Not exact matches
But what is so bizarre is that they differ so vastly, and they don't all apply to each
publisher, yet the world's biggest
names in publishing all saw a major blip that in some cases will have been rather concerning from an ad revenue perspective.
(Grand Rapids, MI: Zondervan, 1997); E. W. Kenyon, In His Presence: The Secret of Prayer (Kenyon Publishing Society, 1999); E. W. Kenyon, Jesus the Healer (Kenyon Gospel Publishing Society, 2000); E. W. Kenyon, The Hidden Man (WA: Kenyon Publishing Society, 1998); E. W. Kenyon, The Wonderful
Name of Jesus (Kenyon's Gospel Publishing Society, 1998); John Baker, Celebrate Recovery (CA: Celebrate Recovery Books, 1994); Bob and Pauline Bartosch, Overcomers Outreach: A Bridge to Recovery (La Habra, CA: Overcomers Outreach, 1994); Cathy Burns, Alcoholics Anonymous Unmasked (PA: Sharing, 1991); Cal Chambers, Two Tracks - One Goal (British Columbia: Credo Publishing Corporation, 1992); Martin M. Davis, The Gospel and the Twelve Steps (San Diego, CA: RPI Publishing Inc., 1993); Len C. Freeland, author of Chapter 28, «The Salvation Army» in (Alcoholism: The Total Treatment Approach, edited by Ronald J. Catanzaro IL: Charles C. Thomas
Publisher, 1968); Mark H. Graeser, John A. Lynn, John W. Schoenheit, Don't Blame God: A Biblical Answer to the Problem of Evil, Sin and Suffering.
Please be aware that you may receive solicitations for the Fair Guide from Construct Data, its
publisher, which use the
name of The International Restaurant & Foodservice Show of New York —
do not be fooled.
Please be aware that you may receive solicitations for the Fair Guide from Construct Data, its
publisher, which uses the
name of the Western Foodservice & Hospitality Expo —
do not be fooled.
Please be aware that you may receive solicitations for the Expo - Guide from Commercial Online Manuals, its
publisher, which use the
name of Western Foodservice & Hospitality Expo — again,
do not be fooled.
The indictment
does not
name academic institutions or companies that were hacked, but
does specify that victims included academic
publishers, a biotechnology company, and 11 technology companies.
One
publisher who
did not want to be
named pointed out that the costs could add up: If there were three reviews per paper and reviewers were paid $ 500 per review, then a journal like Nature, which reviewed 10,000 papers last year, would end up paying some $ 15 million annually for the review process.
Bang Bang Racing, the upcoming product of a collaboration between well - known XBLA developer and
publisher Digital Reality and Playbox, is out to make a
name for itself and we just have to find out how they plan to
do it!
According to YouTuber Angry Joe, the
publisher doesn't even want to have the director's
name mentioned in interviews, and this doesn't mean anything good for his fans.
Yes, some other
publishers have vanity presses, but they don't add their brand
name to those ventures.
We've carried one self -
publisher (and in this case he was entirely self - published; he took his stuff to a printer and had it printed) to success, but his first novel - was - traditionally published; he didn't enjoy that process, and he had enough of a
name that - readers - were willing to trust him.
If you are going to be an independent or small
publisher, if you are going to take on the time, expense and trouble of publishing your own book instead of letting a vanity press
do it for you, you need to know the following about the
name of your endeavor:
I self - publish, so I
do pretty much everything myself; but I've heard several traditionally published indie authors say they were surprised to find out that even with a traditional
publisher, they were expected to
do a lot of the marketing for their own books, particularly if the
publisher is small, since they were * not * a celebrity
name that could sell itself.
I just incorporated a company to
do other business... can I publish using this umbrella
name or should I create a new company under the bigger company to become a
publisher or Press... thank you so much again
Stamping each PDF page with the purchaser information (
name / email) generally creates more value for
publishers than
does Lulu's current approach.
Because freelance editors don't have the
name of a
publisher to back them up, they'll have to truly compete based on skill.
I don't require you to use my
publisher name.
Getting signed by a big
name publisher is the publishing dream of many writers, but what most people don't realise is that it's the opinion of your readers that really matters.
I don't have any sympathy for people who refuse to use the already available tools (all the retailers have search function and filters with which you can single out
publishers by
name and then filter the books by genre) and prefer to waste their time by whining «The slush pile is indeed my problem as well as it is for any discerning reader» and stating: «published» author and literary scholar have become as diminished as today's Mercedes Benz automobile — cheapened and mass marketed so that everyone can own one.»
You insist on clogging up the internet with your fake books and your lies and fake «awards» and fake
publisher names (if you're so proud of being selfies, WHY
DO YOU LIE???) and all the other schizophrenic, grandiose bullshit.
They got reviews that I couldn't because my books didn't have the
publisher name recognition.
But it will take a
publisher who can publish top
names,
do enhanced production and books, and knows how to put out top - quality leather and signed work.
Don't forget to add the author
name to the spine, as well as the
publisher / imprint logo or
name.
I
did get my one (and, so far, only) novel issued by a small
publisher who won't be
named.
Even if you don't have blurbs by highly recognizable
names such as Booklist and
Publishers Weekly, you should still add them (just be sure to cite them correctly).
Then in italics under that in 12 point put «Copyright 2010 by (Author
name)» You can put your
publisher name under that if you want, but
do not say the copyright is by the
publisher.
If the print
publisher has the copyright over the print publication, partly because you let it
do so as part of the deal that they «put it together» for you, and has also registered the print ISBN in their
name, this
does not stop you making an eBook (so long as it
does not use the creative design work of the print book) and registering the second and future ISBNs in your own
name as author — as you should have
done anyway.
(If you don't know how to get a business
name, read my «Think Like a
Publisher» articles under the tab above.
It doesn't help you to have a huge publishing brand
name stamped on your book if you're not one of that
publisher's favored authors.
You seem satisfied that Hamilton has creditable
publishers interested now (though how you can verify that claim unless she
names them in public, I don't know - sounds more like she's afraid they will disown the claim if she
names them.)
I didn't have an established
name, so I couldn't go with a traditional
publisher.
So don't mention your book title, the
names of coauthors or illustrators, the
publisher, or retail outlets where your book is available.
Even when I was in my forties, I was advised to keep my age secret when querying, because
publishers don't want to invest money building a «brand
name» for an author who doesn't have a potential forty - year trajectory for churning out product.
While hybrid authors coming from New York - style traditional
publishers did have the highest income, the self - published - only authors — with no
publisher name to back them up — beat the digital - first hybrid authors income-wise.
The Anne of Green Gables story of four rejections is the reason why so many of us
do not bother with agents and so called big
name publishers.
The «Big
Name»
publishers sent back messages,» We
do not accept unsolicited submissions, get an agent.»
NOTE: The lack of ISBN and printing file ownership is the number one problem in dealing with pretty much any of the Vanity
Publishers (Included in this group are Subsidy
Publishers, POD
Publishers, Supported Self
Publisher or any other
name they call themselves where you
do not have full ownership of your ISBN and printing files)
That's something authors used to
do in the old days when
publishers only allowed an author one book a year, so they had to use pen
names if they wanted to write more.
A world where aspiring authors don't need an agent and a big -
name publisher.
This would only have worked if you were
doing a short - run print job, where no one verifies your metadata (so no one has to see that your ISBN doesn't match your
name as a
publisher), and that's not common for indies.
Square Enix is the Japanese
publisher for a number of popular properties, but they don't publish them in the U.S. under their own
name; their line includes Fullmetal Alchemist (published by Viz) and Black Butler (Yen Press's top - selling Japanese manga).
Book Track is certainly not adding sound effects for free, but they are likely giving Hachette a big discount to get their
name out there and to
do future business with the
publisher.
In many cases, if you are a first time author or don't have the bankable established
name the
publishers often mandate authors promote the book themselves.
But I
do think that there might be a few
publisher names you recognize still in business in ten years.
I like being able to glance at a
publisher's
name on the spine of a book and know that this is a quality product, you can't
do that with self published titles, instead I spend hours on Goodreads trolling through reviews to find a few self published gems among the disappointments.
Still, that Big
Publisher's
name does carry some weight.
As for knowing books are good quality, a
publisher's
name does still not guarantee that it's a well - written book.
Surviving big
name publishers, if they can get divorced from the bean - counters who are killing them, may
do something along those lines as well.
She gets as much pleasure out of being her own
publisher (as in with registered company
name, business license, etc.) as she
does creating her stories.
There are multiple reasons for self - publishing, the first usually being that the author doesn't want to jump through hoops to find an agent, an editor, and then shop around the big
name publishers.