Sentences with phrase «publisher at most any time»

Surely he's been a big enough deal in publishing for a long enough time that he could have written for most any comics publisher at most any time he chose, right?

Not exact matches

Meryl Streep stars as Katharine (Kay) Graham, the first female publisher of a major U.S. newspaper, and she delivers her most nuanced performance in years... that of a conflicted woman coming to grips with her immense power at a time when many men believed she lacked the capacity for making such far - reaching and weighty decisions.

But for most of the indie authors and small publishers I work with, money is at a greater premium than time.

The rest of the conference day was comparatively pedestrian and at times given to more listing of what great things data can mean to publishing than most publishers today still need to hear.

Acronyms like ePUB, mobi, XML, DRM, iOS, and words like Apps, Android, e-Ink are still one big jumble for most publishers, who are overwhelmed and confused at the same time.

A New York literary agent can spend more time with editors and publishers at major New York publishing houses (the people who buy most books).

And, lastly, if none of the above works or you get sick of the process, you can always decide, at that time, to self - publish (though most decent writers can find a decent publisher instead, though it might be a smaller publisher).

This entire situation could not come at a worse time, as major publishers are gearing up for the most lucrative time of the year, the march towards Christmas.

Since 1985, he's been the president of Colborne Communications, a writing and editing company that has worked on books for most of the major publishers at one time or another.

At the same time, I think mergers (most recently Big 6 to 5) and other market forces are putting extreme pressures on publishers, and they simply are not the sole arbiter of quality.

At all the writing conferences I've been too, most first time authors want to find an agent and a publisher, because they don't know how to design, publish and market books (and want someone to do it for them).

My POV is that most trade book publishers won't benefit from adopting a domain - specific or custom XML schema (the classic «XML first» architecture) but at the same time no publisher should leave their IP stuck in whole - book asset files (whether ID files or printers PDFs or even EPUB files).

As someone who has wanted to publish a set of four books of short stories (one at a time) for some time I have found most self publishers are builders of mazes that pressure for a monetary comitment then up the ante after documents are signed.

Those accusations led to most of the publishers settling out of court in order to avoid even more costly legal fees, a factor that Wylie says Amazon played a part in by providing documents to the Department of Justice at the time.

A forerunner of the modern agent / impresario, he secured Spencer a New York publisher, Appleton and Co.; pressed for - and won - royalties on a par with native authors» at a time when most American houses ignored international copyrights; churned out scores of reviews and notices with publication of each new volume, which he placed in newspapers and magazines across the country; pressed other reviewers into service; helped Spencer organize and popularize his most arcane thoughts; and cultivated literary clubs, college professors, editors, ministers, politicians, tycoons, and labor councils.

Today, most publishers make most new books available in at least one electronic format, and many sell direct to readers from their own websites, but they're taking their time making backlist and out - of - print titles available this way.

With publicists having to work on multiple books at any one time, it is also up to authors to take advantage of the «long tail» of any publicity, as most publishers «aren't geared to respond to that new model.

DC Entertainment, hailing themselves as «the most prolific digital comic book publisher» (possibly in the wake of the continuous run of Forever Evil comics), has announced the DC2 and DC2 Multiverse at the opening of Time Warner's «The Future of Storytelling» exhibition in New York.

Authors are often reassured by language in subsidy publishers» paperwork that allows them to cancel their contracts at any time, but in most cases, the cover design, typesetting, and ISBN number remain the property of the «publisher.»

Most of my favorite work has been done by self - published indies whose work I can't even imagine getting picked up by a big publisher because rarely does what I read fall into what the big publishers consider to be «popular» and in demand at that time.

Most self - published picture books I've seen are poorly written and illustrated and just can not compete with the big publishers at this time.

(I know that this, like much of publishing, is changing, but in June 2009 most traditional publishers were adamant about not publishing print and ebooks at the same time.)

Most Uncategorized Single - Author Publishers probably are Indies, but there are also a few books mixed in there from really small publishers who only had a single one of their authors on any of Amazon's bestseller lists at the time we collectedPublishers probably are Indies, but there are also a few books mixed in there from really small publishers who only had a single one of their authors on any of Amazon's bestseller lists at the time we collectedpublishers who only had a single one of their authors on any of Amazon's bestseller lists at the time we collected the data.

Most publishers make a point of acquiring the eBook rights at the same time as everything else when they sign a new author.

During the #GamerGate controversy, I was told time and time again that we shouldn't focus on journalists, but instead should aim our grievances at the publishers who are the ones most responsible for screwing over gamers.

«Since its merger in late 2005, BANDAI NAMCO Games has grown to be one of the largest and most successful game publishers in its native Japan, the United States, Latin America, and Europe,» says Nobuhiro Kasahara, Chief Operating Officer at NAMCO BANDAI Games America Inc. «The BANDAI NAMCO Games logo has now become synonymous with great gaming products and services; it's the perfect time for us to unify our corporate brand around the world and move forward together in a united front as a global company.»

They know the cost of being a single - project - at - a-time company and being subject to the whims and economic times of a publisher and not just themselves., which is why they chose to have multiple irons in the fire and why they need indie funding for at least a few of them (who's to say a mixed funding of both publishers, risk capitalists and indie funding methods isn't the most balanced way to go?)

From Official PlayStation Magazine to such classic titles as Your Sinclair and Commodore Format, the publisher has (with few exceptions) always allowed its ill - performing titles to have an official «final issue» send - off instead of simply laying off the staff at the end of a cycle, as what happens with most other publications (and to me, about two or three times during my career).

At the same time, this could force most publishers not even think about developing a Mature title on the Wii.

Atari's PAX Prime Lineup Includes Hands - On Demos of Never - Before - Seen RollerCoaster Tycoon World and Behind - the - Scenes Press Demos NEW YORK — August 20, 2015 — Atari ®, one of the world's most recognized publishers and producers of interactive entertainment, today revealed that RollerCoaster Tycoon World ™ will be showcased to the public for the first time at PAX Prime

Most recently, as part of the Pacific Standard Time initiative, Kelley and PictureBox publisher Dan Nadel curated the exhibit, Return of the Repressed: Destroy All Monsters 1973 - 1977, at PRISM Gallery in West Hollywood, Calif., which showcased work by Kelley, Shaw, Loren and Niagara.

Because this is a fillip, after all, where I try to avoid earnestness most of the time at least, I'll remind you here of the delightfully silly Monty Python sketch where a publisher has produced a mischievous Hungarian - English phrase book (for which he is brought up before the law — for those of you who need at least a minim of legal stuff in every Slaw post).

The objective of a publisher is to make it all happen using whatever pattern of organization that seems most effective at any point in time.

Not so long ago I had the great pleasure of being invited by the eminent lawyer, Professor Philip R. Wood, to discuss a book that he had nearly completed at that time, specifically as to which publisher might be most appropriate for what he had in mind.

Every publisher these days wants their game to become your new Mainstay, but only the most extremely dedicated gamer can maintain more than one Mainstay at a time.

While sharing a release window with a game on the level of Red Dead Redemption 2 is something most people would assume is daunting for rival publishers, it's easy to forget that all players of the AAA industry face stiff competition all the time — just look at the Fall release schedule of this year.