Sentences with phrase «published by abstraction»
Developed and published by Abstraction Games, 8 - bit Adventure Anthology is a compilation featuring faithful remakes of three of the best 8 - bit point & click adventure games ever made.
http://www.zojoi.com/ Not exact matches
First Cousin Once Removed benefits from the clarity provided by Honig's published poetry, which surfaces in voiceover narration and words on the screen, rendering the undulations of his life in sweeping abstractions.
Pixel Piracy is developed by Quadro Delta / Abstraction Games, and published by 505 Games.
Developed by Wayforward, Abstraction Games and published by Majesco Entertainment A Boy and His Blob is an action adventure platformer.
Developed & Published by: Abstraction Games, available on the Xbox store now for # 11.99.
The Sexy Brutale is developed by Cavalier Game Studios, Tequila Works, Abstraction Games, and published by Tequila Works.
Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.
This richly illustrated catalog, published to accompany Bradley's midcareer survey organized by the Albright - Knox Art Gallery in Buffalo, presents the full range of Bradley's unique approach to language, abstraction and the evolutions of style.
Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.
«Cave Painting,» which brings together works by twenty - seven artists, evolved as a result of Nickas's research for his book, painting abstraction, to be published in September by Phaidon Press.
Thomas Chimes: Early Works (1958 - 1965), 2009 Text by Lisa Saltzman 56 pages, Hardcover Published by Locks Art Publications ISBN: 978 -1-879173-41-5 «Developing, in these formative paintings, a visual style indebted to the palette and compositional structures of such modernist forefathers as Marsden Hartley and Henri Matisse and emboldened by the stenographic proto - abstractions of such New York School predecessors as Jackson Pollock and Mark Rothko, Chimes systematically put forth a series of paintings that pressed such experimentations with the limits of figuration into the realm of the theological, the philosophical and the historical.
This richly illustrated catalog, published to accompany Bradley's mid-career survey organized by the Albright - Knox Art Gallery in Buffalo, presents the full range of Bradley's unique approach to language, abstraction and the evolutions of style.
Calling for a rejuvenation of abstraction by achieving the depth of baroque painting, [18] these six talks were published by Harvard University Press in 1986 under the title Working Space.
1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»
Edna Andrade: Drawings (1958 - 1993), 2010 76 pages, Softcover Published by Locks Art Publications ISBN: 978 -1-879173-68-2 Philadelphia artist Edna Andrade (1917 - 2008) was revered for her mastery of Op Art technique and hard - edge geometric abstraction.
Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.
Quoted in Colour and Culture: Practice and Meaning from Antiquity to Abstraction by John Gage, published by Thames & Hudson, 1995, page 266.
Cloud's works and writing have been featured in the New York Times, Art in America, Art Review and in the painting survey Painting Abstraction by Bob Nickas, published by Phaidon Press.
Calling for a rejuvenation of abstraction by achieving the depth of baroque painting, these six talks were published by Harvard University Press in 1986.
It has also been featured in the New York Times, The New Yorker, Frieze, Artforum, Art in America, and the survey Painting Abstraction, published by Phaidon Press.
Reinventing Abstraction: New York Painting in the 1980s Published by Cheim & Read (2013) Text by Raphael Rubinstein 82 pages with 15 color plates Softcover $ 30.00
What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.
Her work was also included in Painting Abstraction: New Elements In Abstract Painting by Bob Nickas, published by Phaidon Press.
Cloud has been reviewed in the New York Times, Art in America, Art Review, and featured in the publication Painting Abstraction by Bob Nickas, published by Phaidon Press.
On the occasion of the exhibition Leftover Paint Abstractions, Xavier Hufkens has published a catalogue featuring an essay by the New York - based writer, curator and educator Joshua Decter, and an interview with the artist by the curator and director of the Swiss Institute New York, Simon Castets.
The mode of abstraction is identified in the press release as the New Casualism, an appellation cooked up by Sharon Butler in an essay, «Abstract Painting: The New Casualists,» published in the Brooklyn Rail in 2011.
B+W = ABSTRACTION (except for the zebras), curated by Hans Ulrich Obrist and Agata Boetti, have separate catalogues, both published by Forma Edizioni.
Richard Diebenkorn: Early Color Abstractions 1949 - 1955 is accompanied by a fully illustrated exhibition catalog, with an introductory essay by Mark Lavatelli, an artist, published writer and Professor of Humanities at Medaille College in Buffalo, NY.
On view May 3 to June 30, the exhibitions present bright color abstractions by Treib alongside a group of monochrome prints selected from Crown Point's previously published work.