Sentences with phrase «public spaces without»

Puppies can not be in public spaces without being inside a puppy pen or held, and must be separate from other dogs to protect their health.

However, if one really wants to know what it means to, as they state, be «constantly watched (in) public space without anonymity», one need look no further than Oni Timoner's We Live In Public (2009) to really understand the implications of constant surveillance in real life — including the psychotic breaks inflicted on more unstable individuals.

Similar to New York City's Highline, this disused and grim industrial area in the south of Luxembourg has been revived into a pleasant public space without deleting its past.

Not exact matches

Without naming any particular company, Harty explained that recent public market performances of companies in the enterprise infrastructure space have created the perception that overall market for data storage, servers, and related data center technology space is unsteady.

Or maybe someone makes a router that charges a few cents of bitcoin for a few minutes of high - speed Internet access, to be set up in public outdoor spaces and used at any time, day or night, without needing to be housed in a coffeeshop.

When California - based trucking tech upstart Starsky Robotics ceded control of their truck to a combination of sensors, technology and luck, they became the first player in the space that we know of to oversee an autonomous drive on a public road without a person in the cab.

The creation of spaces is currently a major barrier to affordable childcare in our province, and without a clear plan to develop enough spaces to implement a public option and train the necessary workforce such an ambitious plan will be difficult to bring to fruition, let alone pay for.

Visitors love to loiter and linger in St. Peter's Square, not just because they're waiting in line to get into the Basilica, but also because it's a place where you want to stop to soak in the grandeur of the arcades of columns the screen the public space from the surrounding buildings without isolating it.

Both grew without external sponsorship, embraced youthful mobile populations, gave a public role to women, featured voice over text, exploited open spaces in the social system, aggressively globalized their message, adapted to local settings, attracted the marginalized, and established clear yet selective boundaries between themselves and the surrounding culture.

Without exception, women should be able to breastfeed their babies in any and all public and private spaces, at work, in the park, the supermarket, on the subway, at school, in restaurants, on airplanes, and by the local swimming pool.

Being optimised for limited and occasionally confined spaces, including public transport and aeroplanes, the collection combines functionality and design, without compromising on comfort.

But fortunately, breastfeeding advocates are getting more vocal about the need to feed without harassment in public spaces.

«I do not think that any consideration about our economy development can be properly and honestly done without fully analyzing corruption, especially grand corruption in the public finance space.

Other key Assembly Democrats said they will not lift the cap on charter schools without stricter conditions on operations of the publicly funded, privately managed schools — including restricting their ability to share building space with traditional public schools, preventing charters from «saturating» neighborhoods, and banning for - profit firms from running charters — parroting the objections of the teachers unions.

NYC Mayor Bill de Blasio has decided to discontinue three charter schools from using public - school space, leaving hundreds of students without a school for next year.

But the Department of Education plans to move a high school without specialized admissions requirements from elsewhere in Manhattan into the space instead, said Lenny Speiller, the DOE's executive director of public affairs.

Two of the three schools were proposed by Success Academy Charter Schools, a nonprofit group, and without the public space will most likely be unable to open.

Not having gallery space for such a prolonged period raised questions about how to exhibit art and educate the public without a traditional programmable space.

«Public Advocate James» principled position remains consistent: forced co-locations must not move forward without parents» input or when they result in overcrowding, students being warehoused in trailers, loss of space for special education and physical education, and elementary students being mixed with high school students,» her office said in a statement.

who framed the resolution, «charter schools have operated without sufficient transparency; intensified segregation; employed psychologically harmful disciplinary policies; and deprived neighborhood public schools of necessary space and resources through co-location in district buildings.»

NYC Mayor Bill de Blasio has decided to discontinue three Success Academy charter schools from using public - school space, leaving hundreds of students without a school for next year.

In the opinion of delegates who framed the resolution, «charter schools have operated without sufficient transparency; intensified segregation; employed psychologically harmful disciplinary policies; and deprived neighborhood public schools of necessary space and resources through co-location in district buildings.»

As part of the State law extending mayoral control of the schools, the NYC Department of Education (DOE) can not close, move, or share public school space without a public process designed to ensure accountability.

The friendships we form within our writing groups can grow into private emails or chats, providing us a «safe space» to vent and complain without exposing our ass in public.

If any of you can devise a working method that will permit every author to sit in the same space (without running afoul of the fire marshal), the public to browse comfortably, and every reader to pay for all their purchases in one transaction, I'm certain the organizers would adopt it in a heartbeat.

But I'm going to make a small effort to reinvigorate this space, adding my thoughts on evolving issues that I'd like to explore without those thoughts being improperly attributed to the Digital Public Library of America.

We are grateful to the City of Montréal, SDÉVM, Concordia University and Execution Labs, our public and private investors, without whom, the space would have remained an idea.

Zanele states, «I am producing this photographic document to encourage individuals in my community to be brave enough to occupy public spaces, brave enough to create without fear of being vilified, brave enough to teach people about our history and to rethink what history is all about; to reclaim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.»

A previous project, Absence without leave begins with a selection of iconic representations of male bodies and moments of AIDS pandemic in public and domestic spaces documented by photographers.

«Absence without leave» begins with a selection of iconic representations of male bodies in public and domestic spaces documented by photographers.

The paint was applied without discrimination between private and public spaces in the spirit of collectivism.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The dilemma for the museum was then how to render civic architecture without expressing this confusion of public and private space.

Markedly figurative since their respective beginnings, these artists» works have gained popularity by using the public space, which has made their messages recognizable for a wider audience without any sociocultural distinction.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

In the context of a heightened awareness of fake news, the demands of emotional labour and a proliferation of digitally manipulated disembodied voices in public space, the artists ask «what is laughter without the bodies that produce it?».

A soaring, light - filled space of more than 24,000 square feet, with glass roofs and polished Portuguese stone floors, it is the public face of the museum, and like the cavernous Turbine Hall at the Tate Modern in London, it can be visited without an entrance ticket.

Try to lean on anything or anyone and you'll fall down -LSB-...] Los Angeles is a city without public spaces.

This November, Muholi will participate in Performa 17's «South African Pavilion Without Walls,» by presenting large - scale portraits in public spaces across New York City, including Times Square.

Martinez has intervened in public spaces, suggesting alternate uses and interpretations for empty lots or bus stops without seating.

The principle of the exhibition at the Kunsthalle Bern is to present only exhibitions where the space is left rigorously empty, without the addition or subtraction of anything, thus excluding, for instance, shows or works involving the modification of lighting, the installation of sound, the construction of partitions or the exclusion of the public.

Externalities may be addressed by either a tax / credit or some other public policy, public ownership and management of the commons, or privatization of the commons, or through court actions — each option may have it's own costs — for example, the large - scale privatization of the climate system may be impractical with given technology (analogy with toll roads), and even without that, it has at least an aesthetic cost (nature is supposed to be nature; and psychologically, humans may benifit from some amount of public space) and perhaps scientific (ie nature — in this context, nature as it is with relatively small impacts of humankind — is not nature if it is not being itself) costs; there may be inefficiencies in the court system that could be bypassed for issues that are easily addressed with legislation (unless we had a class - action lawsuit on behalf of all people now until the year).

Tim Townshend, a Newcastle academic and former town planner, is one of those suggesting that our public spaces - our cities, suburbs, shopping centres - are enforcing a culture that consumes energy without expending it, encouraging inactivity and poor eating habits.

The competition promotes courtyard housing as an affordable way of increasing neighborhood densities without sacrificing public space and environmental sustainability.

A Release for Use of Likeness is an important way of legally protecting yourself; reproducing the likeness of someone without their permission may be a violation of that person's right, especially if the image is captured in a setting where they would expect privacy (this includes public spaces).

Smart devices that monitor public spaces may collect information about individuals without their knowledge or consent.

Professional Experience SMC Construction (Irvine, CA) 05/2007 — Present Senior Project Superintendent • Supervise and managed subcontractors for a $ 4.2 million parking garage for LA Valley Collage • Perform demolition of the existing parking lot and construction of new 458 parking spaces • Install new lighting and «fire life safety» emergency phone system throughout the parking lot • Construct new storm drain system, Bio-swale, landscaping and new marquee signs • Oversee an $ 18 million construction project for the Ventura County Fire and Sheriff Academy Training Academy (FSTA) • Build single story, metal framed, 47,640 square foot of classroom building • Construct classrooms, fire lab, driving and shooting simulator rooms, library, offices, kitchens, multipurpose rooms, break rooms, and restrooms • Supervise and manage the construction of the Gold LEED Huntington Library • Oversee demolition of existing library in accordance with city regulations • Manage the construction of the $ 28 million Gold LEED Rieber Hall for UCLA • Direct team of more than 120 workers a day for refurbishment of 424 dormitory building • Ensure compliance with Title 24 and the latest code and building regulations • Perform asbestos abatement, installation of HVAC system with new boilers and ductwork, plumbing with Solar panels providing hot water to 24 bathrooms with multiple showers, toilets and sinks, and ADA compliant restrooms • Install electrical system with an emergency generator backup system, 4 traction elevators, windows, and curtain wall system • Completed project on schedule without disrupting the University's use of the 1st floor and exterior • Oversee the $ 5.6 million exterior renovation of the Anaheim Convention Center • Remove exterior walls on 3 sides of the building and install complex new curtain wall system in 20 bays • Maintain job site and public safety allowing use of the convention center during ongoing construction

Indigenous women who are discharged from correctional facilities without support, appropriate transitional accommodation or money also often find their way to inner city parks and public spaces.

We each have it, and that space, in the real world terms is if you put out your arms, and rotate in a circle, that space allotment is «ones own personal space,» not to be invaded by others except by invitation, whether standing in a supermarket line, or at a bank teller line, or in any public space, should never be entered without a direct invitation, one to the other, as to be interpreted: I invite you into my space; come closer; I'm «inviting you into «my space.»

The ability to go from the kitchen to the bedrooms without having to go through the public space was somewhat of a new concept.