Not exact matches
1975: Pelican, a small
publishing house,
publishes Ziglar's first book, See You at the Top after it had been rejected
by 30
other publishers.
Although not specifically intended for pastors, bloggers and
other «famous» Christians, the book — written
by a Christian and
published by faith - based
publisher Thomas Nelson — details an almost mechanical method to get noticed in an age of self - promotion.
For the story I'm writing, well - known
published writers in our critique group, who were getting their stuff
published in paper
by CBA
publishers commented, among
other things: - «The scene where Tammy throws her bikini up into the tree would never get
published by a CBA
publisher.»
Full marks to Gollancz for
publishing this collection of stories
by one of Britain's consistently finest science fiction writers — but it, and
other book
publishers, would be doing themselves, writers and readers a favour
by providing more outlets for short fiction.
Some
other papers,
published in traditional subscription - based journals, are made freely available on an author's website or through an institutional or government archive, often after a 6 - or 12 - month «embargo» imposed
by the
publisher to protect subscription revenue.
In
other words, anyone who downloads their free textbooks will have a more accurate textbook than one
published by the mainstream commercial
publishers - and the process of updating the textbooks took only one day!
If the designated
publisher shares his / her write access with
other individuals or units, the designated
publisher accepts responsibility for anything
published by those
others.
traditional
publishers, but with the exceptions of Open Road Integrated Media and, possibly, Ruckus Media Group — both run
by major
publishing veterans, and have partnerships with a variety of «traditional»
publishers — you'd be hard - pressed to name too many
others that have had any truly notable impact to match the hype surrounding them at any given moment.
By Ron Pramschufer, President, Self
Publishing, Inc. - Helping Authors Become
Publishers since 1995 Over the years, I have probably written about ISBNs and the importance of the ownership of the ISBN for your book more than any
other subject.
By putting this stuff out there, you insult all writers, all
publishers — big and small, agents, and all
others who strive to make the
publishing industry an inviting business to work.
It's proved to be the
other way around for some authors like Amish Tripathi, who chose to self -
publish his first book, The Immortals of Meluha, after having being rejected
by nearly 20
publishers.
Here's more from Rowling: «Although I've enjoyed writing it every bit as much, my next book will be very different to the Harry Potter series, which has been
published so brilliantly
by Bloomsbury and my
other publishers around the world.
If they choose to look only at «large
publisher» books, it's because they've bought (or are required
by their
publishers to follow) the «books
by other publishers are no good» line, even when a commentator whose review is right there on view on a book's cover obviously knows more about literature than half the editorial staff (even good ones) at most large
publishing houses.
I became intrigued
by this topic when as an author with two dozen e-books on Smashwords I read founder Mark Coker's «2013 Book
Publishing Industry Predictions — Indie Ebook Authors Take Charge,» Among
other things, Coker noted that «If Amazon could invent a system to replace the author from the equation, they'd do that,» and went on to describe how one innovative
publisher, ICON Group International has already patented a system that automatically generates non-fiction books, and he worries that as the field of artificial intelligence increases, «how long until novelists are disinter - mediated
by machines.»
Just to add spice to what I have outlined above, we have been mentioned
by a number of commentators in this, and
other sites, as being traditional
publishers, and have been included in statements of criticism about traditional
publishing — which is,
by the way, the discussion topic of this article.
Plenty of authors
publish themselves and are then picked up
by a literary agent or traditional
publisher, and
others have left their traditional
publisher to
publish their own work.
In another new twist, PLC organizers and recognized
publishing thought leaders Mike Shatzkin and Michael Cader will be joined
by analysts and executives from both inside the industry and out to discuss the most political and fraught subjects facing
publishing today: the future of Amazon and B&N, what to look for from a Random House and Penguin merger, what might work as a strategy for the
other general
publishers, and what to expect from illustrated books in digital and the various
publishing start - ups, and much more...
Given that the majority of my work is
published by DAW and
other major
publishers, it should come as no surprise that most of my income is from those same sources.
What they don't understand is: people who prefer ebooks are going to KEEP buying ebooks, but they aren't going to pay $ 15, they'll just read
other authors
published by publishers who bought a clue.
From # 8 Crux of matter, quoting Zoe: What they donâ $ ™ t understand is: people who prefer ebooks are going to KEEP buying ebooks, but they arenâ $ ™ t going to pay $ 15, theyâ $ ™ ll just read
other authors
published by publishers who bought a clue.
Readers deserve and expect quality printed books that are indistinguishable from those
published by Random House, HarperCollins, and the
other big
publishers.
traditional
publishers, but with the exceptions of Open Road Integrated Media and, possibly, Ruckus Media Group — notably, both are run
by major
publishing veterans and have partnerships with a variety of «traditional»
publishers — you'd be hard - pressed to name too many
others that have had any truly notable impact to match the hype surrounding them.
Other industry watchers speculated that although the
publishers and bookstores can not slow down Amazon, the large technology companies, such as IBM, Oracle, Microsoft, and Google, who may be threatened
by dominant Amazon's Web Services unit, might enter the book
publishing market as competitive counter measures.
New copies of Hilary Mantel's «Wolf Hall,» Andrew Young's «The Politician» and
other books
published by Macmillan were unavailable Saturday on Amazon.com, after the retailer pulled the titles in a surprising reaction to the
publisher's new pricing model for e-books.
I worked the Association's booth on Saturday afternoon, ready to answer questions for the many
publishers, authors, freelance editors, and occasional artists or
other publishing professionals that stopped
by the booth.
Like many
other authors who are discarded or ignored
by mainstream
publishers for one reason or another, I had found a voice in the writing community and had discovered the confidence to self -
publish, which up until that point, would have found it difficult to do so.
And while some consider digital
publishers the «farm team» for the pro leagues, a place where writers can cut their teeth and prove themselves worthy of being widely
published by the majors,
others are skipping the middlemen and defining success on their own terms.
Simplify your
publishing process, amplify your success as an author and get inspired
by other publishers using Pressbooks.
I fully agree with you that Kobo (and
others), should create a system to separate books
by indie authors or otherwise self -
published books from books
published by traditional
publishers.
Authors who are attached to major
publishers are on the
publishers» side, while self -
published authors, many of whom have been rejected
by the traditional
publishers, are siding with Amazon and
other digital
publishers.
And although the PPB costs are eliminated, there are still various costs associated with
publishing an ebook, such as cover design, layout & formatting, editing (professional), marketing and
other miscellaneous costs (legal, distribution, author assistant etc) all which will be shouldered
by the author (or
publisher).
I believe — know — that attitudes toward self - and indie -
publishers has become more accepted over the decades when any author who was
published by anything
other than university presses and New York's Big Five were derisively called «vanity
publishers.»
Posted
by Victoria Strauss for Writer BewareThe
other day, I received this email: Dear Writer Beware, A couple of years ago, I
published my mystery novel with [insert name of well - known deadbeat
publisher here].
By Hannah Johnson The best of social media and the blogosphere...
Publishing industry consultant Mike Shatzkin of the Idea Logical company blogged about how the digital transition is different for trade
publishers vs.
other types of
publishers.
While some designers will be employed full - time
by publishers and won't do freelance work, some will be freelancers and might take on self -
published titles, especially if the work is in line with
other projects they've undertaken.
A few books we recommend: Dan Poynter's Self -
Publishing Manual by Dan Poynter, The Complete Guide to Self - Publishing by Marilyn Ross, The Well - Fed Self - Publisher by Peter Bowerman, and last but definitely not least The Indie Author Revolution by none other than our very own self - publishing star insider, Da
Publishing Manual
by Dan Poynter, The Complete Guide to Self -
Publishing by Marilyn Ross, The Well - Fed Self - Publisher by Peter Bowerman, and last but definitely not least The Indie Author Revolution by none other than our very own self - publishing star insider, Da
Publishing by Marilyn Ross, The Well - Fed Self -
Publisher by Peter Bowerman, and last but definitely not least The Indie Author Revolution
by none
other than our very own self -
publishing star insider, Da
publishing star insider, Dara Beevas!
-- but it matters not whether
published authors take advantage of marketing services offered
by their respective
publishers, or seek award entry independently; the important point is that authors do it, one way or the
other.
His excitement over having found the keys to the
publishing kingdom «was tempered with the recognition that the trust I had placed in the very lists endorsed
by reputable publications like The Wall Street Journal, The New York Times,
Publisher's Weekly, and
others, might not represent the institution I had assumed it was.»
So we will have our digital
publishing, or agent - assisted
publishing arm called IPSO, and we will obviously promote IPSO books, but we will also promote
other books
by other publishers, even in print and in foreign language.
What I've seen with indie -
published e-books is that they've taken the place of traditional «vanity»
publishers, and as with the typical output of vanity
publishers they're filled with typos, grammatical errors, logical inconsistencies, and
other things that would have been caught
by the editorial chain at a traditional
publisher.
But
by the entry rules» own guidelines, there is no requirement — unlike some
other well - known and allegedly prestigious awards — that the book be traditionally
published, nor that the
publisher submit the book for entry.
By many accounts, Watchman was actually written first, even though it falls later in Scout Finch's life; if the author had wanted this
published, she had plenty of opportunity, a willing audience, and
publishers who would have fought each
other to death in the arena to get their hands on it.
By definition, self -
publishing is an individualistic pursuit in which each writer is both
publisher and market adventurer, with every
other writer a potential competitor and the reader reduced to the status of consumer.
What is definitely true is that the share of the reading market held
by commercially - minded
publishers (not just commercial «for profits», but also university presses) will diminish as both successful self -
published authors and hundreds of thousands of
others who don't succeed (and maybe don't even care) take their content to market on their own.
On July 17, 2009, Amazon withdrew from sale two e-books
by George Orwell, Animal Farm and Nineteen Eighty - Four, refunding the purchase price to those who had bought them, and remotely deleted these titles from purchasers» devices without warning after discovering the
publisher lacked rights to
publish the titles in question; in the U.S. they were copyrighted while being part of the public domain in some
other countries.
Led
by ALA President Sari Feldman and DCWG Cochairs Carolyn Anthony and Erika Linke, representatives meet with major
publishers and
other publishing stakeholders to highlight the library community's valuable role in the
publishing and reading ecosystem and to urge improved terms for library ebook access.
Everyone knows the superstars of self -
publishing, but many
others are earning a living, selling foreign rights, and being courted
by traditional
publishers.
Black, Moschovakis, and
other publishers hope that the free - PDF approach will help make poetry more widely available, particularly to readers in geographically isolated locations, and grant more freedom to writers and
publishers by working outside the traditional
publishing system.
On the
other hand, you have trad
published books being reviewed
by trad media because the
publishers — via ad dollars — support them.
Early in his career he was asked
by such an author how much he had paid to have his books
published, and in response began a campaign of educating
other writers about the problems of vanity
publishers.