All purchases support the exhibitions, educational programming, and activities of the Dallas Museum of Art.
Not exact matches
These
purchases support the Museum's mission to collect pieces from MOCA's self - curated
exhibitions.
Generous
support for the 2014 Roy R. Neuberger
Exhibition Prize is provided by Helen Stambler Neuberger and Jim Neuberger, the Friends of the Neuberger Museum of Art, and
Purchase College Foundation.
School of the Arts
exhibitions and programs in the Richard & Dolly Maass Gallery are
supported, in part, by the
Purchase College Foundation and through an endowment from Richard and Dolly Maass.
Bolstered by enormous public
support, the Museum
purchased the
exhibition in June of 2004, which included works from Chihuly's best - known series, in... Learn More
Funds raised are used to
purchase works of art and craft for the permanent collections of the Philadelphia Museum of Art, to fund conservation and publication projects and to
support exhibitions and education programs.
Some individuals who did not manage to
purchase a work made donations to
support the
exhibition.
The Royal Academy receives no public funding so all those who
support the Summer
Exhibition by submitting work, visiting it and through
purchases contribute to
supporting artists of the future.
The Short and the Long of It (2010 - 12), currently on view at Towner Eastbourne in the
exhibition Land and Sea (13 September 2014 — 18 January 2015) was presented by the Contemporary Art Society to Towner's Collection with the
support of the V&A
Purchase Grant Fund in 2014.
Support for the Museum's collection,
exhibitions, publications, and education programs is provided by grants from public and private agencies, individual contributions, the Friends of the Neuberger Museum of Art and its Board of Directors, the
Purchase College Foundation, the State University of New York.
Whether online or at one of our special intermittent international presentations, every
purchase from House of Voltaire directly
supports Studio Voltaire's
exhibition and education programmes.
They have played an exemplary role in
supporting artists by
purchasing art early in their careers, exhibiting their work at their alternative space, Girls» Club in Fort Lauderdale and
supporting exhibitions and programs in art institutions throughout the region.»
Clearing owner Olivier Babin moved into the massive compound in 2017 — the gallery operated for five years out of a small townhouse, but the
support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he
purchased a 5,400 - square - foot former shutter factory and turned it into a stunning space with high ceilings that run together like the roof of a church, buttressed by separate
exhibition spaces, a bar, a café, and office space.
Each artwork in the
exhibition is to be sold accompanied with specific
purchase agreements, which are structured in a way that aims to generate an economic model to
support collaborators involved in various aspects of the work.