Not exact matches
In a sense, his best known works — the «multiforms» and his other signature
paintings — are, in
essence, the same expression, albeit one
of purer (or less concrete or definable, depending on your interpretation) means, which is that
of the same «basic human emotions,» as his earlier surrealistic mythological
paintings.
During the rise
of modern
painting, flatness was considered a virtue, a quality denoting the
pure essence of the medium.
The dominant art critic
of the post-World War II era, Clement Greenberg, insisted that
painting in order to remain «
pure» had to be addressed to eyesight alone, because he argued that the
essence of visual experience was «opticality».
These
paintings, consisting
of elaborate and fluid swirls
of paint applied in luminous hues, are
pure and simplified expressions
of light; the
essence of Delaney's art.