Bowker (the entity that dispenses ISBN numbers) released statistics this past June indicating that ten times more titles are being published by independent
publishers than traditional publishers.
Not exact matches
As BuzzFeed points out, rather
than spend marketing money on a
traditional online ad campaign — which would involve paying someone to create an ad and then paying to place it on Facebook, or another social website, or even with the
publishers who so desperately need the ad dollars — businesses are sending more of that money to Facebook to promote content created for free by
publishers.
Sortable takes a 15 - % cut of gross revenue, but Reid says
publishers end up netting 30 % more
than they do through the
traditional system because it's simpler and there are fewer moving parts to feed.
Self and Independent publishing can get your book to the market three times faster
than the
traditional publisher.
Traditional publishers claim support in promotion, but every hybrid writer knows that a
publisher does no promotion anymore for anyone other
than mega-bestsellers.
Yes, you can get the attention of an agent and
publisher with 60,000 book sales — especially since the
traditional publishing averages LESS
than 5,000.
Ultimately, I realized that I could do an equal or better job publishing my book
than any
traditional publisher.
We are a royalty - paying non-subsidy
publisher and our royalties are significantly higher
than those of
traditional publishers.
Because writers have the tools and the readership, they're relying less on
traditional publishers — and they can make much more money
than they ever could have through
traditional publishers.
Many people who read e-books will not pay more
than $ 9.99 for an e-book and that means they don't buy an e-book from a
traditional publisher when the e-book and hard cover are first released.
Had this seemingly groundbreaking movement begun with
traditional publishers ten years ago, right when the digital book revolution was just barely beginning to stir,
traditional publishers could have OWNED this industry rather
than simply reacting to it.
Agents are slipping faster
than traditional publishers and will take a ton of writers» money with them when they go down.
I have professionally produced books for digital and print platforms that look as good or better
than many I see from
traditional publishers.
To be honest, I've earned more in the last year selling my books directly
than I would have received as an advance from a
traditional publisher.
Yes the royalties are higher
than one would expect to earn from a
traditional publisher but it hardly offsets the amount of money spent by the author getting their book to press through one of these
publishers.
Find an Agent — Most
traditional publishers would rather deal with a community of trusted agents who know the publishing industry
than wade through mountains of submissions, themselves.
You can make upwards of 70 percent more per book
than you would through a
traditional or independent
publisher.
Traditional publishers E-book sales are down but indie sales are up by more
than that decline.
And I don't see where you get the idea that it is easier to make money going indie
than it is
traditional, -LCB- to join these organizations you have to earn «x» amount of money over a single calendar year, where the specified amount for indie
publishers is a * multiple * of the requirement for traditionally - published authors minimum income, because it is easier to make money by going indie, -RCB- because it is actually harder.
They also didn't want to fool around with printed copies and have far more marketing ability
than I do or a
traditional print
publisher has.
Traditional publishers were more
than willing to publish «If I Did It» by O.J. Simpson until the public outcry became too overwhelming.
In an interesting aside, even
traditional publishers are looking for the multi-book author, as it's becoming more lucrative to build an author's brand with readers
than to sell a stand alone title.
If you are calling out Random House Penguin,
than that should be made clear, but by clumping all
traditional publishers together your argument falls apart.
This simple fact scares
traditional publishers more
than anything, which is why this myth has grown and grown and they keep using it as a reason a writer should sign their shitty contracts.
He decided that self - publishing was an easier route
than the time - consuming search for a
traditional publisher.
More
than half of authors who already were self - published, as well as hybrid authors, were hoping to publish with
traditional publishers, at 53.5 percent and 57.8 percent, respectively.
Animals — Less
than 1 % Less
than 1/5 Concepts — 8 % 5 % Holidays / festivals / religion — 9 % 3 % History / sports / people / places — 10 % 5 % Education / reference / language — 15 % 10 % Games / activities / hobbies — 20 % 18 % Biographies / autobiographies — 28 % 12 % Social situation / family / health — 22 % 65 % Does this mean that the sales go to
traditional publishers because their books are better illustrated and published?
Today, her self - published Gansett Island Series, roundly rejected by
traditional publishers, has sold more
than 2.5 million ebooks and is still going strong at book 16.
To what I have heard, they are more preferable
than contacting a
traditional publisher directly.
Independent authors and Amazon - imprint authors sell more eBooks per day
than the
traditional publishers combined which is the uncomfortable truth that most industry observers, and those in the Big Five
publishers, find it hard to swallow.
Force, a New York Times and USA Today contemporary romance author who has written more
than 50 books, was at the forefront of the indie publishing wave in 2010 when she self - published books that had been rejected by
traditional publishers.
Most of us are familiar with J.A. Konrath, who, after self - publishing several of his unpublished novels in ebook form and realizing how much more money he could make on his own
than with a
traditional publisher, became indie publishing's most vocal champion.
Also, self - publishing titles tend to include books that are locally focused, narrate family histories, are niche and at times more risque — around religion, politics, sex and sexuality —
than what a
traditional publisher might wish to handle, Fulton and Bradley said.
-- Because after a short time, I can make more money with a backlist novel indie publishing it
than any
traditional publisher ever could.
If you ask me, this is nothing more
than the
traditional publisher's attempt at cashing in on the rise of the indie writer.
And although I more
than earned out my advance from the
traditional publisher (as well as selling numerous foreign rights), would I characterize my experience with the
traditional publisher as good overall?
Almost all
publishers only accept submissions through agents, so they are essential gatekeepers for anyone trying to sell a book in the
traditional market rather
than self - publishing.
Stephanie Bond: «If I had any qualms about leaving
traditional publishing, they were settled last fall: the royalty check I received from my
publisher representing six months of sales for over 40 projects was less
than I'd made the previous day in KDP royalties for about 12 books.»
Productivity — do you write more books per year
than a
traditional publisher can handle?
That includes upselling in digital formats, control over pricing and having a great reach
than traditional publishers.
When an author goes the
traditional publishing route the
publisher presumes to be the authority and knows better
than the writer and assumes creative control of the writers intellectual property.
But, back to the
traditional route, last summer I attended the World Fantasy Convention, and
publishers on more
than one panel expressed the desire for more genre - crossing material to come across their desks, citing techno - thrillers as an example.
That royalty rate is definitely better
than most
traditional publishers offer.
But in general, I believe the quality of ebooks is much lower
than that of printed books; from both
traditional and self
publishers.
More and more, the indie author market is giving
traditional publishers a run for their money and the big New York houses are going to have to innovate even more
than they have in the past.
Indie
publishers spend far less time getting their story into readers hands
than a writer working the
traditional system.
Trautmann: I'm not sure it's «especially» suited to «Frost,» honestly, other
than our «book» is not something that
traditional comics
publishers would pick up.
These 12 manuscripts from among all the submissions represents a much larger «statistical likelihood»
than an unsolicited manuscript finding success with being sent to a
traditional publisher or agent.
But don't blog any more
than a paragraph or two if your book is unpublished and you hope to get a
traditional publisher some day.
You followed up with an analogy of ballroom dancing (focusing on the self
publisher's motivations etc, not my article), and now you are scoping wider
than my article about technological change and how
traditional publishers must adapt (still not directly addressing my article).