Fortunately, the analytical scheme is relevant to the massive body of research already
published by historians.
Not exact matches
Reimarus was a
historian, but his work was
published by a philosophically minded man of letters, Lessing, who thereafter found himself under attack from the orthodoxy of his day, especially that of Hauptpastor Goetze of the city of Hamburg.
Titled «The Ark and Beyond: The Evolution of Zoo and Aquarium Conservation,» the book —
published in March 2018 — is written
by a collection of authors from zoos and aquariums, including Shedd Aquarium's Vice President of Conservation Research Dr. Chuck Knapp, as well as an impressive roster of university - based
historians, biologists, ethicists and social scientists.
Thompson's widow, Dorothy, the pre-eminent
historian of Chartism, welcomed Peter's Magna Carta Manifesto when it was
published by the University of California Press in 2008.
Historian and POLITICO Editor Terry Golway recounts the incident, which took 93 lives, in an upcoming book about Smith and Franklin Roosevelt, to be
published by St. Martin's Press in September.
According to newspapers, in October MI5 will
publish a carefully vetted official history
by Cambridge
historian Christopher Andrew.
The Bristol group, led
by Caroline Williams, a
historian of Latin American studies,
published its findings last fall, and she and her colleagues continue to ponder the question.
«In contrast to the long tradition of field guides authored
by expert natural
historians, Map of Life draws on collective wisdom, amalgamating global data sets of species observations from
published sources and using a series of modeling techniques to convert them into species range maps,» Goldsmith wrote.
A book
published this spring
by Northwestern University
historian of science Alice Dreger, Galileo's Middle Finger: Heretics, Activists and the Search for Justice in Science, demonstrates that those risks go back centuries.
The research,
by an international team of hydrologists and Roman
historians, is
published today in Hydrology and Earth System Sciences, an open access journal of the European Geosciences Union (EGU).
The comparison is highlighted in a paper
published in The Lancet today
by historian Dr Emily Mayhew, pain specialist Professor Andrew Rice and army surgeon Major Dafydd Edwards, all from Imperial College London.
The study,
published in the journal Molecular Autism, and written
by medical
historian Herwig Czech, reports on eight years of research that included previously unseen Nazi - era documents, The New York Times reported.
To mark the 175th anniversary of photojournalism, the editors of TIME magazine (which is owned
by Health's parent company, Time Inc.) worked with an international team of curators,
historians, and photographers to carefully select the photos
published in 100 Photographs: The Most Influential Images of All Time ($ 25; amazon.com).
PLUS: A booklet featuring a new essay
by cultural
historian Ian Buruma and Penelope Gilliatt's 1971 introduction to her
published screenplay
When Northup's book was first
published, its credibility was attacked
by the usual suspects of the day, but it apparently stood up pretty well to the fact - checkers — here's an account that says it's much better than Taratino's Django Unchained, according to
historian Henry Louis Gates.
In 2010, Diane Ravitch, a renowned education
historian and former Assistant Secretary of Education joined the ranks of true educational experts
by publishing a book, The Death and Life of the Great American School System, in which she openly admitted she was wrong about key educational policies she once championed, namely standardized testing and school choice.
The Voss Literary Prize is awarded to the best novel
published in Australia in the previous year, and is dedicated to the memory of
historian Vivian Robert Le Vaux Voss and is managed
by the Australian University Heads of English, the peak body for the study of English at Australian universities.
Her historical analysis has been challenged
by many
historians since The Rape of Nanking was first
published in 1997, but it touches on many themes — outrage, intergenerational memory and trauma, nationalism and erasure — that are defining features of the study of the Rape of Nanjing today.
Gary Smailes is the author of several history books for children
published by Hachette, and also has a wide experience of the
publishing industry working as a freelance writer,
historian and researcher.
An accompanying monographic catalogue was
published in 2018
by David Zwirner Books, including new scholarship on Asawa's groundbreaking body of work
by art
historian Tiffany Bell, as well as an essay
by Robert Storr, and an illustrated chronology.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text
by noted curator and art
historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
A fully illustrated catalogue,
published later in 2015, will include essays
by the curators, a reprint of an autobiographical text
by Knowles, and a new essay
by art
historian Lauren DiGiulio.
B.A., Amherst College; creates An Image of Salomé for his senior thesis project, which is
published by the artist and printed at Apiary Press, run
by Baskin's students at Smith College; meets and becomes good friends with Baskin's assistant George Lockwood, who would later found Impressions Workshop in Boston; marries Gail Beckwith (later, the poet Gail Mazur), who was then a student at Smith College; begins graduate study at School of Art and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art
historian Egbert Haverkamp - Begemann, and Asian - art
historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailey.
The French Institute Alliance Française (FIAF) welcomed legendary artist and bestselling author Françoise Gilot and art
historian Sylvie Vautier for a conversation to celebrate the English release of Vautier's beautiful first book, Picasso / Picault, Picault / Picasso: A Magic Moment in Vallauris 1948 - 1953
published by... Read More
A monograph on Wall's work written
by the Tate curator Chris Stephens was
published by Momentum, London in 2006, and in 2015 Brian Wall: Squaring the Circle, edited
by art
historian Peter Selz, was
published in conjunction with a solo exhibition at the de Saisset Museum at Santa Clara University.
On the occasion of facade suspended, a conversation between Yvette Mutumba (co-curator Berlin Biennial 2018 and editor - in - chief of the art magazine C &) and Pothoven will be
published, as well as a text
by historian and journalist Roeland Muskens (author of: On the right side, a biography of the Dutch anti-apartheidsmovement 1960 - 1990).
In 2006, Hudson Hills Press and the Neuberger Museum
published a monograph of her meditative paintings, drawings, and photographs, co-written
by art
historian Donald Kuspit.
In a thoughtful conversation
published by the International Review of African American Art (IRAA), Grant talks with Philadelphia - based art
historian John Welch about her work and navigating the political stew of the art world.
A fully illustrated catalogue has been
published in conjunction with the exhibition, presenting the original essays
by Mel Bochner from 1967 and John Coplans from 1968, as well as a history and analysis of Serial Art
by art
historian Mark Gisbourne, commissioned specifically for the exhibition.
In conjunction with the 2016 New York exhibition, Lévy Gorvy
published a catalogue featuring a newly commissioned essay on Chung's work
by art
historian Tim Griffin, an original poem
by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.
All of these series are illustrated in Laing's new monograph,
published by Prestel this spring, which also features an essay
by art
historian Abigail Solomon - Godeau.
Pace will
publish a catalogue to accompany the exhibition that includes an essay
by art
historian and Hockney scholar Lawrence Weschler.
(The show was curated
by art
historian Douglas Crimp, whose own memoir of cruising and disco - dancing in New York, Before Pictures, was
published in 2016.)
In conjunction with the exhibition, the galleries will
publish a catalogue featuring a newly commissioned essay on Chung's work
by art
historian Tim Griffin, an original poem
by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.
Written
by art
historian and journalist, Louise Nicholson, the article «Rehanging the Ranch» was
published in Apollo Magazine in March 2015.
Published by UC Press, the catalog includes new essays
by DiQuinzio, art
historian Suzanne Hudson, art critic John Yau, as well as Quaytman's daughter R. H. Quaytman — a noted artist in her own right, whose upcoming exhibition at the Solomon R. Guggenheim Museum coincides with BAMPFA's presentation this fall.
In conjunction with the exhibition, CAM will
publish a catalog on the artist's work with an exhibition history and bibliography, a foreword
by CAM Executive Director Lisa Melandri, and critical essays
by Chief Curator Jeffrey Uslip and art
historian Thomas Crow.
Publication The exhibition will be accompanied
by an illustrated catalogue
published by Skira with essays
by Bonnie Clearwater, art
historian Laurette McCarthy, and noted Duchamp authority Francis M. Naumann.
On the occasion of the exhibition, Blain Southern will
publish a book that features a newly commissioned interview between art
historian Ara H. Merjian and philosopher Jesse Prinz, alongside existing texts
by Giorgio de Chirico, John Ashbery, Lydia Davis, Apollinaire and others.
Published on the occasion of his fourth solo exhibition at David Zwirner in 2005, this beautifully designed and produced catalogue — with essays
by curator and art
historian Jason Rosenfeld and writer Jason Tougaw — features Marcel Dzama's most recent drawings, costumes, sculptures, and notebook pages.
A catalog will be
published in conjunction with the exhibition, featuring essays
by Nevelson scholar Laurie Wilson and the esteemed photo -
historian, Shelley Rice.
Duchamp put him in touch with the American art
historian George Heard Hamilton, who was interested in the same project; and the book, translated
by George Heard Hamilton and with typographical lay - out
by Richard Hamilton, was
published in 1960 with a dedication to William N. Copley and his wife.
To accompany the exhibition, Pace will
publish a catalogue featuring a new essay on the artist's work
by art
historian and critic Donald Kuspit.
To accompany the exhibition, Pace will
publish a catalogue featuring essays
by Paul Brewer, director of Donovan's archive project, and art
historian Jonathan T.D. Neil.
The exhibition was conceived
by kurimanzutto co-founder José Kuri in 2016, and is curated
by Dr. Isobel Whitelegg, an art
historian who has
published widely on Signals London and the international circulation of Latin American art.
A scientific volume will be
published to coincide with «When Attitudes Become Form: Bern 1969 / Venice 2013», which will include the complete collection of photographs, many previously unpublished, taken
by photographers during the exhibition in Bern, together with contributions
by internationally recognised
historians, theoreticians, curators and critics (Gwen L. Allen, Pierre Bal Blanc, Claire Bishop, Benjamin Buchloh, Charles Esche, Boris Groys, Jens Hoffmann, Chus Martínez, Glenn Phillips, Christian Rattemeyer, Dieter Roelstraete, Anne Rorimer, Terry Smith, Mary Anne Staniszewski, Francesco Stocchi, Jan Verwoert).
Laurie Wilson is a New York - based biographer and art
historian, and the author of Alberto Giacometti: Myth, Magic and the Man,
published by Yale University Press in 2003.
Mitchell - Innes & Nash will
publish an illustrated catalogue in conjunction with the exhibition, which will feature an essay
by art
historian and writer Michael Lobel.
Works 1969 — 2016,
published by Edition Patrick Frey, includes 270 pages of color plates spanning the full breadth of Sullivan's career, along with essays
by art
historian William J. Simmons and critic Linda Yablonsky.
This fully illustrated volume,
published to accompany a new installation of Rose's work at Kunsthaus Bregenz, includes essays addressing the complexity of the artist's works
by curator Thomas D. Trummer, art
historian Chus Martínez, writer Claudia La Rocco, and writer and curator Laura McLean - Ferris.