Sentences with phrase «publishers about their digital publishing»

Not exact matches

As it stands, the vast majority — or 90 per cent — of publishers are indeed publishing ebooks, while about 19 per cent have made their entire libraries available in digital format.

In his talk at Publishers Launch Frankfurt, Brian will talk about how publishing looks to investors in this time of digital turmoil.

At a recent event in London many publishers and booksellers got together to talk about the current state of affairs in the world of digital publishing.

Independent publishers like Faber & Faber and Canongate, both of whom I spend time talking to about the impact of digital publishing (though not for money), are trying hard to remain relevant, and initiatives like the new electronic publishing service, Faber Factory, are a sign that they understand the changing market.

The above tweet led to a fun interview over the at the Book View Cafe blog, «Weird and Wonderful: Digital Book World and Guy LeCharles Gonzalez,» with author Sue Lange asking me some interesting questions that really made me think hard to solidify some of my ideas about the «Future of Publishing» and what it means for authors and publishers.

The commercial eBooks are from Digital Pulp Publishing, presenting a wide and eclectic array bringing independent access to the broad open market through the efforts of many publishers; and also great numbers of additional books, perhaps totalling ~ 100,000 by July 4, from eBooks About Everything.

The current discussions about the viability of publishers and publishing are primarily being driven by digital ideologues with self - serving agendas.

About Graphicly Graphicly is a cutting - edge entertainment and digital content publishing platform designed to deliver what authors and publishers need to share their work with audiences across all digital channels, including the Apple iPhone and iPad (plus Newsstand); eBook stores including Amazon Kindle, Kobo and Apple iBooks; Android devices including the Barnes & Noble NOOK Tablet and Color and the Amazon Kindle Fire; websites and blogs through an industry leading HTML5 web app; and the only way to read, share and sell books on Facebook.

Since more and more publishers and agents are now embracing digital publishing for their clients, we have to wonder about that statement.

BIBF also understands the need of educating domestic publishers about the best practices in digital publishing from around the world.

By Hannah Johnson The best of social media and the blogosphere... Publishing industry consultant Mike Shatzkin of the Idea Logical company blogged about how the digital transition is different for trade publishers vs. other types of publishers.

Last weekend I was part of the Publishing Day School at Writers» Centre Norwich, speaking about online serialisation alongside an excitingly broad mix of traditional, digital and self publishers.

In an interview about the future of digital publishing granted to independent website Scroll.in in April, Arnaud Nourry, Hachette Group CEO — one of the world's Big Five English language publishers, said that he was convinced there was something his company could invent using their content and digital properties beyond eBooks.

But those who should lead (and benefit the most from) the digital revolution — the content creators and publishers — are still far behind, brooding about lack of online publishing standards and low ad revenues.

So having come to the conclusion that this self - publishing business was going to be a lot harder than I had thought, I submitted my novel to a boutique digital publisher that does very well in my genre, thinking about how nice it would be for someone else to worry about book sales and visibility.

In most cases, traditionally published authors seem to feel pretty positive about publishing houses, but hybrid authors feel publishers move too slowly, don't understand digital publishing, and don't offer enough money.

«And it seems to me that both NaNoWriMo and the digital publishing industry have a lot of common ground there, in that they are about empowering individuals to be creative, whether that means writing a novel or publishing that novel without going through the arduous process of finding an agent and finding a publisher.»

Top professionals in publishing spoke about the future of the industry, how digital innovation continues to affect the business, and what opportunities exist for publishers around the world.

GoodEReader.com recently published two articles about publisher Algonquin, a division of the Workman Group, and its initiative to bring digital customers into their local bookstores.

In an interview with Digital Book World the founders said «We try to be very thoughtful about what makes sense for both publishers and authors, and have crafted our product and model to align with that,» said the company's CEO Eric Stromberg of himself and the two other co-founders, adding that they're relatively new to the world of publishing.

The survey wrapped up by asking publishers what their biggest concerns about the state of digital publishing in Australia.

In January, GoodeReader interviewed Vook VP of Business Development Matt Cavner at Digital Book World about a digital publishing model that Publisher's Weekly has called a «game changer» in the world of Digital Book World about a digital publishing model that Publisher's Weekly has called a «game changer» in the world of digital publishing model that Publisher's Weekly has called a «game changer» in the world of ebooks.

Digital comics The manga publisher Kodansha Comics recently rebooted its digital program with a new emphasis on e-books; I talked to director of publishing services Dallas Middaugh about the thinking behind the new dirDigital comics The manga publisher Kodansha Comics recently rebooted its digital program with a new emphasis on e-books; I talked to director of publishing services Dallas Middaugh about the thinking behind the new dirdigital program with a new emphasis on e-books; I talked to director of publishing services Dallas Middaugh about the thinking behind the new direction.

All of us have been learning about virtual book tours from D'vorah Lansky, publisher of Digital Publishing Café.

The majority of Jones» write - up is not about self - publishers, it's about ebook economics in general and behavior in «mature markets» that may not have been anticipated by many who engaged in a giddy exuberance in the earlier stages of digital publishing.

The «we» in the title was deliberate because, while the seminars gave individual publishers pointers to getting their own lists into the digital realm, it was also about coming up with a roadmap for some shared initiatives — things we can do as an industry to jumpstart digital publishing and ebooks in New Zealand.

APE: Author, Publisher, Entrepreneur explores the pitfalls and successes of self - publishing from the vantage of a Guy (sorry) who knows a thing or two about success in the digital age.

CBR News spoke with Peter Phillips, Senior Vice President and General Manager of Marvel's Digital Media Group, David Gabriel, Senior Vice President of Sales, and Arune Singh, Director of Communications, Publishing & Digital Media, about these new initiatives, how Marvel will keep retailers in the loop, and what the publisher wants to see from this week's print release of «Avenging Spider - Man» # 1, which comes with a download code for a free digitalDigital Media Group, David Gabriel, Senior Vice President of Sales, and Arune Singh, Director of Communications, Publishing & Digital Media, about these new initiatives, how Marvel will keep retailers in the loop, and what the publisher wants to see from this week's print release of «Avenging Spider - Man» # 1, which comes with a download code for a free digitalDigital Media, about these new initiatives, how Marvel will keep retailers in the loop, and what the publisher wants to see from this week's print release of «Avenging Spider - Man» # 1, which comes with a download code for a free digitaldigital comic.

About 400 experts from publishers, bookstores and development companies join the Frankfurt Digital Night to exchange ideas and discuss the future of digital publDigital Night to exchange ideas and discuss the future of digital publdigital publishing.

Statements like Nick's tells me he's only looking at digital books and sales as they apply to legacy publishers and not the whole industry of digital publishing, which started about 15 years ago.

If you're thinking about self - publishing, or you want to know how to best build your author brand and market your work in the digital age (because the publisher isn't going to do much), this could be the weekend your writing career takes a huge step forward.

The move promises to raise the already high anxiety level among publishers about the economics of digital publishing and could offer authors a way to earn more profits from their works than they do under the traditional system.

I covered a few of the talks on digital publishing on various blogs: On TeleRead, I discussed some observations about the adoption of e-books by academic (rather than trade) publishers.

New York, NY (January 12, 2012)-- As more publishing revenue transitions to digital, publishers are less optimistic about the state of the book publishing industry in general and much less optimistic about their own company's chances at survival and growth, according to a Digital Book World survey conducted by Forrester Researchdigital, publishers are less optimistic about the state of the book publishing industry in general and much less optimistic about their own company's chances at survival and growth, according to a Digital Book World survey conducted by Forrester ResearchDigital Book World survey conducted by Forrester Research, Inc..

Marvel has been pretty aggressive about getting into digital comics, yet less aggressive about same - day print and digital publishing than some other publishers.

If ebooks become an ever growing share of the market in all markets, then why can't the small house, a network of houses, a publisher in cooperation with a specialist firm or group of firms, hold onto their digital rights, forget about publishing on paper in the smaller markets, and reap whatever benefit there may be to be had?

Publishing Image Comics Publisher Eric Stephenson talks at length about market share, the economics of creator - owned comics, fallout from the prolonged legal battle between Todd McFarlane and Neil Gaiman, and retailer concerns about simultaneous print and digital release of The Walking Dead: ``... I was honestly a little thrown by the sheer amount of invective generated by the day - and - date release of a single Image digital title, sold at exactly the same price point as the print version of the book.

If you are one that has a traditional publisher, you may not have to worry too much about your book cover art; however, for the «Indie», or self - publishing author, coming up with an effective cover design for both your printed book and digital ebook may seem a daunting process.

It started because I was so early in the process that my publisher did not know how to do the digital publishing I was writing about.

«I think we're now at a point five years later, where we've seen the real evolution in digital publishing and it's become a substantial part of publishers» revenue and part of the day to day of what people are discussing and thinking about.

If you are published through a digital publisher, please consider participating in the following survey: WritingGIAM is conducting two surveys to gather data about 1) contract terms and 2) earnings from the various digital publishers.

Charlottesville, VA, USA About Blog Jane Friedman has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers.

-LSB-...] traditionally - published authors, and hybrid - authors, and about digital author - publisher Hugh Howey's response to that survey (along with a link to a rundown of this discussion by Porter Anderson).

Charlene Gaynor, CEO of the Association of Educational Publishers (AEP), spoke with Publishing Perspectives at the annual Content in Context Conference in Washington DC about the digital transformation in educational pPublishing Perspectives at the annual Content in Context Conference in Washington DC about the digital transformation in educational publishingpublishing.

And practically every day, Publishers Weekly, Publishers Lunch, Editor & Publisher and other online industry trade magazines carry multiple news stories about e-books, e-readers, and all the problems and promises the publishing industry is experiencing as it rapidly transitions from paper and ink to all - digital.

Teaming up with the German trade magazine Buchreport and with Publishers Weekly, the Book Fair posed a series of questions on the challenges faced by publishers going digital, differing points of view about e-book pricing, and even the e-reading habits of those working in the publishingPublishers Weekly, the Book Fair posed a series of questions on the challenges faced by publishers going digital, differing points of view about e-book pricing, and even the e-reading habits of those working in the publishingpublishers going digital, differing points of view about e-book pricing, and even the e-reading habits of those working in the publishing industry.

You're so right about the evolution of book contracts as uniquely vague, subjectively interpretable, crony - style documents that publishers have been using for decades and are currently loathe to revise or accommodate to the reality of digital publishing.

Publishing Perspectives caught up with Michael Tamblyn, CEO of Kobo, around his talk at the UK's Independent Publishers Guild (IPG) conference, to discover why he sounds so bullish about Kobo's place on the digital landscape, particularly after the news of Rakuten's $ 68m write - down of Kobo's balance - sheet value.

Despite the digital wave sweeping over publishing, some publishers are surprised at how seldom e-books are talked about at this year's London Book Fair LONDON: As former US defense secretary Donald Rumsfeld once said (and I paraphrase) «there are known knowns, known unknowns and there are unknown unknowns.»

There was a sense that Amazon was trying to railroad publishers in a certain direction and in a certain fashion, which would not have played out too well for authors or readers, and this gives a period of grace to work out how to tackle some of the big questions about publishing's transition to digital.»