Most of the time, a vanity
publisher is a bad deal for the author.
Not exact matches
Making games for cellphones
was the
worst place to
be, he says, since they had to
deal not just with demanding
publishers, but also with wireless carriers that knew nothing about games.
But then when a
publisher has to
deal with something that
's even
worse, like a phone carrier, it
's atrocious,» says Piotrowski.
Now I could go on and on about the illusionary «support» traditional
publishers and agents say they give writers, but anyone who has
dealt with that system for any length of time knows that
's just gotten
worse as well in the last ten years.
Not because the ads
were bad or poorly designed, but the brick - and - mortar bookseller audience that reads them
are predisposed against self - published books, especially POD like mine, due to the inability to return unsold copies and the inconvenience of
dealing with an individual
publisher.
It
is obvious that Scribd made
bad deals with the
publishers.
As you noted above with
publishers, negotiability
is going to depend on how
badly the parties want the
deal (i.e. if an agent or
publisher really wants the work and the author has options, then the agent or
publisher is likely to
be willing to negotiate the terms of the contract).
Experienced authors will not sign a contract with a non-compete clause, and
publishers aren't going to promise not to publish books that compete directly with the author
's, so it
's just a
bad deal.
Of course I
am unhappy with the fact that European
publishers are translating a lot of the good, and a lot of the mediocre, and even a great
deal of the
bad books from the States into European languages, whereas our American friends
are very reluctant.
I've read from other writers that this
is a big
deal with traditional
publishers, and that, if you can't sell first publishing rights anymore,
deals will
be a lot
worse.
If an author's book sales
are bad, most
publishers are less inclined to give an Author another book
deal.
While considered by many authors to
be a gatekeeper in
bad cahoots with
publishers, the agent, in fact,
is heavily invested in his or her clients» work and
is risking a great
deal of time and effort on the hope that an author's book someday will
be salable.
But it
is based upon the personal and professional experience of reviewers, editors, and
publishers having waded through a great
deal of self - published books that
are poorly written and
badly in need of even the most basic editing.
The
deal for self
publishers is just too good and
publishers response
is to make their terms
worse and
worse (I mean I
'm hearing this from so many many authors) um offering
worse and
worse deals to try and stop authors from
being hybrid
is so not going to work for you guys.
I've heard the «what if Amazon turns evil» argument a lot of times, but my reading of the situation
is that the fear of Amazon some day abusing its power to force a
bad deal on authors has to
be weighed against the simple fact that
publishers are currently forcing authors to accept
bad deals.
Trafford
is the
worst publisher I have ever
dealed with.
In short, getting a
publisher or a publishing
deal is often not a great idea, because most small presses won't market you or might even screw up basic things like cover design, and you'll have less control to make smart marketing decisions so your book may perform
worse.
Stat based
publishers can
be the
worst to
deal with as they will only surrender their review copies to sites that obtain large amounts of visits per month, a good example
being Capcom or Sega who ask for nothing less than 250,000 hits to your site per month.