Three times featured in New American Paintings, her works are the topic for review in numerous books, catalogs and publications including Art Papers, The Boston Globe and recently
published Painted Landscapes: Contemporary Views.
Not exact matches
Composed from amateur footage taken by Abraham Zapruder and subsequently
published in Life magazine, Laing's shaped - canvas
painting highlights the international fascination with America's cultural revolution and the ways in which it could shift the political
landscape.
Mazow has
published articles on Edward Hopper, Regionalism, New York Dada, and American
landscape painting in such journals as Art Bulletin, American Art, and Winterthur Portfolio.
He has written and
published on a variety of subjects most noteworthy are articles for the Folk Art Messenger and publications on American poster art, Maurice Prendergast and American
landscape painting.
Dr. Mazow has also
published peer reviewed articles on Regionalism, New York Dada, and American
landscape painting in such scholarly journals as Art Bulletin, American Art, and Winterthur Portfolio.
Mazow has
published articles on Edward Hopper, Regionalism, New York Dada, and American
landscape painting in such journals as
In 1794 Richard Payne Knight and Uvedale Price simultaneously
published vicious attacks on the «meagre genius of the bare and bald», criticising his smooth, serpentine curves as bland and unnatural and championing rugged and intricate designs, composed according to «picturesque» principles of
landscape painting.
In his 1961 article «The Abstract Sublime», originally
published in ARTnews, the art historian Robert Rosenblum drew comparisons between the Romantic
landscape paintings of both Friedrich and Turner with the Abstract Expressionist
paintings of Mark Rothko.
Published on the occasion of Richter's major touring exhibition in Europe, this landmark publication encompasses his entire oeuvre, now stretching across more than a half - century of activity, including photo -
paintings, abstracts,
landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs.
Jennifer Bartlett:
Painting the Language of Nature and
Painting, 2006 Text by Donald Kuspit 78 pages, Hardcover
Published by Locks Art Publications ISBN: 1 -879173-76-x $ 30.00 This catalog accompanied an exhibition of new large - scale
paintings based on Bartlett's earlier sketches of the coastal
landscape.
Tags: 2013, Art, art book, Art Book Publishers, Art Book
Publishing, Book of the Week, Contemporary British Art, Exhibitions,
landscape painting, Lund Humphries, Mike Knowles, Modern British Art, North Wales, Oriel Tegfryn Gallery,
painting, Peter Prendergast, Richard Cork, The Art of Peter Prendergast,
Tags: A Crisis of Brilliance, Andrew Causey, Art, art book, Art Book Publishers, Art Book
Publishing, book illustration, Book of the Week, Dulwich Picture Gallery, English
landscape painting, First World War,
Landscape and the Life of Objects,
Landscape from a Dream,
landscape painting, Lund Humphries, Modern British Art, Modernism, Pallant House, Paul Nash, Paul Nash The Clare Neilson Collection, Romanticism, Second World War, Slade School of Art, Surrealism, Tate, Totes Meer, War Artist, wood engraving,
Tags: Alan Livingston, Art, Art Book Publishers, Art Book
Publishing, Book of the Week, contemporary art, Cornwall, Gerard Manley Hopkins, Glastonbury Festival, Greenpeace, Kurt Jackson, Kurt Jackson Sketchbooks, Kurt Jackson The Burn,
landscape painting, Lighthouse Glasgow, Lund Humphries, Michael McCarthy, Modern British Art, The Independent,
Tags: Art, art book, Art Book Publishers, Art Book
Publishing, Ashmolean Museum, Bonham's, Book of the Week, Ivon Hitchens,
landscape painting, Looking a the View, Lund Humphries, Modern British Art, Paul Nash, Peter Khoroche, Tate Britain,
Tags: Art, Art Book Publishers, Art Book
Publishing, Audrey Walker, Book of the Week, Christopher Andreae, Glasgow, Gracefield Arts Centre, Joan Eardley, Joan Eardley exhibition,
landscape painting, Lund Humphries, Modern British Art, National Gallery of Scotland, Portland Gallery, Scottish art, The Independent, The Scotsman, The Scottish Gallery, Woman's Hour,
Among his many books on
landscape painting and Ming and Qing art, he has a new series on the history of the museum; the first volume,
published in 2012, is entitled, Art Museum as Knowledge Production.
What has not been mentioned is that the «Saul - into - Paul conversion theory»,
published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses,
landscapes, buildings, using only black
paint.
Rhoads also
publishes PleinAir, a magazine focused on representational
landscape painting with in - depth coverage of historical and contemporary artworks
painted en» plein air and in studio and the Plein Air Convention.
Tags: Alan Powers, Art Book Publishers, Art Book
Publishing, Book of the Week, Eric Ravilious, Eric Ravilious Artist and Designer; Sotheran's,
landscape painting, Lund Humphries, Modern British Art, Pallant House Chichester, Towner Art Gallery, V&A,
Published in the early 1970s, a decade that has largely influenced her visual aesthetic, The Practical Encyclopedia of Good Decorating and Home Improvement yielded stylish reproductions of brightly
painted foyers, tiled kitchens, and wood - paneled living rooms which Thomas coupled and collaged with her own photographs, swathes of patterned textiles and blocks of pure color, and at times, glimpses of the
landscape to render kaleidoscopic shifts in perspective.
It features a wide array of full - color reproductions of her work across media — much of it new and never before
published — including photo collages and provocative
landscapes, along with an interview with the artist and critical texts that elucidate her
paintings» investigations of femininity, sexuality and power, and provide extensive context for her oeuvre as a whole.
«Today the countryside is dying, and this is [a] great threat to Chinese people,» Zhang told Foreign Policy, which recently
published a gallery of his work, including his provocative takes on Ma Yuan's famous series of 12th - century
landscape paintings: