Not exact matches
Depending on the airline and airport, these may
get you access to special check -
in or security
lines (which are often faster), or early boarding on the flight itself (for first dibs on overhead bin space), said George Hobica,
publisher of AirfareWatchdog.com.
I intend to use every marketing strategy at my disposal
in order to boost the
publisher's bottom
line so I'll
get a contract again.
Here's the bottom
line,
in a nutshell... sorry I just couldn't resist the mixed metaphor: Many first - time authors are frustrated at their inability to
get either an agent or a
publisher.
It goes along this
line of thinking, and I'm guessing it applies to you: if you work your ass off, put
in tons of time, energy, creativity, even money on writing and promotion, and yet your work doesn't
get the kind of rewards you expect (let's say financial for simplicity's sake), either because that's life or because your
publisher doesn't recognize the effort or your
publisher drops the ball (it happens)... And
in another area / format, etc., you work your ass off, put
in the time, etc., and it DOES succeed
in the way you expect or
in a way that seems to be equivalent to the time and work you put into it, then it makes sense that THAT is where you should continue to put your time, energy, money, etc..
Just watch as
publisher after
publisher (starting next year) adds
in new
lines and try to
get more and more new books and more and more author's backlists.
I did sign with an agent and I am anxious to sign that first deal with a traditional
publisher that he is working to
line up for me because I see value
in getting hard copies into bookstores and gaining access to the international markets that would be difficult to penetrate as an indie - only writer.
And legacy
publishers seem to be the last
in line to
get on board with change.
In an era in which publishers no longer feel the need to play it so safe and stick to the tried - and - true story lines, books like this one get to portray the very real issues that teen readers and YA fans fac
In an era
in which publishers no longer feel the need to play it so safe and stick to the tried - and - true story lines, books like this one get to portray the very real issues that teen readers and YA fans fac
in which
publishers no longer feel the need to play it so safe and stick to the tried - and - true story
lines, books like this one
get to portray the very real issues that teen readers and YA fans face.
I will continue, as I'm sure most agents will, to try to
get a better rate for my clients, and as you suggest, certainly if one
publisher were to cross the
line and pay a higher rate they will
get a sharp advantage
in negotiations with authors.
In an age where the
line between digital comics and their physical counterparts is becoming blurrier, big
publishers are trying new things to
get digital readers to buy physical comics.
If Jon Fine, Amazon's Director of Author and
Publisher Relations, uses that
line — with his vaudeville - caliber timing —
in Frankfurt when he appears
in the CONTEC town - hall session on «Self - Publishing and Its Implications for the Industry,» it just may
get a bigger laugh than it did at Writer's Digest West.
That said, I also think I should be able to
get more of the revenue of each sale and have the ability to have my work priced at whatever the market will bear, without a multibillion - dollar company artifically capping the price I or my
publisher can set on my work for its own business goals, which may or may not be
in line with my own.
«That said, I also think I should be able to
get more of the revenue of each sale and have the ability to have my work priced at whatever the market will bear, without a multibillion - dollar company artifically capping the price I or my
publisher can set on my work for its own business goals, which may or may not be
in line WITH my own.»
Yet, we have managed to
get stuck
in a world where competition increases eBook prices, success of eBooks leads to
Publishers delaying them, and the prevalent attitude is «readers should do what's best for our bottom
line, not what's
in their best interest».
A bottom -
line competitive issue amongst
publishers in the marketplace so it's not an issue they can
get together and discuss among themselves — nor does AAP as the trade association discuss this with them for anti-trust purposes.
- Announce game for Spring 2015 - Tell people
in January the game is «pretty much finished» - Announce game is coming out
in September instead - Launch 2 additional Kickstarters for a Legends-esque game spin - off with absolutely nothing to show (until the last minute) and an anime - short of said spin - off - Deny rumors that any money from the new Kickstarters will be going into the original project and affirm that the funds are «completely independent» - Deny rumors that original project is
getting delayed - Admit near end of spin - off game Kickstarter that a
publisher was
lined up all along for it - See spin - off game Kickstarter crash and burn - A couple days later, announce delay of original project