Sentences with phrase «public practice artists»

Not exact matches

Focusing solely on arts - specific practice has led the general public to look upon arts education as worthwhile only for those kids who want to be artists (e.g., «Glee - wannabes»), hence the current overemphasis on practitioner development.

Taiwan Journal of TESOL Teacher Development Teacher Education and Practice Teacher Education and Special Education Teacher Education Quarterly Teacher Educator Teacher Educators» Journal Teachers and Curriculum Teachers and Teaching: Theory and Practice Teachers College Record Teaching & Learning Inquiry Teaching Artist Journal Teaching Children Mathematics Teaching Education Teaching English in the Two - Year College Teaching English with Technology TEACHING Exceptional Children Teaching History Teaching in Higher Education Teaching Mathematics and Its Applications Teaching of Psychology Teaching Public Administration Teaching Science Teaching Sociology Teaching Statistics: An International Journal for Teachers Teaching Theology & Religion Technology and Engineering Teacher Technology, Knowledge and Learning Technology, Pedagogy and Education TechTrends: Linking Research and Practice to Improve Learning TEFLIN Journal: A publication on the teaching and learning of English Tertiary Education and Management TESL Canada Journal TESL - EJ TESOL in Context TESOL Journal TESOL Quarterly: A Journal for Teachers of English to Speakers of Other Languages and of Standard English as a Second Dialect Texas Journal of Literacy Education Texas Music Education Research The EuroCALL Review The Mathematics Educator Themes in Science and Technology Education Theory and Research in Education Theory and Research in Social Education Theory Into Practice Thought & Action To Improve the Academy Topics in Early Childhood Special Education Topics in Language Disorders Tribal College Journal of American Indian Higher Education Turkish Online Journal of Distance Education Turkish Online Journal of Educational Technology - TOJET

As one of the only remaining open calls in New York City, In Practice serves as an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careers.

What was always a private practice of creating work on a multitude of surfaces, including show invitations, sketchbooks, and ceramics, has recently become an important part of the artist's public exhibitions.

The teens strengthen skills through the mentorship of a practicing artist, experience the opportunity of a public audience for their artwork, and explore issues of waste, repurposing, and recycling.

Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others practice détournement — using elements of well - known media to create new work with a different or opposing message — to elevate injury and injustice into the realm of high art.

«Redstone's practice,» explains Professor Jenni Sorkin in a text that accompanies the exhibition, «has developed largely abroad, and in semi-isolation, not unlike Maria Nordman (b. 1943), who is the same generation, and Jo Baer (b. 1929), the minimalist painter - turned - public artist.

Summer Guthery, Assistant Curator Laura McLean - Ferris, Curatorial Fellow Mike Skinner, Technical Director Randi Grov Berger, Curatorial Fellow and Coordinator for Norwegian Pavilion Monika Rendzner, Production Fellow and Coordinator for Polish Pavilion Robert Wuss, Lighting Designer Elizabeth Feidelson, Production Manager Cara Stewart, Curatorial Assistant and Artists Liaison Kristina Valberg, Performa 13 Hub Coordinator Debbie Huang, Production Assistant and Website Coordinator Melissa Negro, Website Coordinator Cora Walters, Communications Intern Amanda Ryan, Curatorial Assistant Paula Court, Archival Photographer Pierce Jackson, Director Performa TV A Practice for Everyday Life, Design Fitz & Co, Public Relations Perry Garvin Studio, Website Design Yeju Choi, Designer in Residence Darling Green, Logistics and Construction Studio Miessen, Performa Hub Design

Participating artists include: Otis M.F.A. Public Practice, Karl Doerrer - Attaway, Dan Kwong, David McDonald, Highways Performance Space, EZTV, Ichiro Irie, Michael Barnard, Yvette Gellis, and International Artists Yen Ting Chung (Taiwan) and Joanna Pawlik (Partists include: Otis M.F.A. Public Practice, Karl Doerrer - Attaway, Dan Kwong, David McDonald, Highways Performance Space, EZTV, Ichiro Irie, Michael Barnard, Yvette Gellis, and International Artists Yen Ting Chung (Taiwan) and Joanna Pawlik (PArtists Yen Ting Chung (Taiwan) and Joanna Pawlik (Poland).

HOUSTON — Atlas, Plural, Monumental, an exhibition at CAMH thanks to the museum's curator Dean Daderko, is a midcareer retrospective of the artist Paul Ramírez Jonas, known for his public art, sculpture, social practice projects.

Participating artists include: Karl Doerrer - Attaway, Luciana Abait, Henriette Brouwers, John Malpede, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Michael Barnard, Continuum Montage, Continuun Studio, Henriette Brouwers, Suzanne Lacy, Otis MFA Public Practice, Clayton Campbell, Yvette Gellis, Electronic Café and International Artist Liu Shih - Tung.

Belgian artist Jan Fabre is internationally known for his multidisciplinary practice that encompasses painting, sculpture, video, site - specific public installations, and performance.

Participating artists include: Arzu Kosar, Karl Doerrer - Attaway, Luciana Abait, Henriette Brouwers, John Malpede, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Michael Barnard, Continuum Montage, Continuun Studio, Henriette Brouwers, Suzanne Lacy, Otis MFA Public Practice, Clayton Campbell, Yvette Gellis, Electronic Café, and Visiting Artists: Birgit Sauer and Heidi Schartists include: Arzu Kosar, Karl Doerrer - Attaway, Luciana Abait, Henriette Brouwers, John Malpede, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Michael Barnard, Continuum Montage, Continuun Studio, Henriette Brouwers, Suzanne Lacy, Otis MFA Public Practice, Clayton Campbell, Yvette Gellis, Electronic Café, and Visiting Artists: Birgit Sauer and Heidi SchArtists: Birgit Sauer and Heidi Schwegler.

Participating artists include: Dan Kwong, Karl Doerrer - Attaway, Lita Albuquerque, Luciana Abait, Henriette Brouwers, John Malpede, Arzu Arda Kosar, David McDonald, Highways Performance Space, Susanna Dakin, Ichiro Irie, Chris Fox, Michael Barnard, Bernadette Fox, Birgit Sauer, Continuum Montage, Marina Day, Suzanne Lacy, Otis MFA Public Practice, Michelle Berne, Clayton Campbell, Yvette Gellis, Leslie Starus and Electronic Café.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

Founded in 1999, the organisation's public mandate is to offer a climate of support for the creation of and interaction with diverse artistic practices by producing new solo exhibitions of international and local artists.

As part of a new programming collaboration 18th Street Arts Center andOtis Graduate Public Practice program co-present a discussion about dOCUMENTA (13), featuring local artists and curators who attended the international exhibition held this past summer in Kassel, Germany.

Local artists and organizations in residence include Lita Albuquerque, Ichiro and Aska Irie, Clayton Campbell, Michael Barnard, David McDonald, Arzu Arda Kosar, EZTV, Bernadette Fox and the Otis MFA Public Practice program.

Art Night also features open artist - studios, provocative art installations, a free concert, the art opening of first year students at Otis MFA Public Practice entitled Autonomy and Ana Guajardo's Marketplace Tianguis, which consists of a cultural explosion of diverse craftworks by twelve artisans in 18th Street's parking lot.

Brit Bunkley is a New Zealand - based artist whose current art practice includes public art, sculpture, installation, and video.

EZTV was a pioneer in independent desktop video production, microcinema, self - distribution, artist - based curating, public practice, multimedia live performance and the use of video projection in exhibition settings.

In this conversation Himid and Eyene will consider the themes explored by the artists, their aesthetics and creative process, collaborative practice in the making of new pieces, and the articulation of private narratives in the context of a public display.

The gallery also contained practice poles for dancing and occasionally for practical skilling by the artists, their collaborators, and the public.

From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.

The completed surveys are all available online, providing students, scholars, and the public with an entry point gain insight into the history, evolution, and practices of alternative and avant - garde organizational structures, art spaces, artists» groups, galleries, publications, and collectives nationwide.

Its core gallery program, Artist Labs, stimulates public dialogue around the role of artists in society through process - based, commissioned projects intending to foster exploration and experimentation and provide in - depth opportunities for artists to critically develop their practice.

Each student's learning plan includes a menu of skills classes in different art media, theories of public practice, and internships with artists such as Mario Ybarra and Kim Abeles.

Slanguage Studio is an artist - driven studio practice and education collective that has evolved organically from an active studio to a public - engagement - oriented sculptural space, interfacing regularly with community members, national and international artists, and youth.

Her art practice has found its public through representation by the Julie Saul Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years at P!

Suzanne Lacy is a visual artist whose prolific career includes performances, video and photographic installation, critical writing and public practices in communities.

In the late 1980's, after eleven years of public policy work for the California Arts Council, where Purifoy initiated programs such as Artists in Social Institutions, bringing art into the state prison system, Purifoy moved his practice to the Mojave desert.

Help Desk is an arts - advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public.

At these events, the public has the opportunity to learn about the creative process behind each artist's studio practice.

Mana Contemporary strives to grow a vital community of Chicago artists, showcasing their practices, processes, and ideas to the public.

Sessions provide information, instruction and professional guidance by addressing areas of practical concern to artists, among them curatorial practice, copyright law, exhibition and public art opportunities, gallery representation, grant writing, income taxes and marketing.

As a non-collecting museum, SculptureCenter's annual exhibition program includes 1 - 2 commissioning programs by mid-career artists, 10 - 15 projects by emerging artists, and 3 - 6 solo and group exhibitions in addition to an exciting series of special projects by emerging artists through In Practice, an open call program, and Public Process, a public art and education initiative for high school stuPublic Process, a public art and education initiative for high school stupublic art and education initiative for high school students.

The Fulcrum Fund is expressly interested in visual art including: public art projects / site specific installations, the publication of writing directly related to the visual arts including printed matter and online publications, artist residencies, film screenings, curatorial projects and exhibitions that highlight unconventional artistic practice, workshops, multimedia, video and photo projects.

Further artist talks will take place throughout the week, including a discussion with Lars Jan (b. 1978) and Isaac Julien (b. 1960) on how artists respond to climate change through their practices, and Yto Barrada (b. 1971) and Daniel Knorr (b. 1968) in conversation with Philipp Kaiser, Curator of Art Basel's Public sector, on art in public territPublic sector, on art in public territpublic territories.

Its mission is to empower artists, advance communities, and contribute positive impacts to its broad public audience by introducing a range of current artistic practices.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

On the occasion of her first public talk in Nigeria at ART X Lagos, award - winning Nigerian artist Njideka Akunyili Crosby sits down with us for an intimate conversation on the various dynamics that inform her work and practice.

The NYC Department of Cultural Affairs and Department of Veterans» Services today announced new projects as part of Bryan Doerries» evolving two - year appointment as a NYC Public Artist in Residence (PAIR), a City initiative to enhance civic services through artistic practice.

January is eager to discuss questions around Public Engagement, socially - engaged art practice, artist residencies, and has a special interest in photography.

Join us for a lively conversation between Dana Yahalomi, founder and leader of Public Movement and research - based artist Carolina Caycedo with Suzanne Lacy, internationally known artist and founder of the MFA in Public Practice at Otis College of Art & Design.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San FraArtist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San FraArtist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Fraartist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Attendees will additionally have an opportunity to learn more about the Hammer Museum's Public Engagement partnership with Art + Practice Foundation (A+P), a new art and social services organization in Leimert Park created by the artist Mark Bradford, the philanthropist and collector Eileen Harris Norton, and the social activist Allan DiCastro.

«It has an unparalleled collection of art and a deep history of helping artists develop their practice and realize ambitious projects... I am excited to begin working with Jessica and the team to guide Dia's strategic approach to exhibitions, collections, and public programs and help the institution continue to fulfill its mission.»

Artists - in - Residence David Russell -LRB-»11 MFA Public Practice) and Roberto Del Hoyo -LRB-»10 MFA Public Practice) of Mobile Mural Lab discuss their residency and outreach at McColl Center for Art + Innovation.

She is also a European correspondent for AOA (Artist Organized Art) to support a critical dialogue between artists, art practice and dissemination via public events.