - Group Show SIXTH - curated by Jane Hart Bridge Red Studios / Project Space November 30, 2017 - Four Women Show The Reform
of Consciousness - curated by Nina Surel Collective 62 October - November 2017 - Artist Residency - Crandon Park September 8 - October 22, 2018 - Group Show Dual Frequency South Florida Cultural Consortium - Art and Culture Center
of Hollywood June 28 - Open Studios Fountainhead Studios June - September 2017 - Two
of my drawings are featured in the Perez Art
Museum's Inside /
Out Public Art Program, which brings reproductions
of artworks from their collection into Miami neighborhoods.
Our suggestion: if you have time, take a car or use the efficient Danish
public transport network and travel few miles
out of Copenhagen's center to visit some
of the beautiful
museums in the city's outskirts, many
of which, additionally, are among the best examples
of contemporary architecture in Europe.
It's a shame that to date the media furore has almost drowned
out the Whitney's stellar programme — including the first survey
of Hélio Oiticica's work in the US in two decades, the first major
museum show for Bunny Rogers and the announcement
of a largescale
public art project by David Hammons.
His work can be found in
museum collections around the world, and he carried
out numerous
public commissions, including a series
of vitreous enamel panels at Embankment underground station.
«Doig embraces everything, soaks it all in and churns it
out in a way that is his alone,» said Stéphane Aquin, co-curator
of Peter Doig: No Foreign Lands, opening to the general
public Saturday, Jan. 25 at the Montreal
Museum of Fine Arts.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College
of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University
of Tennessee, Murray Territory
of Abstraction, Pentimenti Gallery, Philadelphia, PA
Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals
of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals
of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon
Museum of Art, Greensboro, NC (brochure) Islands
of Order in a Sea
of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General
Public, Berlin, DE Doppler Stop, trenutak.39 /
Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance
of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General
Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts
Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos
Museum, Los Gatos, CA (catalogue) The Rule
of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute
of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan
Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year
of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University
of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University
of California at Davis, Davis, CA 2005 Contemporary Perspectives,
Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
It's all part
of the Chrysler
Museum Roadshow, where, with our main building closed for renovation, we're putting our art
out in
public all across the region.
It also urges
museums to stay on the cutting edge
of technology, pushing their way
out of the white - cube sensibility with 3 - D printing, online learning, smart buildings, interactive displays, and increased engagement in
public discussion about themes like urbanism and ecology.
2014 «Shit and Die», Maurizio Cattelan, Myriam Ben Salah, Marta Papini, Published by Damiani, Bologna, ISBN: 9788862084024 «De Generation
of Painting», published by Fondazione 107, Turin, 2014 «Il Piedistallo Vuoto / The Empty Pedestal», Mousse, texts by Boris Buden, Keti Chukhrov, Vit Havránek, Marco Scotini and Joanna Warsza, Milan, ISBN: 9788867490691 «
of course blue affects my way
of shitting», Chert and Motto books, Berlin, ISBN: 978294052418 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 2, Self - published 2013 «Kosovo Pavilion — Venice Biennale», Walther König, edited by Kathrin Rhomberg & Erzen Shkololli, Cologne, ISBN - 10: 3863355474, ISBN - 13: 978 - 3863355470 «Poisoned by men in need
of some love», exhibition catalogue, edited by Elena Filipovic, WIELS and Motto books, ISBN: 978 -2-940524-07-5 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 1, KOSOVO 2.0 «SUPER Visions — Zeichen und Sein», exhibition catalogue,
Museum Schloss Moyland, Verlag für Moderne Kunst, ISBN: 3869844191 2012 «New
Public», exhibition catalogue at Museion, Walther König, edited by Rein Wolfs, texts by Federico Campagna, Maria Lind, Rein Wolfs, Cologne, ISBN: 9783863352400 «30 Künstler 30 Räume», exhibition catalogue, Verlag für Moderne Kunst, text by Franz Xaver Baier, Dietrich Mahlow, Angelika Nollert, Nürnberg, ISBN: 978 -3-86984-320-9 2011 Artist's book, published by Kunstraum Innsbruck and Chert, Berlin «Struktur & Organismus», exhibition catalogue, edited by Stefan Tasch, Marillenhof — Destillerie Kausl, Austria «Ostalgia», exhibition catalogue, published by New
Museum, New York «Based in Berlin», exhibition catalogue, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783863350451 «Kostërrc (CH)», brochure, Chert and Bonner Kunstverein, Bonn «My work and me», edited by Susanne Pfeffer, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783865609052 2010 «Blau Orange 2010 — shortlist Simon Denny, Petrit Halilaj, Klara Liden, Nora Schultz», published by BVR — National Association
of German Cooperative Banks «Drinnen & Draussen», exhibition catalogue, Chert and Motto books, Berlin «What is waiting
out there», Berlin Biennale 2010, curated by Kathrin Rhomberg, DuMont Buchverlag, Cologne «Liste», fair catalogue, Basel
Putting a new spin on the international biennial, CURRENT: LA democratizes the way people access art by featuring temporary art projects and
public programs at outdoor locations, taking art
out of the
museum environment and into LA's diverse neighborhoods.
Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol Look, Andy Warhol
Museum, 1997 Blank Generation Reviseted: Early Days
of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs
of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim
Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005
Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio
of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim
Museum, 2007
Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example
of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008
Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County
Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University
of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting
out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding
of the California Institute
of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial
Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.
05 Jul 2011
Out of the Dark Room Press Release A new exhibition drawn from a collection
of more than 450 photographs brought together by the Irish - born American collector David Kronn opens to the
public at the Irish
Museum of Modern Art on Wednesday 20 July 2011.
Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State
of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign
of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military
Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New
Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time
Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007
PUBLIC COLLECTIONS American Folk Art
Museum, New York City
of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France
Museum of Everything, London
The
out - pouring
of admiration by the
museum going
public during their most recent exhibitions prove that at the heart
of a constantly revolving artistic community, there are bonds cast in iron and stitched laboriously over a lifetime.
These ideas edged
out nearly 200 other proposals from more than 25 countries in a competition co-organized and presented by The Bronx
Museum of the Arts and Design Trust for
Public Space.
2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA
Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape
of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Sound, Radio Arte Mobile, Sound Art
Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery
of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College
of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me /
Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit
Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization
of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City
of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel
Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel
Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery
Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery
of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years
of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Innovation, curated by Susan Davidson, National Art
Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR
It allows you to look closely at the overlooked by bringing a barely visible, if very famous, street protest into a
museum of art where the anguished expressiveness
of its appeal to
public conscience turns
out to be very nearly overwhelming.