Sentences with phrase «public reception do»

They are particularly essential in a society devoted to values, to keep before the public a clear vision of ideal ends to be served and to show explicitly in what respects materials offered for public reception do or do not measure up to these standards.

Not exact matches

However, given the poor reception that Facebook's stock has received in the months that followed — the company will release earnings tomorrow — it's not known how well Twitter would do as a public company.

I have to be honest and say that I'm a bit taken aback (and a bit hurt) that those of us who were in the streets in the past five years for Black lives didn't receive this type of reception or public support.

The reception for the film was so euphoric from audiences the jury might have had trouble showing their faces in public if they didn't.

Theron's course - correcting 2003 had nothing to do with this film, which got lousy reviews to go with its poor public reception.

I don't think she'd have starred in a movie as fun or bizarre as Colossal if she didn't have this negative public reception following her post-Oscars.

There wasn't a wedding reception or other seemingly innocuous social event when someone eager to share an opinion about public education didn't corner me.

I have to be honest and say that I'm a bit taken aback (and a bit hurt) that those of us who were in the streets in the past five years for Black lives didn't receive this type of reception or public support.

Reception is open: 9 am — 5 pm Monday to Friday 9 am — 11 am Saturday, Sunday & Public Holidays We do provide a service for guests to check in or check out after hours, we have a safe located on the left hand side wall at the main entrance, if you will be arriving after 5 pm weekday or 11 weekends we will text a code to the safe to your mobile phone, when you arrive you can enter the code and your keys and instructions to your apartment will be waiting for you.

It's one thing to increase the price based on public reception; it's another to admit you did so for that reason.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

What are historians, curators, and critics to do when someone whose work is defined by its reception willfully disappears from public view?

Song Dong Doing Nothing is on view at 510 West 25th Street, New York from January 18 through February 16, 2013, and at 534 West 25th Street from January 18 through February 23, with an opening reception for the public on Thursday, January 17, 6 to 8 pm, at both galleries.

Made in Marfa participants include Ballroom Marfa, Cody Barber, Bazaar Marfa, Roxanne Bloom, Janelle Borsberry, Brothers Art Marfa, Building 98, LéAna Clifton, Cobra Rock, Gretchen Lee Coles, Do Your Thing, Freda, Garza Marfa, Meghan Gerety, Jean Goehring, Greasewood Gallery, Julia Horn, inde / jacobs, Rosy Keyser, Kruger Gallery Marfa, Mano Mercantile, Marfa Book Company, Marfa Brand Soap, Marfa Contemporary, Marfa Country Clinic Gallery, Marfa Gallery, Marfa Open Art Festival, Marfa Public Radio, Marfa Studio of Arts, Austin McClure, Michael Phelan Studio, Mirth, Moonlight Gemstones, Reception, RULE Gallery, Craig V. Schowengerdt, Smilebooth, Speed Studio, The Well, Laszlo Thorsen - Nagel, United Artists, Ltd, Toni VanZant, Veldt and Wrong Marfa.

,» and «And to what extent do the ways in which we write about painting influence both the public's reception of the work and contemporary practice itself?»

One part of the series was in perfect concert with the themes of the exhibition in Cincinnati, and Moeller agreed to do a screening for the public during the exhibition's opening reception.

And to what extent do the ways in which we write about painting influence both the public's reception of the work and contemporary practice itself?

This exhibition will be free and open to the public from January 18 - March 9th, 2018 at The River Arts Center in Prairie du Sac, Wisconsin with an opening reception on February 23, 2018.

Artists can also do a split reception 6:30 pm — 8 pm private by invitation and 8pm - 10 pm public (no alcohol).

However, as they are no longer in production, we think it's fair to say they didn't get a wildly warm reception from the public.