Sentences with phrase «published numerous artist»

Beyond its immediate artistic program, the gallery has regularly organized projects, published numerous artist books and printed limited edition posters.

He has also published numerous artist's books, including Met Zonder KOP (Ghent 2005) and BILD, oder MIT DEM FUSS IN DER REALITÄT (Karlsruhe 2004).

Not exact matches

Loers has also published numerous essays on artists and art theory.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

Rosler has had numerous solo exhibitions at museums and galleries internationally and has published over 15 books of art and cultural criticism, most recently Culture Class (2012), on artists and gentrification.

She has published numerous critical / literary texts in monographs on contemporary artists.

He has lectured and led numerous panel discussions on art, business and legal issues faced by artists, and comics at a varied string of venues including apexart, threewalls, the National Museum Publishing Seminar, the Art Institute of Chicago, the School of the Art Institute of Chicago, and College Art Association.

Mr. Fairbanks initiated the Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937), wrote the monograph on the artist, published in 1988, and has been the author of numerous exhibition catalogues and articles.

As Head of Exhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artists.

She has received numerous research grants and published art criticism on notable contemporary artists.

Known for discovering artists, representing masters, and placing important collections and archives into major public institutions, Pace / MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography.

The Friedmans have been influential in exposing the work of upcoming artists to new audiences through curatorial work and Martin Friedman's numerous published articles.

Known for discovering artists, representinv masters, and placing important collections and archives into major public institutions, Pace / MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography.

She is the recipient of numerous awards and fellowships including the Publishing Program for Emerging Artists at Printed Matter, and a Pollock - Krasner Foundation grant.

Carr chronicled the work of the contemporary artists as a Village Voice writer (with the byline C. Carr) in the 1980s and 90s, publishing numerous articles on such figures as Marina Abramovic, Karen Finley, and Guillermo Gomez - Pena.

She is particularly interested in the voice of the artist, and has published numerous interviews with painters.

She has published widely in The Brooklyn Rail, Artforum, Art in America, and numerous artist's catalogs, most recently Hadieh Shafie and Joan Waltemuth.

ARTIST OF THE YEAR: KEVIN GRASS Artist Kevin Grass was announced the winner of the [PLATFORM] Artist of the Year Awards and will receive prizes valued at $ 65,000, including a $ 10,000 cash advance against future royalties, a publishing and licensing contract with Art Brand Studios, and numerous exhibition opportunities at Redwood Media Group's 2016 — 2017 ARTIST OF THE YEAR: KEVIN GRASS Artist Kevin Grass was announced the winner of the [PLATFORM] Artist of the Year Awards and will receive prizes valued at $ 65,000, including a $ 10,000 cash advance against future royalties, a publishing and licensing contract with Art Brand Studios, and numerous exhibition opportunities at Redwood Media Group's 2016 — 2017 Artist Kevin Grass was announced the winner of the [PLATFORM] Artist of the Year Awards and will receive prizes valued at $ 65,000, including a $ 10,000 cash advance against future royalties, a publishing and licensing contract with Art Brand Studios, and numerous exhibition opportunities at Redwood Media Group's 2016 — 2017 Artist of the Year Awards and will receive prizes valued at $ 65,000, including a $ 10,000 cash advance against future royalties, a publishing and licensing contract with Art Brand Studios, and numerous exhibition opportunities at Redwood Media Group's 2016 — 2017 shows.

His writing on photography, landscapes, and American history has appeared in Artforum, Art in America, Frieze, Aperture, the Village Voice, and other periodicals; in books published by MIT Press, Phaidon, the Museum of Modern Art, the Whitney Museum of American Art, the Moderna Museet, and others; and in numerous artist books.

Having published more than a dozen books and numerous exhibition catalogues, TYFA is dedicated to advancing the careers of their artists while contributing to the contemporary art dialogue.

WHATIFTHEWORLD has a strong history in the area of publishing, having published numerous catalogues as well as artist monographs, and has hosted a series of noteworthy solo and group exhibitions.

I have published extensively on contemporary art and artists, and edited and contributed to numerous publications and art journals including Artforum, Frieze and Bidoun.

He has published his works in numerous artist books, anthologies and catalogs and presented them worldwide in exhibitions — including at the documenta 5 and 6 in Kassel, in the Guggenheim Museum in New York City, in the Pinakothek der Moderne in Munich, in the Fotomuseum Winterthur, in the Deichtorhallen in Hamburg, in the Arnolfini in Bristol, in the Louisiana in Copenhagen, in the Museo Reina Sofía in Madrid, as well as in group exhibitions at the Venice Biennale or in the Serpentine Gallery in London.

While Michael Sadler's masterful translation has been available and authoritative since its original publication in 1914, what hasn't been published until now is the significant correspondence between the translator and the artist, who followed the progress of his book's transformation closely, and who offered numerous insights into and explanations of its meanings.

Apart from this commercial segment of his work, he had several solo exhibitions, curated group shows, participated in numerous collective exhibitions and published a monograph, which is a compilation of the artist's best works from 2007 to 2013.

Binstock is the author and / or curator of numerous books and exhibitions including Dan Steinhilber: Marlin Underground (2012); Sam Gilliam: A Retrospective (2005); Atomic Time: Pure Science and Seduction (2003), featuring the art of Jim Sanborn; the 47th (2002) and 48th (2005) Corcoran Biennials; Andy Warhol: Social Observer (2000); two exhibitions devoted to the late and influential artist Jeremy Blake (2000 and 2007); and, most recently, Meleko Mokgosi: Pax Kaffraria, published by the Hammer Museum, UCLA (2014).

Cameron has a considerable body of writing on contemporary art, and he has been Contributing Editor for Art Magazine, Art & Auction, Artforum, and Flash Art, in addition to writing for Parkett and trans and publishing exhibition catalogues and monographic texts on numerous artists.

She has written numerous articles on newly discovered writings by the artist, published in Art in America andThe Burlington Magazine.

In 2012, the monograph, Larry Sultan and Mike Mandel was published to examine in depth the thirty plus year collaboration between these artists as they tackled numerous conceptual projects together that includes Billboards, How to Read Music In One Evening, Newsroom, and the seminal photography book Evidence, a collection of found institutional photographs, first published in 1977.

His work has received numerous awards and has been published in the Circle Quarterly Art Review, Studio Visit Magazine and Artist Portfolio Magazine.

During Merewether's tenure, the gallery maintained a dynamic exhibition and publishing programme, presenting numerous exhibitions of the work of LASALLE students and staff along with landmark solo presentations by artists including Roberto Chabet (2011) and Tang Da Wu (2013).

Over the course of its history, the gallery has mounted nearly one hundred solo and group exhibitions, published numerous catalogues, and created catalogues raisonnés of prints for artists including John McLaughlin and Robert Indiana.

He has self - published numerous zines, artist books and other print - based projects available from Art Metropole, Printed Matter (NYC) and Motto (Berlin).

«Questions to Stella and Judd» Interview by Bruce Glaser Edited by Lucy R. Lippard The following discussion is the first extensive published statement by Frank Stella, a widely acknowledged source of much current structural painting, and Donald Judd, one of the earliest exponents of the sculptural primary structure, in which the artists themselves challenge and clarify the numerous prevailing generalizations about their work.1

He has authored legal texts on «Musicians and the Law in Canada» and «Model Agreements for Visual Artists,» and has published in numerous legal journals.