Sentences with phrase «publishing award shows»

Wendy Reynold's comment that «A Blog winning a legal publishing award shows that this model is mainstream now» is very telling.

Not exact matches

Sunbelt Shows, Inc., in business since 1990 and producers of the National Fiery Foods & Barbecue Show and the Scovie Awards Competition, has a new division, Sunbelt Editions, which will publish my new books and also books by other authors.

Roger is host and co-creator of the internationally broadcast television series Everyday Exotic, and has published an award - winning cookbook based on the show.

«I want to show that I can also be a good coach in tough circumstances,» Zidane said in an article published on Tuesday in France Football magazine, which gives the award.

Michael Turner, CQ's director general, commented:» As data published today by Ofqual shows, each year over eight million GCSE and A level grades are awarded to a high level of accuracy.

«As data published today by Ofqual shows, each year over 8 million GCSE and A level grades are awarded to a high level of accuracy.

Book Publishing • Books are Marketing Tools • Jenkins Group, Inc. • Special Market Book Sales • Independent Publisher • Independent Publisher Book Awards • Printellectual • Living Now Book Awards • Moonbeam Children's Book Awards • Global Book Shows • Review Direct • Targeted Media Release • Your Pub Site 1129 Woodmere, Suite B, Traverse City, MI 49686 800.706.4636 main: 231.933.0445 fax: [phone] www.bookpublishing.com Contact Us © 2016 Illumination Awards

The 1997 awards were slated to coincide with the annual conference held by the International Small Press Publishing Institute prior to the BookExpo America trade show.

Award - winning New York Times bestselling author, investigative journalist, and anthropologist, Scott Carney, stopped by the show recently to talk about the dangers of putting yourself into the story, what he's learned in his 20 + years in mainstream publishing, and how he juggles his multiple creative adventures.

The multiple award - winning, internationally published author, podcaster, and writing coach, K.M. Weiland, stopped by the show to chat with me about Helping Writers Become Authors, balancing creativity and logic, and beating writer's block.

Her first novel, Broken for You, was published in 2004; it was chosen by Sue Monk Kidd as a «Today Show» book club selection, and received the Washington State and PNBA Book Awards.

In 2010, she self - published an award - winning parent - teacher resource book, Show Me How!

He's won Nebula, Bram Stoker, and Hugo Awards, published dozens of short stories and novels, and has worked on such television shows as Beauty in the Beast, The Outer Limits, and The Twilight Zone.

Posted on November 30, 2017, in Special Postings and tagged amazon, amazon books, amazon ebook, author, author show, book award, books, ebook, ebooks, fantasy, fantasy book review, fiction, finalist, goodreads, great writer, interview, kindle, kindle book, kindle ebook, kobo, literature, nook, novel, publishing, read, reader, reading, reviews, ruth finnegan, stories, support, vote, voting, write, writer, writers, writing.

Thomas Nelson imprint takes home Christian Retailing's Best Award for Graham book, «Where I Am» (Cincinnati, OH) June 29, 2016 — HarperCollins Christian Publishing (HCCP) was recognized for several accomplishments at the 2016 International Christian Retail Show (ICRS) on Monday, June 27.

With the consolidation of the book publishing industry, publishers are far more reluctant to award book contracts to an unknown who can't show that their book will sell.

Book Publishing • Books are Marketing Tools • Jenkins Group, Inc. • Special Market Book Sales • Independent Publisher • Independent Publisher Book Awards • Printellectual • Living Now Book Awards • Axiom Business Book Awards • Global Book Shows • Review Direct • Targeted Media Release • Your Pub Site 1129 Woodmere, Suite B, Traverse City, MI 49686 800.706.4636 main: 231.933.0445 fax: [phone] www.bookpublishing.com Contact Us © 2014 Moonbeam Children's Book Awards

The Federation also gives Freedom to Publish Award to a publisher, who shows courage to publish controversial books without fear of the wrath of the fundamentalists or any action by thePublish Award to a publisher, who shows courage to publish controversial books without fear of the wrath of the fundamentalists or any action by thepublish controversial books without fear of the wrath of the fundamentalists or any action by the state.

Book Publishing • Books are Marketing Tools • Jenkins Group, Inc. • Special Market Book Sales • Independent Publisher • Independent Publisher Book Awards • Printellectual • Living Now Book Awards • Moonbeam Children's Book Awards • Global Book Shows • Review Direct • Targeted Media Release • Your Pub Site 1129 Woodmere, Suite B, Traverse City, MI 49686 800.706.4636 main: 231.933.0445 fax: [phone] www.bookpublishing.com Contact Us © 2017 Living Now Awards

Book Publishing • Books are Marketing Tools • Jenkins Group, Inc. • Special Market Book Sales • Independent Publisher • Independent Publisher Book Awards • Printellectual • Living Now Book Awards • Moonbeam Children's Book Awards • Global Book Shows • Review Direct • Targeted Media Release • Your Pub Site 1129 Woodmere, Suite B, Traverse City, MI 49686 800.706.4636 main: 231.933.0445 fax: [phone] www.bookpublishing.com Contact Us © 2018 Axiom Business Book Awards

My books have won awards, been featured on radio talk shows and in college courses (how not to write, more than likely) and now the basis for a motion picture; all because I found a company who knew how to publish a book without all the mystery and hidden agendas of the huge, conglomerate publishing houses.

-LSB-...] Joel Friedlander on August 23, 2011 Book award shows abound in the publishing world, and every year in the fall you can expect to see lots of -LSB-...]

We publish a club newsletter / magazine four times a year, sponsor various awards, support American Staffordshire Terrier breed rescue efforts, sponsor specialty shows, provide educational materials and opportunities, and promote responsible dog ownership.

Created through a partnership between the show's organizers and Pet Business magazine — the exclusive publishing partner for Global Pet Expo — the Retailer Excellence Awards honor outstanding independent pet stores in categories such as Merchandising, Marketing, Customer Service, Store Design and Community Service.

As the editor in chief of Pet Business, the exclusive publishing partner of Global Pet Expo since the show was launched in 2005, I've had the pleasure of serving on the Retailer Excellence Awards judging panel for the past two years.

United has already published the new Everyday award chart (which is linked HERE) although, as pricing will be dynamic, the chart shows the maximum an Everyday Award will award chart (which is linked HERE) although, as pricing will be dynamic, the chart shows the maximum an Everyday Award will Award will cost.

Delta doesn't publish award charts so you will want to look for «LOWEST FARE» availability similar to what's shown below.

Two awards shows; The Games Media Awards and Future Publishing's Golden Joystick Awards take place on October 18th and 26th respectawards shows; The Games Media Awards and Future Publishing's Golden Joystick Awards take place on October 18th and 26th respectAwards and Future Publishing's Golden Joystick Awards take place on October 18th and 26th respectAwards take place on October 18th and 26th respectively.

He received an NEA and two NYFA awards — the first for painting, the second for sculpture — while showing in SoHo with Barbara Toll Fine Arts and then The Holly Solomon Gallery, with whom he published a catalogue.

Tate's exhibition - led publishing brings readers some of the finest writing that accompanies and complements its shows, and its award - winning children's list combines established authors and illustrators with bold new talents.

He had only recently published his first international monograph with Taschen, edited by Dian Hanson, and had two museum exhibitions, at FOAM in Amsterdam (after being awarded the Outset Unseen Award in 2016) and at the Fotografiska Museum in Stockholm, as well as a two - person show at the KWM Art Center, Beijing.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

ARTIST OF THE YEAR: KEVIN GRASS Artist Kevin Grass was announced the winner of the [PLATFORM] Artist of the Year Awards and will receive prizes valued at $ 65,000, including a $ 10,000 cash advance against future royalties, a publishing and licensing contract with Art Brand Studios, and numerous exhibition opportunities at Redwood Media Group's 2016 — 2017 shows.

AIPAD Archisle: The Jersey Photography Programme Artnet Belfast Photo Festival Berlin Foto Kiez Bitcasa Brighton Photo Biennial Centre de Cultura Contemporania de Barcelona Clikpic Colombia University School of the Arts Colophon Deutsche Börse Photography Foundation Prize Diffusion International Photography Festival Foto8 Fotobook Festival FORMAT Festival Flowers Gallery frieze Fundació Foto Colectania Gomma Books ICP International Center of Photography New York Kowasa L'Artiere Editions Le Book Leica Les Rencontres d'Arles Life Framer Linhof Young Photographer Award London Art Fair London College of Communication — University of the Arts, London Magnum METRO Printing MIA Photo Fair Michael Hoppen Gallery MOO Cards Month of Photography Los Angeles Musée de l'Elysée New York Photo Festival Next Level NIKON Noorderlicht International Photography Festival Nottingham Trent University One Life Photos Paris Photo Peter Watkins Framing Phaidon Photobox PHOTOFAIRS PhotoEspaña PhotoIreland Photo Oxford Photomonth London Photoworks Prix Elysée Roehampton University Salon Photo Prize Scotiabank CONTACT Photography Festival Self Publish, Be Happy Seiten Ansichten SCOPE Art Show Miami Sony World Photography Awards Sothebys Spectrum Steidl Still / Moving Thames and Hudson The Addiction Project The Cord Prize The Photographers» Gallery The Photography Show theprintspace The RPS Royal Photographic Society Troika Editions University College for the Creative Arts Universitat Politècnica de València University of Westminster UNSEEN UWE Bristol University of the West of England Vevey International Photography Award wetransfer Yossi Milo Gallery Zofia Rydet Sociological Record

Opening: «Affordable Housing in New York: The People, Places, and Policies That Transformed a City» at Hunter East Harlem Based on the content of a recently published book of the same name by urban historians Matthew Gordon Lasner and Nicholas Dagen Bloom, this comprehensive show features interactive models of apartment interiors, photographs by award - winning photographer and sociologist David Schalliol and historical materials about New York's affordable housing program.

The Ballad of Sexual Dependency — the name she gave her ever - evolving show — eventually grew into a forty - five - minute multimedia presentation of more than 900 photographs, accompanied by a musical soundtrack, and published as an award - winning book.

For this exhibition at studio1.1, the Redchurch Street gallery, Julie Umerle received a Grant for the Arts award from Arts Council England to create new works for a solo exhibition of her paintings and to publish a catalogue to accompany the show.

Upon her return to Japan in 1973 she exhibited in a number of major international art shows, including the 45th Venice Biennale in 1993, and even won a literary award for a novel she wrote, called The Hustler's Grotto of Christopher Street, published in 1983.

Mike's work, like that of previous award winners, is diverse, and includes pioneering and highly cited work in time series analysis (an elegant use of Thomson's multitaper spectral analysis approach to detect spatiotemporal oscillations in the climate record and methods for smoothing temporal data), decadal climate variability (the term «Atlantic Multidecadal Oscillation» or «AMO» was coined by Mike in an interview with Science's Richard Kerr about a paper he had published with Tom Delworth of GFDL showing evidence in both climate model simulations and observational data for a 50 - 70 year oscillation in the climate system; significantly Mike also published work with Kerry Emanuel in 2006 showing that the AMO concept has been overstated as regards its role in 20th century tropical Atlantic SST changes, a finding recently reaffirmed by a study published in Nature), in showing how changes in radiative forcing from volcanoes can affect ENSO, in examining the role of solar variations in explaining the pattern of the Medieval Climate Anomaly and Little Ice Age, the relationship between the climate changes of past centuries and phenomena such as Atlantic tropical cyclones and global sea level, and even a bit of work in atmospheric chemistry (an analysis of beryllium - 7 measurements).

InjuriesBoard.ie has published a review of workplace accidents in Ireland in 2011 that shows compensation totalling $ 22.5 million (2010: $ 25.1 million) was awarded in respect of 830 (2010: 889 awards) personal injury workplace claims.

Things like your certifications, industry awards, or articles you've published are your unquestionable triumphs that you need to show off in a separate section.