Five
publishers were interested in your book, but only two of them met the deadline.
However, at first,
no publisher was interested in the book, so Waller self - published his book, going from store to store, selling his books on consignment and offering buyers a money - back guarantee.
Not exact matches
We
are the main
publisher in the field, with over 50 titles ranging from issue briefs to lengthy
books (see our guidelines for authors if you
are interested in writing for us).
The
book is the first by a major
publisher with its exposure and
interest to have a time - stamped digest recorded
in the... Read more»
You don't have enough king James scripture verses
in it for any Christian
publisher to
be interested in putting it out (I've talked to Christian agents about this, and they
are as frustrated as the writers at how boxed
in to rigid rules Christian
books have to
be) and that
is a sad fact about
book publishing today.
«Religious
interest is growing
in this country,» affirms Word
Books publisher Jarrell McCracken, «but probably away from the established church and denominations.
They include the «chilling effects» of libel suits, the perennial conflicts between property and access, the three out of four
publishers who intervene
in news decisions affecting their local markets, the advertisers» freedom to move their money to where their
interests are, industry self - regulation
in broadcasting and advertising, the backlash against conveying under duress (as
in a hostage crisis) points of view that
are never aired as directly without duress, the flareups of
book banning and censorship of textbooks, the rout of the civil rights movement, the retreat from principles of fairness and equality (even where never implemented), the attack on scientific and humane teaching, the threat of self - appointed media watchdogs to also spy on teachers
in the classroom, and the general vigor of ancient orthodoxies masquarading as neo-this and neo-that.
Not only
is Monville's story powerful and largely untold, it also hits a burgeoning market for
book publishers, Kraybill said: the cross-section of evangelical spirituality and
interest in all things Amish.
In 1949, four of the five best - selling nonfiction books — excluding books on canasta — were religious titles, and though independent publishers produced many of these books, the popular interest in religion benefited the denominational publishers as wel
In 1949, four of the five best - selling nonfiction
books — excluding
books on canasta —
were religious titles, and though independent
publishers produced many of these
books, the popular
interest in religion benefited the denominational publishers as wel
in religion benefited the denominational
publishers as well.
If you just want to skip to the awesome recipe the
publisher so kindly let me share, you can head to the end of this post, but if you
are interested in what else the
book has to offer, stick around!
I've mentioned that
book here so often, you can all
be forgiven for assuming that Ms. Poppendieck and I
are secretly related, or that I have some lucrative royalty deal with her
publisher, but
in truth, it
's just an awesome
book for anyone trying to wade through the byzantine mess that
is our current national school lunch program and
interested in ideas for fixing it.
-- Excerpted from the Preface (page v) Although I've attained a certain stature as a syndicated journalist, I must confess to
being unable to
interest a
publisher in either of the two
books I've completed.
It
's High Noon
Books division was established in 1984 as one of the early publishers of high interest / low level (Hi / Lo) books for struggling rea
Books division
was established
in 1984 as one of the early
publishers of high
interest / low level (Hi / Lo)
books for struggling rea
books for struggling readers.
Posted on November 23, 2016 · Textbook
publisher Cynthia Dunbar
was defending her company's Mexican - American Heritage
book in front of the State Board of Education last week when she made an
interesting argument.
If you
're ready to take the risk that your
book won't
be a big performer
in the
publisher's catalog, you won't find a more
interesting or exciting business.
There
's a popular belief among authors that if they self - publish and demonstrate that their
books can generate huge sells, a traditional
publisher will take an
interest in their work.
Juergen Boos, Director of the Frankfurt
Book Fair, said: «There
is strong international
interest in learning more about Canadian
publishers, authors, culture and media.
And don't ever reject a small
publisher who
is interested in publishing your
book when you find out they use print on demand.
You see, a
book needs to come to life with its author knowing what audience
is expected to read it, or else most
publishers (and literary agents) won't
be interested in it.
Obviously you know little about how the
book business works, if you really think there
's a conspiracy to silence your precious voice, or that
publishers aren't
interested in publishing great
books that will make money.
Pointing out that «authors remain the only essential part of the creation of a
book and it
is in everyone's
interests to ensure they can make a living», it tells
publishers that «unfair contract terms, including reduced royalty rates,
are a major part of the problem».
And yesterday, there
was an
interesting story
in the New York Times about a problem with e-books: people can't see the
book jacket when you
're reading
in a public place, which
in the past has
been free advertising for
publishers (not to mention a means for self - expression).
I recall hearing back
in the day from the Pendergrasts who ran Fictionwise that the
publishers simply weren't interested in lowering e-book prices when books went to paperback, and it ended up with THEM having to chase down PUBLISHERS to get them to low
publishers simply weren't
interested in lowering e-book prices when
books went to paperback, and it ended up with THEM having to chase down
PUBLISHERS to get them to low
PUBLISHERS to get them to lower prices.
That agent and later a more high - powered one
in New York
were both unable to
interest a
publisher in the
book.
Many people
are still
interested in a
book deal with a NY or London
publisher, but there
are many hurdles to overcome as well as a lot of myths that surround the industry.
The best
book publishers, and especially the best self
publishers know that a net sales profit method
is in the best
interest of the author, and won't manipulate royalty percentages or profits.
If the
publisher can convince them that they
're likely to get more readers or sell more
books (and the
publisher will, by nature,
be more
interested in the latter proposition), they might jump on it, knowing that they
're dealing with Scenario # 2.
The difference
is: the traditional
publisher's name
is on the
book (so reputation comes into play) and the
publisher has invested money and will
be interested in getting a return on the investment.
Apple has made deals with five
publishers to have
books available, but do you really think those deals
are going to
be in the user's
interest?
More and more it seems traditional
publishers are only
interested in books capable of extremely high volume sales by authors with best sellers already on their resume.
On one front, this
is essential material for the first - time author pursuing a traditional publishing deal, as
publishers are well known for sticking quite rigidly to genre requirements, for the purposes of selling their products (our
books) to the even more hide - bound
book shops, who aren't
interested in buying a
book unless they know where to shelve it.
I get it — you
are thrilled that a
publisher (or anyone)
is interested in your
book.
I understand refusing to review
books you
're not
interested in reading, but don't discriminate based on who
is the
publisher or the nature of the format.
But
in public, I mostly see people advocating for the traditional publishing world who come across as mired
in 20th thinking about publishing and selling
books, ignorant of the self - publishing world, making sweeping assertions which they can't support, making the mistaken assumption that the writer's best
interests are identical to the
publisher's best
interests, clearly unaware of how many traditionally - published writers (including bestsellers)
are engaging
in self - publishing (and comparing the experiences and numbers with their under - contract
books), and / or contemptuous of writers and dismissive of readers.
And as I said above, I don't
in any way dispute that commercial
publishers are interested in self - published
books that do well.
How to Land an Agent for a Self - Published
Book (Jane Friedman): This
is a must - read if you've self - published, but you
're also
interested in working with a traditional
publisher.
We all know that the e-
book market as it
is currently structured
is not designed
in the best
interests of
book publishers.
Based on the widely implemented Atom Syndication Format, OPDS Catalogs have
been developed since 2009 by a group of ebook developers,
publishers, librarians, and booksellers
interested in providing a lightweight, simple, and easy to use format for developing catalogs of digital
books, magazines, and other content.
It'll
be interesting to see if your
publisher produces your
book in both print and e-version.
I
'm not
interested in a
book that
is going to generate less than $ 100,000
in revenue unless the editor or
publisher has a compelling vision for the
book and / or the author.
In addition, the mere fact that a traditional publisher has chosen to publish a book helps establish that the book is being published «in the public interest» which is very important if any claims of invasion of privacy aris
In addition, the mere fact that a traditional
publisher has chosen to publish a
book helps establish that the
book is being published «
in the public interest» which is very important if any claims of invasion of privacy aris
in the public
interest» which
is very important if any claims of invasion of privacy arise.
As a author /
publisher if you
are interested in joining us as your publishing partner, Pickawoowoo can guide your
book's destiny with you at the helm.
«I
was very
interested in the information on authors going back to their
publishers and getting the rights» to their out of print
books in order to pursue publishing them electronically.
What will
be interesting to see will
be the innovations that develop for digital children's
books, as
publishers like Sourcebooks and iStoryTime continue the trend
in creating new interactive features and make announcements about new projects.
It
's interesting that some
are calling for legal action and government intervention
in this issue, but do we really anticipate a commercial society where
book retailers
are required to sell every title that comes along, and at whatever terms the
publishers mandate?
The practice of rewarding people who
were both
interested in a title and also influential
in book circles
is something more
publishers could easily replicate
in other ways (outside of Klout or Twitter).
When I hear an agent or
publisher say that about self - published
books, I know they — intentionally or otherwise —
are focused on something they shouldn't
be focused on if they
are interested in finding
books to sell.
Poynter made the decision to print and market his first
book on his own after realizing that no traditional
publishers would
be interested in his finished manuscript (Mother Earth News).
When I meet authors and
publishers who
are interested in growing their sales, I ask them this question: «What shelves to you want to see your
book sitting on?»
A final major benefit of traditional publishing, and what I believe to
be the most important,
is the fact that, with a
publisher, a writer has a team of experts
in every aspect of
book production — i.e., editing, copy editing, legal review, when necessary, cover design, formatting, marketing, and publicity — who work together with a common, vested
interest in making a
book the best representation of the author and the publishing house that it can
be.