Sentences with phrase «publishers see a future»

A number of big publishers see a future with an unlimited textbook subscription plan.

Not exact matches

In an interview this week, Williams gave one of the clearest indications yet that he sees the site's future as being a content - agnostic hosting service for publishers of all kinds.

«We are encouraging publishers to see the future in electronic terms,» says Friend.

RR: It's been interesting to see the publishers» reaction to digital comics, with last year definitely being a watermark in the future of digital comics.

Small publishers are springing up everywhere, and I see them as the future of publishing.

In the future I see, indie authors and publishers will co-exist and co-mingle along the publishing spectrum.

Rather than standing idly by as publishers jeopardize their future, some libraries see an opportunity to take control by proactively cultivating a newer, more library - friendly source of ebooks.

You might eventually see even more reading - enhancing features in the future, as well — More interactive digital novel formats might be on the way, as Tech Radar points out that creative publishers might soon begin to experiment further with the eBook format and its technological potentials.

As 2011 came to close and predictions were made for the future of the publishing industry, several sources within the industry supported the idea that transmedia reading was going to see huge gains in popularity this year as readers come to expect more from the technology behind e-reading and as authors and publishers clamor to stand out in the vast crowd of ebooks.

I checked in with publisher Robert McGuire about this, and he told me that they are testing to see how GEN does on different platforms and that the prices may change in the future — so download your free issues now!

Whether this is a gimmicky attempt to lure readers or the wave of the future for digital publishing remains to be seen, but as always, this kind of innovation has a strong foundation with romance readers and the publishers who provide that content.

Whether the publisher will begin its own direct - to - consumer button in the near future remains to be seen.

EPUB3 has basically failed, no one is using it, other than a format for online reading apps, but we certainly have not seen the multimedia future we were promised by textbook and digital publishers.

In the future, one can see that the publishers will want to tie up SOME income on these back catalog books so they get part of that long tail income.

I haven't tried a lot of other publishers platforms, just because I'd rather not read digital versions of stuff I can get in book form, but I do like that digital offers a cheap alternative to titles that might not be feasible in a print format, and I'm curious to see if more publishers take that route in the future.

Large publishers can't compete against that (a traditional mass market paperback sold for $ 8.00 earns the author about 40 cents), which is one of the reasons I firmly believe the future of publishing lies in the hands of indie authors and small publishers, and in the years ahead we'll see more and more big - name authors go indie.

The Big Four publishers failed to see the future of writing and ignored the voices of readers who wanted something different.

Fifty - seven per cent of listeners do so on their phones, and audio publishers expect to see future growth from voice - enabled speakers like Alexa.

For traditional publishers, digital is sometimes seen as a dystopian nightmare — but Alastair Horne examines some ideas from science fiction that offer the promise of a positive future for publishing.

I think we'd both like to see a future in which books and ebooks can co-exist peacefully — and perhaps they will, but I worry that a scenario where we see a race to lower ebook pricing could have a negative impact on publishers» inclination to produce actual books.

Although it remains to be seen whether an author or a publisher with opinions or agendas that opose those of the media outlets will have a tougher time disseminating messages in the very near future, inevitably, that is what will happen.

Some publishers look at this model and see it as the future.

«Not too far in the future, the author comes to the Pubslush site,» Ioannou says, «gets a checklist of the steps that the book needs; gets to choose an editor who has lots of experience with that kind of book or a young editor just starting out who will do the work more cheaply; sees samples of the work of a lot of cover designers and picks one; sees an array of publishers who might be interested in publishing the book — or gets various options to self - publish; and gets help to pay for it all» with crowdfunding «or can just pay for it all on the spot if that option appeals more.»

The specificity of many comics to the medium of the printed book, and to particular dimensions, is one angle of critique of digital comics from creators such as Art Spiegelman (see, Brian Heater, «Art Spiegelman and the Future of the Book», Publisher's Weekly, 11 October 2011).

While the hybrid edition is still commonly seen inside the Apple Newsstand from major publishers such as Time Inc., Condé Nast, Hearst, etc., there is a growing opinion that the PDF replica is where the future lies.

All other publishers seemed to see the future as a threat, even other science fiction publishers.

The problem isn't that publishers don't intend for the book to succeed, but that they can no more see the future than anyone else.

Would it be fair to say that younger players are less focused on the need to discover «literary» talent, and more focused on fostering the aspiration of writers who read, write and enjoy genre fiction, while publishers — especially ebook publishers — recognise genre fiction's commerical possibilities and see that as the profitable way of the future?

We want to see this rectified in a future release, whether through negotiations with publishers to allow text - to - speech to be used with their books, or through selecting dictionaries which don't have text - to - speech restrictions.

Like Nate stated, traditional publishers do NOT want to see e-books become the future, because it makes their entire business model obsolete, sorta of like what is happening with newspapers.

For this Never thing to work for fiction publishers the demographics have to be right, and I see no evidence that the form, if we discount the odd phenomena of Fifty Shades (perhaps itself a pointer to a future?)

I can see the way of the future will be ebook, but for me that's going to be an ebook published by a traditional publisher who has filtered out all the other crap.

At some point in the future, I do believe we'll see an «Angry Birds of Comics» — one of those breakthrough apps that'll sell 10 million copies through Itunes — and it won't be a title from Marvel, DC, or any other publisher for that matter.

As indies have smaller budgets than traditional publishers, does this endanger the quality of cover art and illustration we're going to see in the future?

I'd hate to see publishers make that same mistake — and I think agency pricing just encourages them to cling to the past instead of trying to adapt to the future.

Publishers who fill out The State of Digital Publishing in Canada 2014 survey will help us take stock of digital publishing in Canada, so we can all see where it may be going in the future.

I just hope that they will see that that was a damaging negotiating tool and that if they have future problems with publishers they will find some other way to come to a solution.»

It is also too easy to fall into viewing the evolution in eBook and print sales solely through the prism of Amazon and its often public power struggle with publishers, and to be drawn too deeply into seeing the future of publishing as one format versus another.

Rather than wait and see how consumers react to it however, the French publisher is already plotting for the franchise's future.

Even though Cliff Bleszinski has been seen making visits to many publishers and studios since his departure from Epic Games, he has not confirmed what he plans to do for the foreseeable future.

The front page of Rockin» Android's Rockin» Android currently has a poll asking visitors what genre of doujin games they would like to see released stateside, clearly hinting at the publisher's future plans.

I may also integrate Mobile into this report in the future so we can see which console publishers are finding success there.

While there were constant rumors that the game would see its own release in the future, the publisher was quick to deny them.

CK: I'd love to see NX become a platform that publishers and developers can rely on, so they can invest and make great games on NX right now and so they can keep on making great games for in the future.

Some suggested topics for future dissertations that I would like to see include a study of looseleaf publications — could their decline into disrepute have been avoided or delayed if the publishers had not decided to increase the number of looseleaf releases to compensate for declining subscription lists?

For the future, the publishers see in research content the need to identify relationships among cross-jurisdictional sources combined with the full range of social and other media.

While at one level the future for legal and professional publishing is seen to be in the provision of transactional and workflow solutions, thereby driving publishers towards the role of software providers, that view does not necessarily address the question of market segmentation.

Do I see or hear the lawyers, legal technologists, publishers and content managers on the TV, on the BBC world service or in the newspapers talking about this future?

I can see that big legal publishers don't regard selling content to be the road to the future, but I'm not seeing much confidence for sale either.

Lately it seems that the Nintendo Switch is the best platform for indie developers to put their games on; let's just hope that we see more positive news like this in the near future as other publishers continue to show their support.