Sentences with phrase «published by international artist»

The magazine is published by International Artist Publishing whose titles American Art Collector and Western Art Collector have become the art collectors» «bibles» for their respective genres.

Not exact matches

I worked in the international music industry most of my life and my artists were published / produced and released by both major and indie record labels.

Led by Lucas Zwirner, David's son, David Zwirner Books was established in 2014 as a stand - alone publishing house with international distribution to produce catalogues, monographs, historical surveys, artists» books, and catalogues raisonnés.

Published by Moderna Museet, Stockholm in association with Hatje Cantz, the formidable catalogue also demonstrates the «great force» with which af Klint merged her talents as medium and artist.7 Edited by Iris Müller - Westermann, curator of International Art at Moderna Museet, the volume is weighted heavily on the visual; page after page of af Klint's works threaten to overwhelm the senses even in reproduction.

Edited by antique dealer Frank Maresca of Ricco / Maresca Gallery in New York, «Black Dolls» (Radius Books) was published to coincide with the Mingei International Museum show and includes essays by Margo Jefferson, Lyle Rexer, and artist Faith Ringgold.

Her writings have been included in many publications, among them Patti Smith: 9.11 Babelogue, published in conjunction with her exhibition at Hunter College; Cai Guo - Qiang: I Want To Believe, published by the Solomon R. Guggenheim Museum, New York; entries in the Benezit Dictionary of Asian Artists and The Grove Dictionary of Art, Oxford University Press; Greater New York, the 2003 exhibition organized by PS1 and The Museum of Modern Art; and Artforum International.

The Gallery also works with a number of established American, British and European artists whose works have been published and acquired by international museums and institutions.

The 2014 A Book Fair is presenting artists» books, art catalogs, monographs, periodicals, and zines published by over 250 international presses, booksellers, antiquarians, artists, and independent publishers.

Published artists will be promoted through our international digital and print distribution, as well as by extensive exposure through social media.

This elegant volume, published in conjunction with an exhibition at the San Francisco Museum of Modern Art, features large - scale color plates of over 250 artworks by 140 artists of international renown, such as Jackson Pollock, Robert Rauschenberg, Alberto Giacometti, Richard Diebenkorn, and many others.

In the May 1968 issue of Art International, the thirty - eight - year - old German artist Charlotte Posenenske published a manifesto lamenting the «regressed» utility of art and, by implication, the larger network of the art world.

Pastel Artists International (9-10/02, the final issue) published by Pastel Artists International.

He is published in American Artist Magazine, July 1974, International Artists Magazine, Feb / March 2002, Best of Oil Painting by Rockport Publishing amongst others.

do it: The Compendium, published last year by D.A.P. and Independent Curators International, compiles all of the instructions produced so far by participating artists, including written contributions by Yoko Ono, Damien Ortega, Pipilotti Rist, Dan Graham, Marina Abramovic, Liam Gillick, Douglas Gordon, and Rosemarie Trockel.

May's educational programing teaches critical thought through public discussions, publishing, exhibitions and by actively integrating international resident - artists into the surrounding communities.

Drawing Now, published to accompany the first major survey of contemporary drawings at The Museum of Modern Art, New York, in 15 years, contains more than 100 color reproductions of work by 26 international artists, both well - known and emerging, that demonstrate the fascinating variety of methods and approaches, mediums and scales, apparent in this old - again, new - again art.

The gallery also works with a number of mid-career American, British and European artists whose works have been published and acquired by international museums and institutions.

Since 1988, Jacob Samuel has published 43 portfolios, and his archive comprises more than 800 prints made by a wide range of over 50 international artists, including Marina Abramovic, John Baldessari, Chris Burden, Mona Hatoum, Rebecca Horn, Anish Kapoor, Barry McGee, Ed Moses, Matthew Monahan, Wangechi Mutu, Gabriel Orozco, Nancy Rubins, Ed Ruscha, Robert Therrien, James Welling, Christopher Wool

Since 1988, Jacob Samuel has published 43 portfolios, and his archive comprises more than 800 prints made by a wide range of over 50 international artists, including Marina Abramovic, John Baldessari, Chris Burden, Mona Hatoum, Rebecca Horn, Anish Kapoor, Barry McGee, Ed Moses, Matthew Monahan, Wangechi Mutu, Gabriel Orozco, Nancy Rubins, Ed Ruscha, Robert Therrien, James Welling, Christopher Wool, and Andrea Zittel, among many others.

Since 1988 Jacob Samuel has published 43 portfolios of prints made by a diverse group of international artists, including Marina Abramovic, John Baldessari, Chris Burden, Mona Hatoum, Rebecca Horn, Anish Kapoor, Barry McGee, Ed Moses, Matthew Monahan, Wangechi Mutu, Gabriel Orozco, Nancy Rubins, Ed Ruscha, Robert Therrien, James Welling, Christopher Wool, and Andrea Zittel, among many others.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan, published last year by MIT Press, «examines three key figures in Japanese art of the 1960s who made radical and inventive art,» including Japanese conceptual artist Matsuzawa Yutaka, Kansai - based art collective The Play and a regional collective Group Ultra Niigata.

PRINT PUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - Published

In 2012 she initiated Dominica Publishing, which includes a catalogue of ten titles by international, emerging artists.

Brown's alliance with New York's Parasol Press in the early»70s brought a roster of East Coast minimalist and conceptual artists to the Bay Area to make their first prints and helped Brown gain the reputation and connections to publish editioned works by artists of national and international renown, including LeWitt, Kounellis, Ed Ruscha, Richard Tuttle, John Baldessari and Helen Frankenthaler.

2013 Published by the Artist, International Print Center of New York.

2006 OMSKBOOK, Compendium of the Live Art event, with Artists writings essays by Tracey Warr and Helen De Witt published by OMSK 2006 Artists try not to talk about Art, book of artist's interviews published by Space Studios, with dialogue between Jennet Thomas and Sally O'Reilly 2006 14th INTERNATIONAL NEW YORK UNDERGROUND FILM FESTIVAL at Anthology film Archives catalogue

Ruffneck Constructivists, published to accompany a group exhibition curated by artist Kara Walker, brings together 11 international artists in order to define a contemporary manifesto of urban architecture and change.

The gallery also works with a number of mid-career American, British and European artists whose works have been published and acquired by International museums and institutions.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MaPublishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Mapublishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MaPublishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

I am attaching the link to Allison Schulnik's exhibition published on Wall Street International Magazine: Mark Moore Fine Art introduces first cast bronze works by artist Allison Schulnik from her...

Aim is to create connections between art and cutting - edge visual culture by publishing and exhibiting projects by international artists who have advanced contemporary and interdisciplinary art practice, forming a point of convergence where design is engaged in conversation with contemporary art.

Published concurrently with the exhibition Terence Koh: Love for Eternity at Spain's Museo de Arte Contemporáneo de Castilla y León (MUSAC), this is the artist's first substantial monograph; it includes an in - depth interview with international curator - critic Hans Ulrich Obrist and essays by Bill Arning, Curator of the MIT List Visual Arts Center, MUSAC Chief Curator Agustin Pérez Rubio and artist Cerith Wyn Evans.

Documentation of artists and artworks published to accompany the international touring exhibition Text & Subtext, International Contemporary Asian Women Artists Exhibition, including Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Editor: Binghui Huangfu Foreword by Alan Rubenstein Introduction by Binghui Huangfu Statements by Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Biographical information Bibliographical information Softback, 120 pages, 28 x 19 cm, 131artists and artworks published to accompany the international touring exhibition Text & Subtext, International Contemporary Asian Women Artists Exhibition, including Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Editor: Binghui Huangfu Foreword by Alan Rubenstein Introduction by Binghui Huangfu Statements by Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Biographical information Bibliographical information Softback, 120 pages, 28 x 19 cinternational touring exhibition Text & Subtext, International Contemporary Asian Women Artists Exhibition, including Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Editor: Binghui Huangfu Foreword by Alan Rubenstein Introduction by Binghui Huangfu Statements by Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Biographical information Bibliographical information Softback, 120 pages, 28 x 19 cInternational Contemporary Asian Women Artists Exhibition, including Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Editor: Binghui Huangfu Foreword by Alan Rubenstein Introduction by Binghui Huangfu Statements by Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Biographical information Bibliographical information Softback, 120 pages, 28 x 19 cm, 131Artists Exhibition, including Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Editor: Binghui Huangfu Foreword by Alan Rubenstein Introduction by Binghui Huangfu Statements by Arahmaiani, Chila Kumari Burman, Ham Kyungah, Hening Purnamawati, Hiroko Inoue, Hung Liu, ium, Joyce Vyvyann Lim, Judy Freya Sibayan, Mee Ping Leung, My Le Thi, Nalini Malani, Nguyen Thi Chau Giang, Qin Yufen, Sora Kim, Suzann Victor, Tari Ito, Varsha Nair, Wu Mali, Ye Shufang, Yin Xiu Zhen and Zhang Xin Biographical information Bibliographical information Softback, 120 pages, 28 x 19 cm, 131 illus.

Bilderarchive der Unsichtbarkeiten, Sixth Esslingen International Photo Triennial Galerien der Stadt Esslingen am Neckar, Esslingen am Neckar 2003 Urban Aesthetics 2003 California African American Museum, Los Angeles The Night of the Hunter Brigitte March Gallery, Stuttgart Selections from the LeWitt Collection New Britain Museum of American Art, New Britain 2002 What About Hegel Brigitte March Gallery, Stuttgart 2001 Installation of Airplanecrashclock Museum of Contemporary Art San Diego, La Jolla 2000 Deep Distance - Die Entfernung der Fotografie Kunsthalle Basel, Basel A Selective Survey of Political Art John Weber Gallery, New York 1999 Mixed Media: Selections from the Segura Publishing Archives Scottsdale Museum of Contemporary Art, Scottsdale Pictures of Other People's Bodies Richard Heller Gallery, Santa Monica More than Meets the Eye: Triennale der Photographie Deichtorhallen, Hamburg Landschaft — Stadtlandschaft (Landscape — Cityscape) Brigitte March Gallery, Stuttgart Landscape Memories organized by Steven Hull Rosamund Felsen Gallery, Santa Monica Touring the Frame organized by Charles Gaines Rosamund Felsen Gallery, Santa Monica 1997 Die Magie der Zahl Staatsgalerie Stuttgart, Stuttgart 1992 Coming Unraveled Otis College of Art and Design, Los Angeles 1990 Drawing 1990 Brigham Young University Museum of Art, Provo 1986 Work from the Collection of Sol LeWitt Museum of Art, Fort Lauderdale 1985 Selections from the William Hokin Collection Museum of Contemporary Art, Chicago 1980 Artists From The John Weber Gallery University of South Florida Contemporary Art Museum, Tampa 1978 Works on Paper Margo Leavin Gallery, Los Angeles Numerals 1924 - 1977 Leo Castelli Gallery, New York 1975 Whitney Biennial 1975 Whitney Museum of American Art, New York

This is one in a new series of interviews, artists» statements and essays, being published by IMMA, which will form a collectable edition on Irish and international artists.

Helander, Bruce, Susan Hall, and William Warmus, Learning to See: An Artist's View on Contemporary Artists from Artschwager to Zakanitch, published by StarGroup International, West Palm Beach, FL, 2008

The Fair is sponsored by the International Fine Print Dealers Association [IFPDA] and exhibitors are selected for their outstanding ability to offer collectors a diverse survey of 20th century masterworks and just - published editions by leading contemporary artists.