Sentences with phrase «public venues such»

well as other public venues such as The Collingswood Farmer's Market to both educate the community and promote shelter adoption.

Group dating gatherings usually take place at public venues such as restaurants where.

Not exact matches

U.S. copyright laws give politicians free rein to use recorded music at their rallies, that is, if the venues possess a public performance licence issued through a songwriters» association such as ASCAP or BMI (in the U.S.) or PRS (in the U.K.).

This may have been in public or private groups and clubs, the publications found in such venues and lifestyles of their followers.

Since opening in July 2000, the winery has gained distinction in Wine Country for its award winning wines, great Mediterranean / American food at their Pinnacle Restaurant, wine tasting classes, public and private tours, and private venues such as parties and weddings.

While my efforts to persuade the Board of Selectmen, the town manager, and the Rec Department director to allocate permits in a more equitable fashion, and to use their power to make sure that the programs using town - owned facilities met minimum standards for inclusiveness and safety, fell on deaf ears (we ended up being forced to use for our home games a dusty field the high school had essentially abandoned), I returned to a discussion of the «power of the venue permit» 10 years later in my 2006 book, Home Team Advantage: The Critical Role of Mothers in Youth Sports, where I suggested that one of the best ways for youth sports parents to improve the safety of privately - run sports programs in their communities was to lobby their elected officials to utilize that power to «reform youth sports by exercising public oversight over the use of taxpayer - funded fields, diamonds, tracks, pools, and courts, [and] deny permits to programs that fail to abide by a [youth sports] charter» covering such topics as background checks, and codes of conduct for coaches, players, and parents.

As long as you are authorized to be somewhere, such as a grocery store, restaurant, public park, library, or other public venue, you are fully within your rights to breastfeed your child.

Young people said that school would be the most appropriate venue for such discussions (94 per cent), followed by youth centres (88 per cent) and public meetings (84 per cent).

Social media's public nature makes Twitter or YouTube a perfect venue for such a propaganda victory, even if the attackers caused no material damage and advanced the front lines in Iraq not one foot.

Public announcements in noisy places — such as railway stations, airports, or sports venues — could become quieter and clearer in future, thanks to new research.

Sign up today and enjoy services that free lesbian dating sites simply don't offer, such as Match.com's ProfilePro service for an expertly written profile and frequent Stir events held nationwide where members can get together and flirt while enjoying different activities such as cooking classes, golf lessons and wine tastings in a pre-booked public venue.

Go Out in Public - Always choose a public venue for your first few in - person dates, such as a restaurant or coffeePublic - Always choose a public venue for your first few in - person dates, such as a restaurant or coffeepublic venue for your first few in - person dates, such as a restaurant or coffee shop.

Sec. 1 - 225 and Sec. 1 - 200) states that «meetings of all public agencies shall be open to the public», and defines public agency as «including any committee of, or created by, any such office, subdivision, agency, department, institution, bureau, board, commission, authority or official», and defines «meeting» as «any hearing or other proceeding of a public agency... to discuss or act upon a matter over which the public agency has supervision control, jurisdiction or advisory power», nonetheless, the State Department of Education attempted to keep the «training session» for superintendents closed to the public, stating it «is not a venue for members of the general public to participate.»

Plus, get auto show information such as venue address and directions, admission price, and more for the public days of every show.

If the training venue allows, 30 foot long leashes are also appropriate for training in designated public places, such as inside fenced off leash public parks, or at a professional dog training facility, to practice things like coming when called.

This means avoiding venues such as public recreation areas, pet stores, and dog parks.

Novotel Sydney Parramatta offers deluxe accommodation and conference facilities conveniently situated in the heart of the Parramatta business district close to local public transport, shopping, entertainment venues & sporting venues such as Rosehill Racecourse & Sydney Olympic Park.

She has participated in many group shows at venues such as the Aspen Art Museum, Colorado, Neuberger Museum of Art, Purchase, Gagosian Gallery, New York, Public Art Fund at the Metrotech Center, New York, and The Jewish Museum, New York.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Originally from Brooklyn, with roots in Puerto Rico, her work is included in public collections such as the Whitney Museum of American Art and the Studio Museum in Harlem, and has been exhibited at venues such as the Brooklyn Museum, the High Museum in Atlanta, the Contemporary Art Museum in Houston, SNO Contemporary Art Projects in Sidney, Australia, and Peregrine Program in Chicago.

His work has been exhibited throughout the US and venues abroad and is included in major collections in the US, Europe, and Latin America including public collections such as the Museum of Contemporary Art, North Miami and Miami Art Museum.

His work has been exhibited throughout the US and venues abroad and is included in major collections in the US, Europe, and Latin America including public collections such as the ICA Miami and Perez Art Museum.

She has exhibited at such venues as the 2011 Istanbul Biennial, Turkey; the Manifesta 9 Biennial, Belgium; the Getty Center, Los Angeles; Atlanta Contemporary Arts Center; Rowan University, New Jersey; SUNY, New York; galleries in Los Angeles, Düsseldorf, Belgrade, and Tijuana; and many other public sites and institutions.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

«Deborah Kassʼs work brings the important message of contemporary art to a venue that is not typically associated with public art projects of such prestige,» said Art Production Fund Co-Founders Doreen Remen and Yvonne Force Villareal.

Her artwork has been shown nationally and internationally at venues such as EXIT Art Gallery, New York; Art Mûr Gallery, Montreal; The Drake Hotel, Toronto; La Jolla Projects, Chicago; Cottage Home Gallery, Los Angeles; Monte Vista Projects, Los Angeles; Public Fiction, Los Angeles; and The Los Angeles Convention Center.

Her work has exhibited internationally at galleries, film festivals and venues such as Vitrine Gallery (London), Public Fiction (Los Angeles), Storefront for Art and Architecture, Anthology Film Archives (New York), and Antimatter Film Festival (Canada).

Shikeith's public programs and group and solo exhibitions have been held at national and international venues such as the MAK Gallery in London; the Wright Museum of African American History in Detroit; MoMA, the Aperture Foundation, and the Vera List Center in New York City; Pittsburgh's Kelly - Strayhorn Theatre; Massachusetts Institute of Technology (MIT); Morehouse College in Atlanta; the Seattle Art Museum; and the Wrocław Contemporary Museum in Poland, among others.

His exhibitions and public programmes were presented at venues such as The Kitchen (New York), Värmlands Museum (Karlstad), National Gallery of Art (Washington, DC), Contemporary Arts Center (New Orleans), Gallery 400 (Chicago), and Akademie der Künste (Berlin).

Drawing inspiration from the Earthworks movement, which saw artists such as Walter De Maria, Michael Heizer, and Robert Smithson making site - specific works from the natural landscape, Art on the Beach provided a temporary public venue for site - specific installations that were sculptural, architectural, and theatrical.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

Her work has been exhibited in solo and group exhibitions at major venues in the U.S. and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, and Musee de La Photographie.

He has organized exhibitions and programming at venues such as The Perch, Public Access, SPACES (Ohio), and the upcoming Terrain Biennial.

The new venue offers a variety of both indoor and outdoor exhibition spaces, and boasts amenities such as free parking and easy access by public transport.

Works by Fountain House Gallery artists are included in 400 public and private collections and have been featured at numerous venues and in special exhibits such as the prestigious Outsider Art Fair.

She has recently had solo exhibitions at venues such as Spike Island, Bristol; the Hugh Lane Gallery, Dublin; and REDCAT, Los Angeles; as well as public work such as 12 Angry Films, a temporary drive - in cinema project in Dublin in 2005.

Hildegoesasger included a series of public sessions at a variety of venues such as the Athens Biennial; The Statens Museum, Copenhagen; Casco — Office for Art, Design and Theory, Utrecht; CCS Bard, New York and Wiels in Brussels.

Robert Montgomery's work has been shown internationally, both in public space projects in cities such as London, Los Angeles, Instanbul, Berlin and Toulouse, as at venues such as Southbank Centre, London; Louvre / Jardin des Tuileries, Paris; Museum of Fine Arts, Houston; Baltic, Gateshead, and Palais de Tokyo Paris.

She explains that this is a good opportunity for a wider audience to experience Gordon's multi-faceted work, «which has been presented in galleries plenty, but never in such a public venue.»

From visits to public and private spaces such as JUMEX Collection, MUAC or Museo Rufino Tamayo, art galleries and other venues.

Ahmady has curated noted exhibitions and public programs at local and international venues such as dOCUMENTA 13, Venice Biennale, Istanbul Biennial, Solomon R. Guggenheim Museum, Asia Society, Museum of Modern Art (MoMA), Independent Curators International, (ICI) and Johnson Museum of Art at Cornell University among many others.

It was the sixth edition of the festival and the first under the artistic direction of Sarah McCrory; as one has come to expect from such biennial undertakings, exhibitions and installations were spread throughout the city, occupying spaces ranging from major public institutions to such quirky, out - of - the - way venues as an underground parking garage, a vendor's stall in a dilapidated shopping center, and a crumbling Edwardian community bathhouse.

Together they have collaborated internationally for venues such as, The Royal Danish Library, Copenhagen; Sesc Pompeia, Sao Paulo: Moderna Museet, Stockholm; CAC Málaga, Málaga; The Art of Elysium, Los Angeles; Foundation Beyeler, Basel, Henie Onstad Kunstsenter, Oslo; and many other public, private and independent spaces throughout the world.

She has presented numerous artists through public programs at notable venues such as the Venice Biennale, Istanbul Biannual, Solomon R. Guggenheim Museum, Independent Curators International, Asia Society Museum, Museum of Modern Art, and Asian Art Museum of San Francisco, among others.

This resourceful approach to assisting artists resonates today in like - minded organizations such as Artist Curated Projects, West of Rome Public Art, Summercamp, and basically all the groups that participated in last year's Los Angeles Collective Show, an event showcasing the efforts of artist - run venues who do fantastic things, both inside and outside «art spaces,» on shoestring budgets.

Chambers has exhibited in both improvised public spaces and venues such as apexart in New York, NY, the High Museum in Atlanta, GA, and the Atlanta Contemporary Art Center among others.

Thanks to important solo shows in public museums and at important venues such as the 2007 Venice Biennale curated by Robert Storr, which featured her work «Maypole: Take No Prisoners,» and solo exhibitions in Spain, over the past few years Spero has conquered the European art scene.

I have been wishing for just such a venue as this where serious dialog can take place between climate research scientists and a genuinely interested public.

They imagine they lose debates because the public can't follow their deep complex arguments and because they lack the showmanship necessary in such a crass venue as a public debate.