Sentences with phrase «public photography and filming»

With extra visitors could come the risk of unexpected, unwanted, unflattering and too public photography and filming of baby's first few days.

Not exact matches

Now that Marvel's Ant - Man has wrapped principal photography and is in the post-production part of its journey, the studio appears to be getting all of its ducks in order in regard to introducing the film to the general public.

Commercial visitor services, commercial filming, and commercial photography are authorized in Katmai National Park and Preserve when it is consistent with the protection and public enjoyment of park resources.

From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.

While best known for his simple and unique drawing style, Shrigley works in a variety of mediums including photography, sculpture, and film, while also creating public works and artist publications, and collaborating on music projects.

With support from the Paul Hamlyn Foundation, the gallery launched a regular group for 14 - 19 years old in 2014 which works closely with Platform artists to create their own artwork, to produce writing, film and photography about the residencies and to run public events.

From paintings, sculptures, film, photography, weaving / textiles, ceramics, and more, GOS has it covered when over 300 artists open their studio spaces to the public.

Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today.

Throughout the past two decades, Olafur Eliasson's installations, paintings, photography, films, and public projects have served as tools for exploring the cognitive and cultural conditions that inform our perception.

Known for his investigations of identity and a career - long engagement with ideas of power, authority, artifice and illusion, Mark Wallinger works in a wide range of media, covering painting, sculpture, photography, film, installation, performance and public art.

Over the fivemonth exhibition period, General Rehearsal will offer the public curated selections of painting, drawing, sculpture, installation, photography, mixed - media, film, video and performance, including rare, iconic and major works of art alongside pieces from lesser - known, emerging talents from all over the world; new commissions and specially written scripts to narrate the presentations.

Capture Photo Festival Photography is presented at over 70 esteemed galleries and community spaces throughout Vancouver as part of the Festival's Selected and Open Exhibition Programs, and further includes public installations, tours, films, artist talks, and the inaugural Vancouver Photo Book Fair.

Eliasson's practice encompasses sculpture, painting, photography, film, and installation and also engages the broader public sphere through architectural projects and interventions in civic space.

The festival will take place in seven DC Main Streets neighborhoods, bringing visual and performing arts, including painting, photography, sculpture, crafts, fashion, music, dance, theater, film, and poetry, to indoor and outdoor public and private spaces, including businesses.

FOTOFILMIC / / SOLO EXHIBITION AWARDS are a series of juried international calls and publications for emerging and mid» career film and analogue photographers ready to break new ground and take their most accomplished work to contemporary photography industry's public eye!

Working in locations that varied from the Californian landscape to film sets and photography studios, the pair collaborated throughout their friendship as they worked together to broaden the public's perception of «Marilyn».

Jacir's approach opens up a dialogue between diverse cultures, questions borders and truths, through a diverse range of media including film, photography, public interventions, installation, performance and video.

This expansive exhibition includes painting, sculpture, installation, performance, photography, film / video, and public sculpture by U.S. artists from the largest historic Latino groups — of Mexican, Puerto Rican, and Cuban origin — plus artists from Argentina, Colombia, Guatemala, Mexico, Venezuela, and Uruguay, among other countries.

Susan Blight (Anishinaabe, Couchiching First Nation) is an interdisciplinary artist working with public art, site - specific intervention, photography, film, and social practice.

Projects include workshops, seminars, discussions, exhibitions, and presentations that contribute to the formation of artists and the general public through high quality proposals coming from visual arts, photography, film, dance, and performance.

Through this edition's theme, «Oxygen», the festival aims to strengthen already existing public awareness on environmental issues through photography and film — exploring concepts of ecological collapse, perishing nature, industrial waste, human helplessness at facing wars, and destruction caused by immigration and urbanisation.

«Continuing, she boldly asserts, «Most often, artists did not have the expectation that viewers would encounter their works in situ; rather the majority knew that documentation in film, video and photography, or through sketches and plans, would be the primary public expression of their practice.»

Drawing on film, photography, propaganda and public art, the exhibition presented interdisciplinary reflections on African connections to the Soviet Union and related countries.

Artist Shiraz Bayjoo collaborates with members of the public in an exhibition of film and photography discovering economy in Shoreditch...

His public projects activate iconic elements of the urban landscape, while related installations and publications employ print media, photography, and film to extend the works» resonance beyond site specificity.

Diana Heise's practice engages video, photography, performance, installation, film, writing, sculpture, public intervention, and sound.

In this talk, the artist will discuss the different ways in which he works, from his early paintings in the 1990s to his use of costume, photography and performance in film and his most recent series of public sculptures - Wind Sculptures.

Noted for her ambitious interventions in public space, as well as her objects, films, photography, installations and ephemeral actions, Rajkowska's practice interrogates individual and collective bodies as politicised sites of historical, ideological and psychological conflict.

Presentation House Gallery, Vancouver, is Canada's leading non-profit public gallery devoted to the exhibition of photography, film and video.

Ceramics have played an increasingly significant role in McLean's practice, which has been in an almost constant state of invention and re-invention, and currently includes performance, sculpture, installation, public art, painting, printmaking, drawing, photography and film as well as ceramics.

This expansive exhibition will include painting, sculpture, installation, performance, photography, film / video, and public sculpture by U.S. artists from the largest historic Latino groups — of Mexican, Puerto Rican, and Cuban origin — plus artists from Argentina, Colombia, Guatemala, Mexico, Venezuela, and Uruguay, among other countries.

Sherman's investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green - screen technology and the latest advances in digital photography.

PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreAND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moreand more...

Sasha Waters Freyer is a moving image artist trained in photography and film whose work has screened at renowned international film festivals like Rotterdam, Telluride, Tribeca and IMAGES, in museums such as the Pacific Film Archives, the Museum of the Moving Image in New York, the Museum of Contemporary Art in Detroit, on international public and cable television and in microcinemas, basements and country libraries.

However a permit is required for certain filming and photography, such as filming movies, commercial products and photographing in non public areas or if sets and props are involved.