Sentences with phrase «public space reflect»

He is interested in the way that urban architecture and public space reflect our needs and aspirations.

«And we'll be taking a hard look at who has been left out and seeing where we can add new work to ensure our public spaces reflect the diversity and values of our great city,» he continued.

«And we'll be taking a hard look at who has been left out and seeing where we can add new work to ensure our public spaces reflect the diversity and values of our great city,» de Blasio added in his statement Thursday.

Not exact matches

Tell me, if the school charged the actual market value for the use of this space and the use of equipment, etc. and if that market value actually reflected the cost to the public, then the issue might become clearer to you because these religious people would scream at having to pay full price and the cost of any damages they may inflict upon the public property they are using illegally.

I think that a spatial model should reflect these facts — the superject of an experience should permeate the body like a «public spirit» that fills the spaces among the cells.

«It is a beloved public space that embodies Coney Island's democratic spirit and reflects our city's values of tolerance, inclusivity and equity,» said Meenakshi Srinivasan, the commission's chair.

«It is a beloved public space that embodies Coney Island's democratic spirit and reflects our City's values of tolerance, inclusivity and equity.»»

All this activity is reflected in a shift in the public perception of space: from «heavenly realm» to everyday reality.

Supplementing the space telescopes, researchers also observed the star in visible light during the same period using AstroLAB IRIS, a public observatory with a 27 - inch - wide (68 centimeter) reflecting telescope located near the Belgian village of Zillebeke.

The hotel's public space areas have been refreshed to reflect a mid-century modern design, the 133 guest rooms provide the traditional Southern charms that travelers to this area appreciate.

The upcoming openings will reflect the new design approach across guest rooms and public spaces.

Reflecting the past of the 100 - year - old train station and looking toward the building's bright future, the hotel and public spaces offer an eclectic mix of historical and contemporary pieces.

The hotels reflect the newly designed lobby spaces of the Courtyard by Marriott brand boasting large HD TVs, high speed internet, and Go Boards offering live news, weather, and sports information, enabling guests to stay connected in the comfort of the relaxing public spaces.

With chic guestrooms, elegant public spaces and exceptional dining at Astor Court, as well as the famed King Cole Bar, this flagship hotel has evolved to reflect the rich history of St. Regis, while infusing the timeless luxury which has come to define it.

The resort's new 430 guestrooms, public spaces and multi-colored seven - story façade reflect that signature style.

Panelists reflected on how women of color can make our voices heard in the travel space and get brands to recognize us as influencers, how we can use our media to inspire other women of color to travel more, and how tourism boards and public relations firms can target women of color to promote their brands.

Kapoor's talk will focus on his long engagement with public space, reflecting on the creative, cultural and political dimensions of his practice.

Within that tradition, the space was conceived not as a typical white cube gallery, but as a new public space for the entire community — and this is reflected in a new approach to programming.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

Born in 1989 and currently 26, Soda explains her work is about girls and for girls in their bedrooms, and takes the private behaviours inherent to those spaces and makes them public, reflecting how that process changes the way in which those behaviours are seen and contextualised.

Her work reflects what girls do in their bedrooms, a private space, and transfigures it into a public space.

The Moore Space is dedicated to presenting international contemporary art forms and aims to achieve this through an experimental program of cross-disciplinary exhibitions, performances, artists and curators residencies and public programs which reflect the state of contemporary art today.

These ideas are further conveyed in his Hub works, where transitory, connecting spaces between rooms, such as vestibules and corridors, speak metaphorically about movement between cultures and the blurring of public and private, as well as reflecting on the passage of the artist's own life.

Reflecting on her collaboration with Dana Yahalomi, Director of Public Movement, Katsof presents a selection of projects that address art and politics in public Public Movement, Katsof presents a selection of projects that address art and politics in public public space.

Through site - specific and mobile media projects that encourage residents to reflect upon their neighborhood and share their stories, / rive seeks to highlight the relationships between public space, mobile technology and local or microhistories.

Featuring essays and unpublished texts by critics in contemporary and media arts, including Joan Fontcuberta, Derrick de Kerckhove, Suzanne Paquet, Fred Ritchin, and David Tomas, the publication was designed to challenge a re-examination of what photography is today, in a time when communication and transmission of visual data in cyberspace, the boundaries of virtual reality, and the Internet as a global public space proliferate images and reflect an imaginal reshaping of the world.

Exploring subjects such as architecture, public space, landscape, and technology, his work reflects his interest in the perpetual flux of the contemporary world, which can be observed in projects such as Enter the Dragon (2006 - 2008) in Beijing, Taipei, and Shanghai, China; Underground (2009 - 2010) in Stuttgart, Germany; and Floating Island (2012) in the Great Basin Desert in Wendover, Utah.

Showing here in London for the first time in a public institution, Carlos Garaicoa reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political space in this exhibition comprised of large - scale installations, sculptures, video and photography.

Extraordinary pieces of public sculpture, luminous with reflected light, they distort ideas of space and play with the line between art and architecture, exerting a curious, totemic power over their often - genteel settings.

Mahmoud Khaled reflected on the relationship between the arts and political history, by considering the representations class and stereotypes in public spaces.

Its concept, which has remained essentially unchanged over the past decades, reflects the ideas of the participating artists; the curatorial team invites artists from all over the globe to explore the relationship between art, public space, and the urban environment, and to develop new, site - specific works.

More recently she has turned her focus on working with young people exploring how their voices are heard in society, including the Noise Summit commissioned by SLG, working with school - aged children who live on an estate in South London, exploring their relationship to noise, making noise and having their voices heard in public space and Baldwin's Nigger RELOADED a project with the sorryyoufeeluncomfortable collective that reflects on the contemporary relevance of Horace Ove's 1968 film documenting James Baldwin's visit that year to the West Indian Student Centre.

Handforth's large - scale sculpture often reflects objects from public space, such as street signs and street lamps, that he reproduces in twisted and bended form.

It remains no surprise, then, that recurrent in the artist's practice has been an engagement with public space, reflecting her longstanding interest in scale, material, architecture and urbanism.

For Please Touch the Art, the artist has installed three forms of social sculptures in Brooklyn Bridge Park: Appearing Rooms, a systematically shifting architectural space formed by jets of water; Mirror Labyrinth NY, a site - specific installation of mirror - polished stainless steel that reflects and distorts the distinctive skyline of lower Manhattan; and sixteen bright red Modified Social Benches, alterations upon the familiar outdoor park bench, which actively engage visitors» perceptions of public space with their curious curves and undulations.

Exploring subjects such as architecture, public space, landscape, and technology, his work reflects his interest in the perpetualRead more

Initiated after curator Claire Tancons» longstanding engagement with Carnival across art history, performance theory, postcolonial studies and curatorial practice, Up Hill Down Hall engages with Carnival as ritual of resistance, festival of otherness and performance art, and with the Notting Hill Carnival specifically as a contested site from which to reflect on notions of public space, performance and participation.

According to the accompanying press release, the artists intend for Storefront «to create a faux reality... which bleeds into the reality of urban space» allowing the viewer to reflect on «the increasingly rapid ways in which public space is constantly being designed, defined, erased, and built again.»

Supported by an Arts Award from the Wellcome Trust, The False Memory Archive at Carroll / Fletcher's new project space will be a series of works developed by Hopwood in collaboration with experimental psychologists, members of the public and a cast of fictional characters that reflect on the history and consequences of false memory research.

Stephanie Kiwitt is using photography to observe public space and reflect on the increasing commercialization of everyday life in our affluent Western society.

She is concerned with how we come to imagine and understand ourselves from within our privacy and often uses video installation as a way to reflect on moments where this process, awkwardly and unavoidably, comes spilling into the public spaces of our lives.

He turns entire rooms, from floor to ceiling, into abstracted landscapes that reflect on the construction of public space.

Curator Solange Farkas and co-curator Gabriel Bogossian present six video works and a set of drawings that explore the delicate breach between public and private space and between past and future, reflecting on image making and its ties to politics, desire, and memory.

The show reflects on the traditional role of public art by offering a counterbalance to the monumental scale often employed for plaza sculptures and other outdoor installations in public spaces.

«This year's data reflects longer - term trends of people moving to the Pacific West, where cities such as Portland and Seattle are seeing the combination of a boom in the technology and creative marketing industry, as well as a growing «want» for outdoor activity and green space,» says Michael Stoll, economist, professor and chair of the Department of Public Policy at the University of California, Los Angeles.