Not exact matches
About National
Book Network NBN is an independent, full - service
sales, marketing, and distribution company serving North American and overseas independent
publishers of non-fiction, fiction, and children's titles.
Unfortunately, the hush - hush nature that all
book retailers and
publishers have
about sales figures can mean that the public doesn't have full... [Read more...]
Unfortunately, the hush - hush nature that all
book retailers and
publishers have
about sales figures can mean that the public doesn't have full transparency
about the process.
The average
book distributed by a traditional
publisher pays
about $.70 for each
sale to the writer.
Stephanie Bond: «If I had any qualms
about leaving traditional publishing, they were settled last fall: the royalty check I received from my
publisher representing six months of
sales for over 40 projects was less than I'd made the previous day in KDP royalties for
about 12
books.»
E-books now account for
about 20 percent of
book sales, according to the Association of American
Publishers.
They are choosy
about the authors they sign, so at the time I did feel honored that they chose to work with m. Because I paid a pretty hefty up - front fee, it never even occured to me that the
publisher would then keep the majority of the money from my
book sales.
Traditional
book publishers have long expressed concerns
about Amazon's huge dominance of
book sales.
I like what you say
about blaming the author for lack of
sales even when the
publisher can't define what that «better
book» might be.
The Anonymous Blogger works in the
sales department of a major trade
book publisher, and is writing a series of articles
about sales in specific genres.
If you are a
publisher or author with a
book that's perfect for summer reading — for adults OR kids — now is the time to make sure that your Amazon page is ready to go and you have a marketing and
sales plan to get the word out
about your
book over the summer.
But shouldn't the piles of stories AND the author's admissions
about the
book's speculative content prompt the
publisher to pull this
book from
sale?
Once your
book has steady
sales, is climbing the bestseller ranks, is getting new and valuable reviews, then you can think
about going with Lightning Source — although if it's good enough to be in bookstores, and your
sales are strong enough, a
publisher will come to you, making it a mute point.
Tempelis spoke on the recent collaboration between digital media collection OverDrive and Sourcebooks, a project which sought to provide definitive numbers to the industry
about how ebook lending impacts future
sales of the title and of the author's and
publisher's other
books.
In July, the Association of American
Publishers reported that for the first five months of 2010, eBooks accounted for 8.5 percent of a trade
book sales, up from
about 3 percent for all of 2009.
While there's nothing inherently wrong with this if they're transparent
about their operations — and not trying to deceive you
about the type of deal you're getting — realize that such
publishers may have less motivation to acquire
books that have a good
sales outlook; they may accept nearly any
book where the author is willing to subsidize its publication.
Overview of the Dutch
book market (2015) Sales: 498.5 million euros Copies sold: 39 million Publishers: 1,110 (online: 320) New releases: 54,210 Book retailers: 1,354 stores (online retailers: 192) Overview of the Flemish book market (2015): Sales: 195.7 million euros Copies sold: 15.21 million Publishers (2014): 100 New releases (2014): 27,700 titles Available titles (2014): 105,000 titles Sources and further information: Flemish Publishers Association: http://www.boekenvak.be/voor-uitgevers/vlaamse-uitgeversvereniging Dutch Publishers Association: http://www.nuv.nl/english About the Frankfurt Book Fair The Frankfurt Book Fair is the international publishing industry's biggest trade fair — with 7,100 exhibitors from more than 100 countries, around 275,000 visitors, over 4,000 events and around 10,000 accredited journalists (including 2,000 bloggers) in attenda
book market (2015)
Sales: 498.5 million euros Copies sold: 39 million
Publishers: 1,110 (online: 320) New releases: 54,210
Book retailers: 1,354 stores (online retailers: 192) Overview of the Flemish book market (2015): Sales: 195.7 million euros Copies sold: 15.21 million Publishers (2014): 100 New releases (2014): 27,700 titles Available titles (2014): 105,000 titles Sources and further information: Flemish Publishers Association: http://www.boekenvak.be/voor-uitgevers/vlaamse-uitgeversvereniging Dutch Publishers Association: http://www.nuv.nl/english About the Frankfurt Book Fair The Frankfurt Book Fair is the international publishing industry's biggest trade fair — with 7,100 exhibitors from more than 100 countries, around 275,000 visitors, over 4,000 events and around 10,000 accredited journalists (including 2,000 bloggers) in attenda
Book retailers: 1,354 stores (online retailers: 192) Overview of the Flemish
book market (2015): Sales: 195.7 million euros Copies sold: 15.21 million Publishers (2014): 100 New releases (2014): 27,700 titles Available titles (2014): 105,000 titles Sources and further information: Flemish Publishers Association: http://www.boekenvak.be/voor-uitgevers/vlaamse-uitgeversvereniging Dutch Publishers Association: http://www.nuv.nl/english About the Frankfurt Book Fair The Frankfurt Book Fair is the international publishing industry's biggest trade fair — with 7,100 exhibitors from more than 100 countries, around 275,000 visitors, over 4,000 events and around 10,000 accredited journalists (including 2,000 bloggers) in attenda
book market (2015):
Sales: 195.7 million euros Copies sold: 15.21 million
Publishers (2014): 100 New releases (2014): 27,700 titles Available titles (2014): 105,000 titles Sources and further information: Flemish
Publishers Association: http://www.boekenvak.be/voor-uitgevers/vlaamse-uitgeversvereniging Dutch
Publishers Association: http://www.nuv.nl/english
About the Frankfurt
Book Fair The Frankfurt Book Fair is the international publishing industry's biggest trade fair — with 7,100 exhibitors from more than 100 countries, around 275,000 visitors, over 4,000 events and around 10,000 accredited journalists (including 2,000 bloggers) in attenda
Book Fair The Frankfurt
Book Fair is the international publishing industry's biggest trade fair — with 7,100 exhibitors from more than 100 countries, around 275,000 visitors, over 4,000 events and around 10,000 accredited journalists (including 2,000 bloggers) in attenda
Book Fair is the international publishing industry's biggest trade fair — with 7,100 exhibitors from more than 100 countries, around 275,000 visitors, over 4,000 events and around 10,000 accredited journalists (including 2,000 bloggers) in attendance.
Traditional
publishers complain
about this, but honestly don't care much because they are moving from a nasty returns system in paper
books that allowed a 4 % profit to a new system that gives them upwards of 40 % profit margins in electronic
sales.
And the only successes I could brag
about at the time were the
sales of a music
book to Simon & Schuster, and some children's
books to a medium - sized
publisher called Peachtree.
With «The Lion's Gate,» the
book that we were talking
about here, that had to be brought out by a mainstream
publisher, it was too big a
book, and it needed the push that a
publisher could put behind it, getting it in bookstores and having a
sales force and all that.
You'll find more information
about distribution and wholesale services with organizations like Independent
Book Publishers Association IBPA, or The Association of
Publishers for Special
Sales.
So having come to the conclusion that this self - publishing business was going to be a lot harder than I had thought, I submitted my novel to a boutique digital
publisher that does very well in my genre, thinking
about how nice it would be for someone else to worry
about book sales and visibility.
«We are working with Brazilian
publishers and closing
sales agreements with retailers, as well as a large chain of bookstores to distribute the eBook readers,» said Humphrey, which was excited
about the digital
book market in Brazil, «In over 5 years, 50 % of digital
books will be in Brazil «bet.
At the present time, traditionally published authors still only receive the standard 15 % royalty, identical to what they would earn on hardcover
sales; the chairman explained the historical rationale for the 15 % paid out to authors, which was based on the assumption that the cost of producing the physical
book was
about 70 % of the
sales price and the remaining 30 % was to be split equally between the author and the
publisher.
As the study showed, digital
book sales for
about one - third of the ebooks
publishers now make up double digit revenue, and the
sales of ebooks in many categories are continuing to grow.
The publishing industry has spent the past few weeks reeling from the insights provided by DBW and AuthorEarnings into what
book sales data actually feels like for the rights holders involved, if not actually providing meaning discussion and furthering conversations
about how accurate comparative
sales data can help authors and
publishers.
They all get the same promotion so
sales won't be affected one way or the other and the vast (vast) majority of readers not only don't care
about the
publisher they don't even * know * who publishes the
book.
Starting in 2008, e-books
sales accounted for just 2 per cent of the US
book retail market but rose steeply to
about 10 per cent last year, said Mark Tanner, Google eBooks representative in Australia, who like Mr Neil and others, is forging links between his company and local
publishers.
About Random House
Publisher Services Random House
Publisher Services, a division of Random House Inc., is the
book industry's leading provider of
sales and distribution services to premium third - party
publishers.
Yesterday the The New York Times had a fascinating piece
about how ebook
sales, contra Aggregation Theory, are actually declining even as
publishers and
book stores are thriving on the back of print: 1
At the annual press conference on June 9th 2015, the German
Publishers and Booksellers Association presented economic data and key statistics
about the German
book market in 2014, which, despite a slight decrease in overall
sales, remained stable and even showed a few bright spots.
Note Hachette author Douglas Preston to the WSJ on the morality of taking 100 % of the ebook
sales: «My
publisher gave me a very large advance for the
book they are
about to publish.
About three to six months prior to publication, a traditional
publisher will make
sales calls at major accounts and pitch upcoming
books.
If I'm successful in getting enough
sales, an agent or
publisher will snap me up and they can worry
about producing the print
book.
They now account for
about 20 % of all
book sales reported by
publishers.
-- Indie
publisher puts up another
book or two,
sales remain
about the same.
News & Notes is a weekly Saturday post featuring
book - and publishing - related news, links to interesting articles and opinion pieces, and other cool stuff Book News Christmas Week Sales Jump 7 % Over 2016 (Publishers Weekly) S&S was concerned about the content and quality of Milo Yiannopoulis's autobiography well before the publishing... Read more&ra
book - and publishing - related news, links to interesting articles and opinion pieces, and other cool stuff
Book News Christmas Week Sales Jump 7 % Over 2016 (Publishers Weekly) S&S was concerned about the content and quality of Milo Yiannopoulis's autobiography well before the publishing... Read more&ra
Book News Christmas Week
Sales Jump 7 % Over 2016 (
Publishers Weekly) S&S was concerned
about the content and quality of Milo Yiannopoulis's autobiography well before the publishing... Read more»
It's all
about platforms and promotion Trade
publishers, i.e., those who publish
books for
sale through retail channels like Barnes & Noble, Borders.com, or Amazon.com, view an author's platform as important as the contents of the proposed
book or the author's qualifications for writing a
book.
So translation rights, I mean, the thing
about selling translation rights today, and I'm sure you know this, is that you often deal with the foreign
publisher, they translate the
book, they give you $ 500, and you never hear from them again; you never get any
sales figures, you never build an audience in that country.
Since Ms. Sporkin works for the big
publishers who live and die by the
sales of their high - ticket paper
books, that response is
about what one would respect, right?
Putting this in perspective, the annual value of the US trade
book market (based on
sales by the 300 members of the American
Publishers Association) is
about US$ 5 billion.
Now, I had never placed the
book there; I had no information
about foreign rights from my former
publisher with a delightful email or letter saying that rights had been sold to France, Belgium, Germany or anything connected with the UK — in fact, I never got a dime from the
publisher for any foreign right
sales (typically an author would get 50 %)... but golly, here my
book was with a new cover, the same title and yes, my name was clearly on the cover and available in those countries.
Responding to a question
about why some
publishers don't make ebooks available to libraries, Jeremy Greenfield, editorial director of Digital
Book World, said they are worried that lending will result in reduced
sales.
Only in very recent years have
publishers begun offering, in some cases, author dashboards that display
sales figures and other information
about how their
books are faring in the marketplace.
Outline — As part of a marketing proposal, agents and
publishers often need an outline that provides colleagues or
sales staff information
about your
book and its trajectory.
So using that
sales history, every trad
publisher in NYC rushes
about bringing out Historical vampire
books...
I will be honest, I've been waiting for some
publisher to start backing out of library programs using the same argument they have
about not allowing e-
book lending — that allowing someone to walk into a library and borrow a
book is costing the
publisher sales.
Statements like Nick's tells me he's only looking at digital
books and
sales as they apply to legacy
publishers and not the whole industry of digital publishing, which started
about 15 years ago.
As part of Nielsen's inaugural Romance
Book Summit at the Romance Writers of America conference, a panel of
publishers talks
about globalization,
sales, and diversity challenges.
It's no surprise to me that some traditional
publishers think this way — they have long cared more
about sales that reader satisfaction and relied for too long (forever) on being the only source of
books while selling the idea that they have some mysterious and unknowable skill — and 90 % of
books fail anyway donchaknow?