Sentences with phrase «public persona while»

Photographed by Annie Leibovitz and styled by Tonne Goodman, the cover and accompanying editorial spread play to Dunham's quirky public persona while staying true to the publication's label - conscious identity.

Not exact matches

While Hogan / Bollea has been telling a jury that he's a private person who blubbered over the sex romp with his friend's wife, he has through his career also manipulated the media at every turn to prop up his public persona.

Theresa May, on the other hand, held fast to her public persona throughout, maintaining the image of a respected, experienced senior minister while those around her clamoured for the keys to Number 10.

While rocker - docs invariably promise to lift the veil of stardom, viewers of titles as diverse as Don't Look Back or In Bed With Madonna will know that the genre generally reinforces, rather than deconstructs, the public personae with which we have become infatuated.

While co-directors Jonathan Dayton and Valerie Faris (Ruby Sparks, Little Miss Sunshine) wring tension and suspense from the same - day build - up to the match, the match itself — captured by grainy, fuzzy TV cameras with the occasional, ground - level insert — and the immediate aftermath (symbolic and figurative, more than real or long - lasting), it's in the months - long lead - up to the match, following Billie Jean King (Emma Stone, never better) and Bobby Riggs (Steve Carell) where Battle of the Sexes steps up its game to offer a sympathetic, insightful, poignant, behind - the - scenes look at the private lives of the public personas who stepped onto the tennis court of the Houston Astrodome on September 20th, 1973, as Americans on both sides of the political divide watched in rapt attention.

And while Oldman is barely recognizable in Darkest Hour, his Churchill is well - worn — the same funny, bullheaded, difficult orator familiar from half a dozen other Churchill biopics and from the prime minister's own self - curated public and political persona.

Opie's portraits operate in the space between public and private persona, while posing questions about the subtle forms of voyeurism that portraiture permits.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

The symbol was apt, for it combined both aspects of his personality - his art was characterized by a subtle delicacy, while his public persona was combative.

While many artists in the United States were exposing the workings of the gallery and institution, and challenging the traditional status of artistic persona, in Europe, attention turned to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall.

Eadweard Muybridge's self - portraits, made while acting out various types of work, show how he forged his public persona by performing in his own photographic studies.