Sentences with phrase «public space of the museum»

Were issues of the public space of the museum and the viewer's circulation through the exhibition a primary concern?

Their performances at the Whitney Museum consist of two presentations of their play Apartment (Mother Courage), a series of performances in the public spaces of the Museum, and the publication of a limited - edition book of the group's selected works.

Drawing attention to secret support mechanisms of these prized artefacts, Claydon's display explores the changes an object undergoes as it passes from storage to the public space of the museum.

Not exact matches

Bank officials, along with Elmo from Sesame Street, celebrated the launch of the program yesterday at the Smithsonian's National Air and Space Museum — it's one of the 14 centers and has received a 2 - year, $ 384,000 grant to work with 20 preschool teachers, 20 aides, and 600 students from public schools in the District of Columbia.

His discoveries permeate the American Museum of Natural History, whether one casually strolls through the public exhibition spaces or rummages intently through the cloistered collections.

We brought our research to the general public at two of the countless events during the festival, the «Science Carnival and Robot Zoo» held during the first Saturday of the festival, and «Soaring into Sky and Space» at the MIT Museum during the second Saturday.

If anything, the lack of space made Leach and his staff reevaluate the purpose of the institution, how to serve the public in a variety of ways, and the different ways that education plays a role in the museum.

The Alimentarium today is an international public learning centre composed of two interconnected spaces, alimentarium.org and Alimentarium, the Museum.

With 10,000 square feet of exhibition space, the museum will host shows, films, lectures, and more for both students and the public.

The Windsor Court Hotel showcases over a $ 9 million dollar collection of original museum quality art work throughout the public spaces of the hotel including works by Gainsbourough, Frith and Van Dyke.

Providing 50,000 square feet of additional gallery space, MoMA's Diller Scofidio + Renfro - designed building project will «allow the museum to reconceive the presentation of its collection and exhibitions, and will provide greater visitor accessibility through the enhancement of the museum's public areas,» according to a press release.

His work is held in various public collections including the Whitney Museum of American Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, DC; the Albright - Knox Art Gallery, Buffalo; the Museum of Contemporary Art, Los Angeles; Moderna Museet, Stockholm; and the de la Cruz Collection Contemporary Art Space, Miami.

Ironically (from an Owens perspective), the roster of figures Foster discusses — Cindy Sherman, Sherrie Levine, Richard Prince, Gretchen Bender and, working as a team, Jenny Holzer and Peter Nadin — includes two (Sherman and Prince) who are among the most celebrated artists of their generation, another who recently enjoyed a retrospective at the Whitney (Levine), and a fourth whose work has long been ubiquitous in museums and public spaces (Holzer).

By opening up her studio to the public and being present to interact with museum goers, Dawn challenges the notion of an artist's creative space as an insular and private environment accessible to a select few from the art world.

Her whimsical sculptures have been featured on television, displayed in public spaces, museums and hotels and are in the private collections of Wynton Marsalis, Mary Tyler Moore and more.

Functional Disorder And Really Shiny Things That Don't Mean Anything Warsaw City Council and the Museum of Modern Art in Warsaw has devoted a new prime space to public art.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

A reimagined public space in the Museum of Contemporary Art Chicago (MCA) is being designed and built by Los Angeles — based Johnston Marklee and Mexico City — based Pedro & Juana.

Get oriented to the museum's 45,000 square feet of public spaces as you encounter works of awe - inspiring scale by artists Julie Mehretu, Richard Serra, Sol LeWitt, and many more.

Not limited to the confines of the museum and gallery, his practice engages the broader public sphere through architectural projects and interventions in civic space.

Since then she has held Senior Curator positions at the American Federation of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminisMuseum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminismuseum devoted exclusively to feminist art.

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.

ARTOPIA is an art diary featuring my evaluations of the art I see in galleries, museums, public spaces, and sometimes in artists» studios.

I also participated in major group shows at museums and public spaces including the Whitney Museum of American Art, the Indianapolis Museum of Art, Museo Nacional Centro de Arte Reina Sofía Spain, the Basel Art Fair, the Brooklyn Museum of Art, Holy Bos Bushwick, the 21st Century Museum of Contemporary Art, Kanazawa, Japan, the Neuberger Museum of Art, and the Smithsonian Museum of American Art Washington DC.

17,772: Current Functional space of the Bass Museum of Art for exhibitions, classrooms and public areas (if the museum wasMuseum of Art for exhibitions, classrooms and public areas (if the museum wasmuseum was open)

Now, starting April 13, art pilgrims will find the institution vastly changed as the result of a 10 - year, $ 500 million renovation project — one that both modernized the museum, including the creation of a 24,000 - square - foot, Turbine Hall - sized public space (a current must - have for art capitals), and brought it back to its original grandeur by stripping away ill - considered additions and ornaments incurred over the years.

When faced with the clean slate of a traditional gallery or museum space, I find less to speak to than when given a triangular - shaped room or a place where sound needs to engage not only with a public but also with the potentially unpredictable interactions of nature or machines.

E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).

He has also participated in numerous group shows in Denmark and abroad, including at Westwerk, Hamburg; Gallery Steinsland Berliner, Stockholm; Athens Video Art Festival, and KØS Museum of Art in Public Spaces in Køge.

Its seasonal New Prints exhibition, curated by Nicola López and titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).

26,212: Future Functional space of the Bass Museum of Art for exhibitions, classrooms and public areas after renovation is completed in 2016

Visit the Conservatory Gallery to see Isamu Noguchi: The Transformation of Nature, a selection of rare photographs from The Noguchi Museum's archives relating to Noguchi's vision of public spaces and his work as a garden, park, and playground designer.

Grants support the International Residency program of Artpace, CHRISpark, the public exhibition of Pace's contemporary art collection, and the work of contemporary artists.The Linda Pace Foundation publicly exhibits its collection through loans to museums and SPACE, its public exhibition gallery opened in April 2014.

Together, the film «Substance», the sculptural grid fragments, and the object at the Metropolitan Museum engage a multi-layered conversation between histories of exhibition sites; concepts of public space and private property; and the paradoxical legacies of historicism and modernism in architecture and design.

Esparza has performed in a variety of spaces including AIDS Project Los Angeles, Highways Performance Space, REDCAT, Human Resources, SOMArts, Vincent Price Museum, LACE and various public sites throughout Los Angeles.

To refer to it as a museum seems ill fitting, as PS1 functions within its own category of gallery cum project space — and in this way it achieves a unique level of accessibility within the public sphere.

Taking place over 15 weeks across the city in public spaces, galleries, museums and online, the Biennial commissions artists from around the world to make and present work in the context of Liverpool.

At the New Museum, Chris Burden's documentation of Shoot (1971), in which he famously staged his own shooting, conveys the possibility of failure inherent in performance, the chance that something can go wrong in a public space.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

Meryl Meisler is a New York - based documentary photographer whose work has been exhibited at the Brooklyn Museum, Brooklyn Historical Society, Dia Art Foundation, MASS MoCA, the New Museum for Contemporary Art, The Whitney Museum of American Art and in public spaces including Grand Central Terminal, South Street Seaport and throughout the NYC subway system.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Winner of the Special Merit Award at the 1997 Venice Biennale, Kang has exhibited in museums and public spaces around the world.

His work is included in collections at the Museum of the City of New York and the Design Trust for Public Space in New York.

Most recently, her work was exhibited throughout the permanent collection and public spaces of Parrish Art Museum during their first summer season in their new Herzog & De Meuron building.

Pas de Deux (Plaza Monument) will debut to the public in April 2016 as part of the grand opening of the Museum's Eagle Family Plaza, a new space for contemporary art and outdoor programming.

Art in Public Spaces, Centro Cultural España Cordoba, Argentina (2010); The Impossible Community, Moscow Museum of Modern Art (2011); 8 +8 Contemporary International Video Art, 53 Art Museum, Quangzhou (2011); Play!

The Nasher, as all museums do, juggles numerous roles as classroom, encyclopedia and community space for both the public and the local arts community, and Chalet does touch upon at least one of those.

Examples of Laugesen's work can be found in various private and public collections around the country, including the Museum of Outdoor Art, Englewood, CO; Cheyenne Mountain Zoo, Colorado Springs, CO; Lowry Community Open Space, Denver, CO; Children's Garden Montessori, Denver, CO..

His participatory projects are geared for public spaces such as shopping malls, crowded city centers, and museums, exploring the intricate connection between life and art with the light of an Eastern wisdom.