Sentences with phrase «publications on contemporary art»

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

Her concerns for the social and philosophical contexts that contemporary art bring about can be found in numerous contributions to publications on contemporary art and art theory.

The bookstore specializes in publications on contemporary art and architecture, Modernist architecture, the work of R.M. Schindler, and exhibition catalogues from both the MAK Center and the MAK Vienna.

She was the Assistant Curator of the Mexican Pavilion at the 54th Venice Biennale (2011), and has authored numerous publications on contemporary art.

She has contributed to a host of publications on contemporary art including Art Papers, Frieze, Contemporary, Flash Art, Nka, Art Journal, Parkett, Lab 71 amongst others.

Osman, who holds a BA in Comparative Literature and an MA in Art Management, contributes to various online publications on contemporary art and curates exhibitions around NYC.

As a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea Zittel.

Not exact matches

On the occasion of her new publication Since» 45: America and the Making of Contemporary Art (Reaktion Books), art historian and critic Katy Siegel sat down with Rail publisher Phong Bui before an audience of artists - in - residence at the Marie Walsh Sharpe Foundation to discuss the book and moArt (Reaktion Books), art historian and critic Katy Siegel sat down with Rail publisher Phong Bui before an audience of artists - in - residence at the Marie Walsh Sharpe Foundation to discuss the book and moart historian and critic Katy Siegel sat down with Rail publisher Phong Bui before an audience of artists - in - residence at the Marie Walsh Sharpe Foundation to discuss the book and more.

She is the author of numerous publications on modern and contemporary art, with a focus on Vienna Actionism, Franz West and Heimo Zobernig.

Beyond Decorum (MIT Press, 2000), accompanied a traveling exhibition — organized by Mark Besire, then director of the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine — was the first comprehensive publication on Udé's photography.

Blackson has contributed to a variety of catalogues and publications, including Art Journal, Cabinet, and Labyrinth, and he has lectured internationally on issues related to contemporary art practiArt Journal, Cabinet, and Labyrinth, and he has lectured internationally on issues related to contemporary art practiart practice.

Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and >> more Guggenheim Museum Publications ISBN 9780892075287 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 11.5 art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and >> more Guggenheim Museum Publications ISBN 9780892075287 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 11.5 Art and >> more Guggenheim Museum Publications ISBN 9780892075287 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 11.5 in.

The gallery's publication division produces books and catalogues focusing on exhibition surveys, contemporary artists and art historical monographs.

She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery ancontemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Preart and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreArt Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery anContemporary Art series published by Whitechapel Gallery and MIT PreArt series published by Whitechapel Gallery and MIT Press.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.

Art Basel's official annual publication continues to capture the shows in Basel, Miami Beach and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors and museum directoArt Basel's official annual publication continues to capture the shows in Basel, Miami Beach and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors and museum directoart and personal highlights from artists, curators, collectors and museum directors.

Opening: «Noah Becker Presents Something» at Berry Campbell Noah Becker — artist, curator and founder of Whitehot Magazine of Contemporary Art (full disclosure, I also write for the publication)-- takes on the role as the first guest curator at Berry Campbell with a show of 20 international artists exploring enigmatic narratives in their paintings, sculptures and works on paper.

In his new publication Jens Hoffmann reflects on the spaces of contemporary art — the gallery, the institution, the biennial — and ultimately positions the discipline of curating in the context of a larger cultural sphere shaped by the political, social, and economic conditions of its time, while demanding new attitudes and new thinking.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothiArt Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothiart, and clothing.

Based on the acclaimed juried publication, an exhibition - in - print, this year's version was selected by Kelly Schindler, associate curator at the St. Louis Contemporary Art Museum, and features an equally diverse group of artists and practices from across the Midwest.

Located on the mezzanine, the bookstore offers MNBAQ publications, a large selection of books by Quebec publishers, galleries, exhibition centers and major events in contemporary art in Quebec.

A comprehensive survey of current publications in the fields of visual and applied arts; includes the indexes ARTbibliographies Modern (covering modern and contemporary art), Design and Applied Arts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full Tarts; includes the indexes ARTbibliographies Modern (covering modern and contemporary art), Design and Applied Arts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full Teart), Design and Applied Arts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full TArts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full TeArt (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full Teart history), together with a complementary collection of current full - text journals, Arts and Humanities Full TArts and Humanities Full Text.

She has written on contemporary Chilean and Latin American art in various international journals and publications such as:

Following the launch of the publication by the same name, the You Are Here: Art After the Internet panel discussion takes place at London's Institute of Contemporary Arts (ICA) on June 18.

Among her recent coedited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios, Performing the Curatorial: With and Beyond Art, and Art and the F Word: Reflections on the Browning of Europe, all of which were published by Sternberg Press.

This elegant, hardcover publication offers the widening audience of art lovers a compilation of portfolios, interviews and essays on contemporary art, and lists all exhibitors participating in the three exhibitions.

This publication, produced on the occasion of Cavepainting, an artist - directed project at the Santa Monica Museum of Art, reproduces an email conversation among three painters with strong overlapping interests - Peter Doig, Chris Ofili and Laura Owens - whose voices evolve into a freewheeling yet cogent exegesis on the state of contemporary painting.

Among her recent co-edited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios and Performing the Curatorial: With and Beyond Art, both Sternberg Press.

Her graduate studies and research are focused on contemporary art through the lenses of affect theory and feminist theory, and her art criticism has appeared in publications such as Mousse Magazine and Art Papeart through the lenses of affect theory and feminist theory, and her art criticism has appeared in publications such as Mousse Magazine and Art Papeart criticism has appeared in publications such as Mousse Magazine and Art PapeArt Papers.

Portocarrero regularly collaborates with contemporary art magazines, such as Artishock and Terremoto; and has contributed with her writings on art and culture in numerous publications.

Carlo McCormick is a New York art critic and curator, and has been the author of numerous publications, monographs, and catalogues on contemporary art and artists.

On the occasion of the publication of the new book The Big Picture:: Contemporary Art in 10 Works by 10 Artists, author Matthew Israel, and influential museum curators and directors Nicholas Baume, Adrienne Edwards, and Jens Hoffman discuss contemporary art's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's Contemporary Art in 10 Works by 10 Artists, author Matthew Israel, and influential museum curators and directors Nicholas Baume, Adrienne Edwards, and Jens Hoffman discuss contemporary art's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's institutiArt in 10 Works by 10 Artists, author Matthew Israel, and influential museum curators and directors Nicholas Baume, Adrienne Edwards, and Jens Hoffman discuss contemporary art's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's contemporary art's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's institutiart's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's institutiart history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's contemporary art in museums as well as the future projects and programming at each panelist's institutiart in museums as well as the future projects and programming at each panelist's institution.

Recognizing the shifting centers of the art world, the West Coast Initiative seeks to document the histories of innovative, and often overlooked, contemporary art exhibition venues situated on the West Coast of the United States and extending into Southwestern British Columbia, Canada, by retrospectively collecting their publications.

A major publication on Liu Wei with an essay by Phil Tinari, Director of the Ullens Center for Contemporary Art, Beijing, will be published by Sean Kelly and Hatje Cantz.

He is the author of numerous publications on Chinese art that include The Universe of Unreality: Zhong Biao (2013), Looking Awry: The Unconscious in Contemporary Chinese Art (2012) and Sinascape: Contemporary Chinese Cinema (200art that include The Universe of Unreality: Zhong Biao (2013), Looking Awry: The Unconscious in Contemporary Chinese Art (2012) and Sinascape: Contemporary Chinese Cinema (200Art (2012) and Sinascape: Contemporary Chinese Cinema (2007).

Molon has contributed to numerous publications, including: Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate Etc., as well as exhibition catalogues for Karen Kilimnik, Elmgreen & Dragset, and Muntean & Rosenblum.

On the occasion of the publication of Liz Deschenes, the artist discusses her work with Eva Respini, curator of Deschenes's exhibition at The Institute of Contemporary Art / Boston opening in summer 2016.

Eisler has had executive editorial roles on several publications including Sanctuary: Britain's Artists and their Studios; Art Studio America: Contemporary Artist Spaces and London Burning: Portraits from a Creative City.

Moshayedi has written extensively on art and film / video in numerous publications including Artforum, Art in America, Frieze, X-TRA Contemporary Art Quarterly and Bidoun, for which he is also a contributing editart and film / video in numerous publications including Artforum, Art in America, Frieze, X-TRA Contemporary Art Quarterly and Bidoun, for which he is also a contributing editArt in America, Frieze, X-TRA Contemporary Art Quarterly and Bidoun, for which he is also a contributing editArt Quarterly and Bidoun, for which he is also a contributing editor.

She is currently working on a publication about IWM's contemporary art collection to be published next year.

The publication includes an introductory essay by Elizabeth Armstrong as well as short entries on each of the Biennial artists by the curators and several additional writers: New York - based art historian Cary Levine, Los Angeles - based independent curator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of Contemporary Aart historian Cary Levine, Los Angeles - based independent curator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of Contemporary ArtArt.

Conceived as the companion to the 2009 publication Art at Colby, the catalogue includes seven essays on the collection's major areas: ancient Chinese art; art through the American Centennial; the art of James McNeill Whistler; art of the Gilded Age; art of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiArt at Colby, the catalogue includes seven essays on the collection's major areas: ancient Chinese art; art through the American Centennial; the art of James McNeill Whistler; art of the Gilded Age; art of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiart; art through the American Centennial; the art of James McNeill Whistler; art of the Gilded Age; art of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiart through the American Centennial; the art of James McNeill Whistler; art of the Gilded Age; art of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiart of James McNeill Whistler; art of the Gilded Age; art of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiart of the Gilded Age; art of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiart of the American West; American Modernism and contemporary art; as well as 17 reflections on specific works or groups of work in the collectiart; as well as 17 reflections on specific works or groups of work in the collection.

You Are Here: Art After the Internet is the first major publication to critically explore both the effects and affects that the internet has had on contemporary artistic practices.

In 2013 he conceived a publication with three other curators and critics: Journal of Contemporary Chinese Art Studies, an annual publication focused on research topics, archiving and exhibition studies of Chinese conteContemporary Chinese Art Studies, an annual publication focused on research topics, archiving and exhibition studies of Chinese contemporary aArt Studies, an annual publication focused on research topics, archiving and exhibition studies of Chinese contemporarycontemporary artart.

The publication is rounded out by Daniel Birnbaum's essay on contemporary time - based art and Kaye Geipel's text exploring the history and architecture of the century - old industrial building that was completely gutted and custom designed to house the collection.

Ms. von Roques has worked for over 20 years in the Middle East with exhibitions and publications on contemporary Arab art.

He has written an essay on the art market and AIDS for the upcoming publication ArtAIDSAmerica being organized by the Tacoma Art Museum.Arning co-organzied with curator Elissa Auther and the Museum of Contemporary Art Denver a survey exhibition Marilyn Minter: Pretty / Dirty and also the first large scale museum exhibition of Mark Flood, entitled Gratest Hits in 20art market and AIDS for the upcoming publication ArtAIDSAmerica being organized by the Tacoma Art Museum.Arning co-organzied with curator Elissa Auther and the Museum of Contemporary Art Denver a survey exhibition Marilyn Minter: Pretty / Dirty and also the first large scale museum exhibition of Mark Flood, entitled Gratest Hits in 20Art Museum.Arning co-organzied with curator Elissa Auther and the Museum of Contemporary Art Denver a survey exhibition Marilyn Minter: Pretty / Dirty and also the first large scale museum exhibition of Mark Flood, entitled Gratest Hits in 20Art Denver a survey exhibition Marilyn Minter: Pretty / Dirty and also the first large scale museum exhibition of Mark Flood, entitled Gratest Hits in 2016.

• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.

The publication will feature essays by leading scholars in the contemporary and American Indian art fields that provide a range of perspectives on Gibson's work, including Anne Ellegood, senior curator at the Hammer Museum, and Glenn Adamson, senior scholar, Yale University.

Her writings have been published in print and online publications, such as Pedro Reyes» forthcoming monograph, MoMA's Post: Notes on Modern and Contemporary Art around the Globe, and Artforum.