Sentences with phrase «publisher quality editing»

Find the perfect book editor and lift your book to the next level with publisher quality editing.

Not exact matches

Quality control: Small publishers might be small because they're not actually very good at editing and cover design and formatting.

Their publishers are really not «publishers,» at least in the sense that they have the infrastructure to create and support a quality book and its author or that they have their internal team — from editing to some semblance of book design and publishing marketing and publicity and that they are accountable in the critical accountability departments of actual book sales and responsibility.

These upfront fees can be much less than compared to some vanity publishers, but this is reflected in the lower quality of services such as cover design and editing.

Price competition won't go away, and with a by - now huge and - still - growing market of indie books that practice price competition - and - which are (no matter hows publishers and pundits try to deny it) increasingly indistinguishable from traditionally published books in terms of packaging and writing / editing quality, publishers need to come up with an argument in favor of higher pricing that - readers - find convincing, or else lower prices.

However... there is an awful lot of driveling dreck coming from traditional publishers, and the quality of editing / proofing / spelling / grammar from the traditional NYC publishers has plummeted in the last decade or two.

We're talking about publishers who pay 40 - 50 % royalties on ebooks while offering quality editing, cover art, and provide marketing support.

One of the quality checks we run our clients ebooks through is the KDP tool itself, often finding more spelling errors despite the book already being edited (even titles that were once with major publishers)!

This brilliant collection, edited by the award - winning and perennially provocative Salman Rushdie, boasts a «magnificent array» (Library Journal) of voices both new and recognized.With Rushdie at the helm, the 2008 edition «reflects the variety of substance and style and the consistent quality that readers have come to expect» (Publishers Weekly).

But if Amazon wants to put out high quality books, they need to do all of the production things done now by publishers from copy editing to proofing, to layout, promotion, etc..

As far as any objective quality of writing, editing, or finished product is concerned, I'd gladly pit my book against those in the same genre published by legacy publishers in the past few years.

Traditional publishers will edit and improve an author's book before it is published, making sure the best quality book is placed on bookshelves.

Vanity publishers» profits come primarily from the fees writers pay and from persuading them to purchase their own books — not from book sales to the public — and they have little incentive to cut into that profit by providing quality editing, design, distribution, or marketing.

If you look back twenty years or more, books were vastly superior, not only in being well edited, but even the printing ink, quality of the paper and binding of hardcovers from the major publisher were far superior to what we are getting now.

These publishers are really not «publishers,» at least in the sense that they have the infrastructure to create and support a quality book and its author; that they have their internal team — from editing to some semblance of book design and publishing marketing and publicity; and that they are accountable in the critical accountability departments of actual book sales and responsibility, sometimes.

Professional editing, marketing services, and distribution are simply services, and they don't necessarily have to be performed by a traditional publisher in order to be high quality and successful, and that's what will make traditional publishers irrelevant if they fail to adapt to that truth.

You've seen the lack of quality edits that have come back to you, the author, from one of the Big 6 — now Big 5 — publishers.

A publisher should be able to serve all of these formats, without focusing exclusively on one... Particular attention must be paid to the quality of the content and its editing.

And I hear publishers are doing a lot less promoting than they used to... Not to mention skimping on editing costs, so on quality editing...

We kind of assume a publisher will have our backs and put out the best books possible, but I guess they can skimp and slack as much as anyone else... Connecting with your own editors and critique partners, as well as understanding these steps in the editing process, is a great way to take control of the quality of your book, whether you self - publish or work with a publisher.

Their publishers are really not «publishers,» at least in the sense that they have the infrastructure to create and support a quality book and its author; that they have their internal team — from editing to some semblance of book design and publishing marketing and publicity; and that they are accountable in the critical accountability departments of actual book sales and responsibility.

I'll admit, I once believed publishers, as a whole, delivered when it came to promises of quality editing, copy editing and proofreading.

With Carol's generous help, Readers» Favorite can now offer the same quality proofread or edit you would receive from a large publisher at prices that will fit most any budget.

Authors rate publishers on a number of set criteria, such as quality of editing as delivered, and the results are published on a web site.

If there are no more poorly - edited, poorly - plotted pieces of crap out there, no one will be able to say that self - publishers don't take the time to produce high - quality books.

Here's another reminder: How you decide to publish does not appreciably alter the quality of the end product, and this is more and more true every day as publishers do less editing and self - published authors do more editing.

Here's another reminder: How you decide to publish does not appreciably alter the quality of the end product, and this is more and more true every day as publishers do less editing and self - published authors -LSB-...]

Over the last several years, successful self - publishers have recognized that if they're to be competitive in a landscape where 4,500 new books are published every day, their books» quality should be on par with that of traditional publishers from edit to interior to cover.

This leads publishers of online legal information to continue to develop algorithms to improve relevancy ranking, and, with increased sophistication, they become closer to human mediated editing in quality.

As part of their professional ethos, law librarians (and to some degree librarians generally) have looked to certain markers of authority and quality in information sources that these sources may not have: famous authors, bibliographic access points such as indexes and tables of contents, authoritative publishers, and professional editing.

But even if a definition of GL is a moving target, there are some typical qualities of GL that are commonly noted: it is not produced commercially; perhaps not professionally edited; not consistently indexed, not systematically circulated, and then in small numbers; printed unprofessionally; addressed to a small, specialized audience; not available through the traditional channels of publishers and bookstores... again, most of them negative qualities.

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