Sentences with phrase «published by a traditional house»

I take issue with the gentleman who commented that authors published by a traditional house either know someone in the business or are good schmoozers.

Consumers do not distinguish between e-books published by traditional houses and independently published options when making buying decisions.

Here at Indies Unlimited, we often engage in discussions about the advantages and disadvantages of being an indie versus being published by a traditional house.

Unfortunately it's all too common for this to happen, and it shouldn't - especially it it was edited and published by a traditional house.

«As the field of self - publishing matures, the quality of both content and format for many of these titles is becoming indistinguishable from those published by traditional houses,» said Mr. Barblan.

We work with first - time authors, or experienced writers published by traditional houses, looking for new ways to take charge of their own books.

Hiring these pros isn't cheap, but your reputation as a novelist is at stake, and you might improve your chances of getting published by a traditional house.

Whether a first - time author or an experienced writer published by a traditional house, we offer customized, one - on - one services to help you take charge of your work.

If you are someone who's been published by a traditional house, see if they have the rights to your digital content.

-LSB-...] Do you wonder how close you are to getting published by a traditional house?

There is, I believe a significant difference between authors published by traditional houses and self - published books in that the latter lack the processes that we can count on to ensure a minimal level of quality, both of content and style.

Having previously been represented by an agent and published by traditional houses well into the «80's, I knew there wasn't a snowball's chance in hell that I'd ever interest a mainstream house in publishing my collection of assorted offerings.

Sharon, previously published by a traditional house, was turned down for Cookin» because the lead characters were too old (ah - hem, they were only fifty).

«As the field of self - publishing matures,» Barblan says in his statement, «the quality of both content and format for many of these titles is becoming indistinguishable from those published by traditional houses.

As the field of self - publishing matures, the quality of both content and format for many of these titles is becoming indistinguishable from those published by traditional houses.

Not exact matches

Note: Many fiction authors are going to feel they want to be published by a traditional publishing house no matter how well their book is selling through their own press.

A reputable awards program puts your self - published book on the same level with books released by traditional publishing houses.

The Rogue Reader initiative in New York, created and housed by Movable Type Management agent Jason Allen Ashlock and Adam Chromy is, similarly, a self - publishing program, a form of «assisted publishing» developed by an agency to take a part of clients» output in hand and help get it to an audience without a publisher in the traditional role.

More specifically, I queried: Will today's community of literary writers and readers always remain part of the establishment of traditional publishing houses, or will it eventually evolve to be represented by indie fiction?

Self - publishing, for many, has been an incredible avenue for authors that were either rejected by traditional publishing houses or might've been if they'd queried.

A query letter is the only way to get a literary agent to read your completed or partial manuscript (and get published by a traditional publisher like Random House)-- 98 % of the time.

How about the cases of those who have self - published their works and then those very same works were picked up by a traditional publishing house?

Traditional publishing houses are sweating, and authors who went through the grueling process of courting them, and waiting (and waiting and waiting) are now feeling the sting, as people who do it themselves are surpassing them by making more money for their efforts.

Keat's first publication was traditional, in the magazine The Examiner in 1816 (5 years before his death), and (after a brief, unsuccessful association with a different house) he was enthusiastically published and supported — traditionally, i.e. without having to front money — that same year by Taylor & Hessey.

Finally, an author can make 70 % on their work, rather than the traditional 3 % offered by publishing houses.

Even if your manuscript has already been accepted by a traditional publishing house, if their in - house editor has to spend all her time fixing your mistakes, she won't be able to catch the deeper, more subtle nuances of your text.

«Not every author can make the NY Times bestseller list» says Mark, «but every talented author deserves to reach as many people as possible... whether it's with a traditional publisher like Random House or through self - publishing supported by smart book marketing.

We've provided a lot of authors, who've spent in some cases decades being rejected by the traditional houses, the chance to finally hold a published copy of their book.

Even the best authors get denied by traditional publishing houses.

BlueInk reviews are penned by writers drawn from major mainstream publications, such as The New York Times and Washington Post, and editors of respected traditional publishing houses.

The traditional publishing route of trying to find a literary agent to represent your book and then hoping it will be picked up by a publishing house is a lengthy, time - consuming process that can take many months... if not years.

The young adult publishing space is saturated by traditional publishing houses with a huge budget, who can make really awesome websites and things to get traffic.

Ironically, this same technology has enabled the establishment of larger numbers of small traditional publishing houses, and eventually, the adoption of the technologies by large, established presses, albeit with commercial and business disruption.

Authors have divided themselves into two camps, the making a living wage by self publishing crowd of which I belong, and the gatekeepers like James Patterson and Scott Turow who have made a shitload of money with traditional publishers who have eleveated them to a position of being «overlords» of the literary world and encouraging greedy publishing houses to bar the door to new aspiring writers who are not represented by agents.

The publishing industry is volatile and there are many people involved in it, or are affected by it, from the «Big Six» publishers, down through the hundreds of smaller traditional publishing houses, the thousands of mini presses, and the hundreds of thousands of self publishers.

Supported Self - Publishing Method of self - publishing espoused by AuthorHouse, through which an author has access to many of the services found in a traditional publishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available àPublishing Method of self - publishing espoused by AuthorHouse, through which an author has access to many of the services found in a traditional publishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available àpublishing espoused by AuthorHouse, through which an author has access to many of the services found in a traditional publishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available àpublishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available à la carte.

As the stigma of self - publishing vanishes, more and more self - published books are making it big and getting picked up by traditional publishing houses.

I've since had a dozen health and parenting titles published in the traditional way by Penguin Random House, Hamlyn, and others.

This is true if you are published by a traditional publisher like Simon & Shuster, a vanity publisher like Publish America or Author House or if you self - pPublish America or Author House or if you self - publishpublish.

Their concerns vary, but their top two reasons not to independently publish are fronting the money and their deep - seated desire to be legitimized by outside forces within the publishing industry otherwise known as traditional publishing houses.

It's a workshop that focuses on marketing, PR, networking, and community - building for authors who have a novel due out within a year by either traditional publishing houses or self - publishing.

What is a literary agent, to the author who wants to be published by a traditional publisher like Random House or Simon & Schuster?

If you're an author that wants to be published by a traditional publisher like Random House or Simon & Schuster, I might answer that question by saying...

Why It Makes You Look Self Published Standard fonts such as Times New Roman have been carefully chosen by traditional publishing houses and the media for decades.

According to bestselling author Scott Turow, there remains a bias in mainstream media, which favors reviewing books produced by traditional publishing houses.

Using Ryan or Sullivan as the benchmark for measuring «success» suggests that the singular goal of self - publishing is to become one of the «lucky few» who eventually get picked up by traditional houses; in other words, it reinforces the idea that self - publishing is merely the means to an end.

Unlike that traditional model, where a large publishing house generally has to apply an infallible, top - down policy over, say, whether or not to use full stops to punctuate abbreviations, I can create the style DNA of a book as more of a consultation, informed by the author's preferences.

That in turn has been helping some good authors, some published by large houses as well, get works into the hands of readers who might never have had access to those books because they would not sell in high enough volumes via traditional print ways.

And if having a book published by one of the traditional publishing houses is a goal, then stay true to your dream until you achieve it.

As stated above, nearly all fiction authors do require representation of a literary agent if their book is to be produced by a traditional publishing house, and that is also true with some forms of general non-fiction too (such as histories, memoirs and biographies).