Not exact matches
As
digital learning quickly grows
in the educational
environment,
publishers are changing their attitude towards
digital solutions from «nice - to - have» additions to the core paper offering, to an important and often strategic part of their business.
By utilizing their technologies and knowhow, the four participating companies aim to create an
environment where
publishers and newspapers can assuredly provide
digital content, and plan to build one of the largest eBook distribution platforms
in Japan.
«We have a fairly detailed and comprehensive product road map laid out,» Kinzie explained
in an interview about Issuu's platform, «The whole point of Issuu is to connect
publishers and readers
in a
digital environment, making the content that these
publishers are working so hard to create accessible to millions of potential highly relevant readers.»
The first is that Habitat supports Creative Commons licensing, allowing
publishers to create open source content and educational materials;
in line with that is Inkling's announcement that it will be creating fifty open source titles for schools
in partnership with the 20 Million Minds Foundation, furthering the reach and viability of
digital textbooks
in environments that are more than ready to receive them.
This created an
environment where the
publishers dictated the pricing for
digital books and created an outcry
in Europe and the USA against price fixing.
CLL aims to identify business opportunities for
publishers and authors
in the
digital environment.»
Books on Project MUSE offer thousands of peer - reviewed
digital books from major university presses and scholarly
publishers and allow books to be discovered and searched
in an integrated
environment with content from over 600 journals currently on MUSE.
The book collections offer thousands of peer - reviewed
digital books from over 65 major university presses and scholarly
publishers and allow books to be discovered and searched
in an integrated
environment with content from nearly 500 journals currently on MUSE.
Galleries and
publishers alike prefer
digital portfolios or a link to an artist's website be submitted rather than organic materials that may be lost
in the busy shuffle of a gallery or office
environment.