Sentences with phrase «public performance space»

The urban infill project includes commercial, retail, and office space, as well as an art gallery and outdoor public performance space.

Not exact matches

Without naming any particular company, Harty explained that recent public market performances of companies in the enterprise infrastructure space have created the perception that overall market for data storage, servers, and related data center technology space is unsteady.

Cordoba House project calls for a 15 - story community center including a mosque, performance art center, gym, swimming pool and other public spaces.

I had reserved free tickets online for a couple of events at «A Prelude to The Shed,» the public introduction to a performance space that will...

Much as Jennie Livingston did in «Paris Is Burning,» her landmark 1990 portrait of New York's drag - ball culture, Jordenö finds revelatory moments of warmth and intimacy in this stylish, spirited performance space — a public realm that offers acceptance, empowerment and advocacy to those who need it desperately.

* In the Fade: Diane Kruger's total immersion in the pain and rage of a woman dreadfully wronged... * Second by second, the most astounding performance of the year: Cameron Britton as Ed Kemper in Mindhunter... * Get Out: TV - like image of Mrs. Armitage (Catherine Keener) receding in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck...

Summer is, then, Obayashi's natural season too: when the heat ticks up childhood spills out into the streets, all the better for detailing the public spaces where communities educate their children through performance, ritual, and, importantly for Obayashi, festivals.

This requires honest performance - based assessment of schools and the creation of options - by finding spaces in effective schools, creating new schools, or even, as Rod Paige did on a small scale in Houston, finding money to pay tuition in available private schools for a few dozen children whose public schools just wouldn't turn around.

For Glodie and Ny» lasia, that performance — and the public hearing space they created — was a chance to push for school discipline policies that were more culturally responsive.

But perhaps the recommendation that offers the largest shift in the education space, and more broadly, public programs overall, is a call for greater accountability and governance models that focus attention on performance and reward meaningful action over political rhetoric.

Chicago Public Schools has provided information about its facilities including space utilization performance standards, capital improvement plans and leases.

(e) The board shall establish the information needed in an application for the approval of a charter school; provided that the application shall include, but not be limited to, a description of: (i) the mission, purpose, innovation and specialized focus of the proposed charter school; (ii) the innovative methods to be used in the charter school and how they differ from the district or districts from which the charter school is expected to enroll students; (iii) the organization of the school by ages of students or grades to be taught, an estimate of the total enrollment of the school and the district or districts from which the school will enroll students; (iv) the method for admission to the charter school; (v) the educational program, instructional methodology and services to be offered to students, including research on how the proposed program may improve the academic performance of the subgroups listed in the recruitment and retention plan; (vi) the school's capacity to address the particular needs of limited English - proficient students, if applicable, to learn English and learn content matter, including the employment of staff that meets the criteria established by the department; (vii) how the school shall involve parents as partners in the education of their children; (viii) the school governance and bylaws; (ix) a proposed arrangement or contract with an organization that shall manage or operate the school, including any proposed or agreed upon payments to such organization; (x) the financial plan for the operation of the school; (xi) the provision of school facilities and pupil transportation; (xii) the number and qualifications of teachers and administrators to be employed; (xiii) procedures for evaluation and professional development for teachers and administrators; (xiv) a statement of equal educational opportunity which shall state that charter schools shall be open to all students, on a space available basis, and shall not discriminate on the basis of race, color, national origin, creed, sex, gender identity, ethnicity, sexual orientation, mental or physical disability, age, ancestry, athletic performance, special need, proficiency in the English language or academic achievement; (xv) a student recruitment and retention plan, including deliberate, specific strategies the school will use to ensure the provision of equal educational opportunity as stated in clause (xiv) and to attract, enroll and retain a student population that, when compared to students in similar grades in schools from which the charter school is expected to enroll students, contains a comparable academic and demographic profile; and (xvi) plans for disseminating successes and innovations of the charter school to other non-charter public schools.

«The public can't tell you what lights are going off, but they like the performance - oriented proportions,» General Motors designer Michael Simcoe said of the look that includes a long hood with its large space between the dashboard and front axle.

In Yashar Azar Emdadian's video performance Des - Integration (2012), the artist shaves his torso in a public space, his body becoming the boundary between a migrant's molting of personal identity and his integration into another culture.

At the core of the PX plan is the «World Stage,» a large, flexible venue space that will serve as an open platform for an ever - changing array of indoor and outdoor public programs, including art installations, concerts, performances, lectures, classes, workshops, conferences, and more.

The sleeping quarters on boats are generally kept to a minimum size in order to maximize public space and performance.

The sleeping quarters on sailboats are generally kept to a minimum size in order to maximize public space and performance.

Anchoring nearly 18 acres of new and revitalized national parkland, the PX will be a 97,000 - square foot multi-use facility offering a set of interconnected indoor and outdoor spaces designed to accommodate a wide range of interactive public programs and activities, including installations, art exhibits, workshops, forums, demonstrations, concerts, performances, and more.

The Times Square EDITION, located at 701 Seventh Avenue on the corner of 47th Street, features 452 guest rooms with four levels of public space including a 5,000 sq. ft. performance venue, a 1,900 sq. ft. meeting studio, state - of - the - art fitness center and a lobby lounge at check in level.

Amongst the green open spaces, delightful pathways, magnificent apple and pear orchards and beautiful flower beds is a selection of fabulous facilities, such as a charming café, public tennis courts, an orangery and a gazebo which provides the setting for free performances of music and entertainment.

Other projects have embedded the significance of «home - making» to query the societal through the domestic, including our award winning FreeSpace projects 2008 - 2016, co-creating public spaces, gardens and performances with mixed cultural residents on a London Estate.

Utilising performance as process to co design public space with public creation throughout the Estate.

This year 450 spaces representing thousands of artists will open their studios to the public, presenting everything from straight - up art exhibitions to musical performances — or just about anything the artist wants to do.

An independent curator and scholar, she is known for organizing processional performances that explore the «political aesthetics of walking, marching, second lining, masquerading and parading,» which she has presented in public spaces from Miami and New Orleans to Gwangju, Cape Town, Venice, and the Tate Modern in London.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Informed by his training as an urban planner and sculptor, Theaster Gates produces works which develop urban spaces through performance art and the critical engagement of the public.

Participating artists include: Otis M.F.A. Public Practice, Karl Doerrer - Attaway, Dan Kwong, David McDonald, Highways Performance Space, EZTV, Ichiro Irie, Michael Barnard, Yvette Gellis, and International Artists Yen Ting Chung (Taiwan) and Joanna Pawlik (Poland).

Participating artists include: Karl Doerrer - Attaway, Luciana Abait, Henriette Brouwers, John Malpede, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Michael Barnard, Continuum Montage, Continuun Studio, Henriette Brouwers, Suzanne Lacy, Otis MFA Public Practice, Clayton Campbell, Yvette Gellis, Electronic Café and International Artist Liu Shih - Tung.

Participating artists include: Arzu Kosar, Karl Doerrer - Attaway, Luciana Abait, Henriette Brouwers, John Malpede, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Michael Barnard, Continuum Montage, Continuun Studio, Henriette Brouwers, Suzanne Lacy, Otis MFA Public Practice, Clayton Campbell, Yvette Gellis, Electronic Café, and Visiting Artists: Birgit Sauer and Heidi Schwegler.

Participating artists include: Dan Kwong, Karl Doerrer - Attaway, Lita Albuquerque, Luciana Abait, Henriette Brouwers, John Malpede, Arzu Arda Kosar, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Chris Fox, Michael Barnard, Bernadette Fox, Birgit Sauer, Continuum Montage, Marina Day, Suzanne Lacy, Otis MFA Public Practice, Michelle Berne, Clayton Campbell, Yvette Gellis, Leslie Starus and Electronic Café.

Intervention could also relate to the performance elements of conceptual art — and their blurring of public / private space and viewer / participant — which in turn related to the early «Happenings» (Allan Kaprow coined the term «Happenings» which he first staged in 1959) and early Black Mountain performances by Rauschenberg, Cage, and Merce Cunningham.

Public instruction exhibitions include Artspace Sydney and Auckland, Performance Space Sydney, the City Gallery Wellington (2013) and the Dunedin Public art gallery 2012.

The cross-pollination of artistic venues during this time exemplifies how communities overlap, thrive, and otherwise extend themselves in multitudes of directions — be it through artists» books, periodicals, and publications, in performance spaces, within gallery - like venues, or in public spaces as small as alleyways and as expansive as Times Square.

Esparza has performed in a variety of spaces including AIDS Project Los Angeles, Highways Performance Space, REDCAT, Human Resources, SOMArts, Vincent Price Museum, LACE and various public sites throughout Los Angeles.

Public Conversation: March 1, 2012, 6:00 - 7:00 PM: Neysa Page - Lieberman, Exhibition Curator and Director, Department of Exhibition and Performance Spaces and Jane M. Saks, Executive Director, Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media, will be in conversation and conduct an audience Q&A with the Guerrilla Girls.

At the New Museum, Chris Burden's documentation of Shoot (1971), in which he famously staged his own shooting, conveys the possibility of failure inherent in performance, the chance that something can go wrong in a public space.

``... the annual event that stretches from East Williamsburg to Ridgewood in a grandiose three - day celebration of art on levels both individually intimate — as artists open their creative spaces to the public — and collectively extravagant — via group exhibitions, performances of various sorts, screenings, parties and so forth.»

Flexible, tiered space that can serve as a public hall for lectures, performances, or films, or an informal gathering place Courtesy Adjaye Associates

From Woodlawn to Wicker Park, billboards, performances, and installations displaced contemporary art in public spaces while commenting on the structures of power.

After several years at the alternative art space LAXART, where she helped produce both the «Pacific Standard Time Performance and Public Art Festival» and «Made in L.A. 2012,» the first biennial to hit Los Angeles, Hunt was tapped by the Studio Museum in Harlem.

The achievement defined another productive year for Chicago - based Gates, who describes his innovative and expansive practice as including «space development, object making, performance and critical engagement with many publics.»

The surveillance camera, a means of maintaining the immediacy of performance in public space and a metaphor for the frames of reference we use to determine the truth of a given situation, has been a key element in Beirne's work since the early»70s and informs this new project for P.S. 1.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

For the third consecutive year, Public will transform Collins Park into an outdoor exhibition space with large - scale sculpture, video, installation and live performance.

Evolving through a range of mediums such as performance, video, installation, sound, and literature, her works consider the fluid border between public and private space, and in so doing, challenge established conventions relating to the body, sexuality, power relations, and institutional spaces.

Expanding on her performance practice exploring the presence of women in public space, Ogunji presents If I loved you.

Stumble upon punctuated performances in public spaces on Floors 1 and 2 throughout the day, and join us in the Gina and Stuart Peterson White Box on Floor 4 as dancers activate the space through improvisational movement.

She has been the recipient of several international awards and honors such as the Art Prize / Art Juried Award, Grand Rapids, MI (2015); Rauschenberg Residency Award, Rauschenberg Foundation, Captiva, FL (2014); Rome Prize from the American Academy in Rome (2007/2008); The Louis Comfort Tiffany Foundation Award, New York, NY (2009/2010); Art Matters Grant, New York, NY (2012); Lower Manhattan Cultural Council Award for Artistic Excellence, New York, NY (2010); the Franklin Furnace Fund for Performance, New York, NY (2006); «In the Public Realm», Public Art Fund, New York, NY (2010); The LMCC Workspace Residency, New York, NY (2005); New York Foundation for The Arts Fellowship, New York, NY (2012 and 2005); and the Marie Walsh Sharpe Space Residency, Brooklyn, NY (2010).

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Jay Pather, Director of the Gordon Institute for Performing and Creative Arts (GIPCA), will speak about curating performance and live art in public space.

For more than three decades Beirne's conceptual art has examined public space, communication, interactivity and sociological concerns through public performances.