Sentences with phrase «pure form of art»

Not exact matches

A Yoga TTC in Nepal at Rishikul Yogshala arrives with a perfect blend of traditional teachings fused with the right sources and ambiance to practice the art in its purest form.

A Yoga TTC in Thailand provides a perfect blend of traditional teachings infused with the right sources and ambiance to practice the art in its purest form.

And even though I own too many shoes myself, I still can't help but drool over the pure art - in - footwear - form that exists in closets like that of Jane Aldridge or even Carrie Bradshaw.

He spits in the face of the art form called acting, and every moment onscreen for this long time co-star of Freddie Prinze Jr.'s («She's All That,» «Wing Commander,» and the upcoming «Scooby - Doo») is pure torture for us all.

For the small cluster of game creators that regard the form as art, there is a vastly larger group that sees it as a line item on a spreadsheet — pure commodity.

«The pursuit of the art of storytelling in its purest form was what drew us to Sundance,» said Rohit Khattar, director of Mumbai Mantra, Mahindra's media and entertainment satellite.

It is a homage to the 1970's horror movies, where you get to experience the role of a true antagonist in a pure 2D pixel art form.

He liked teaching children, feeling that their pure unfiltered responses to their art helped him to capture the essence of emotion and form in his own work.

It's in the abstract rhythms of form, whether in the visual arts or classical music, where we experience the pure, universal structure and pulse of art.

Unlike his contemporaries, such as Mark Rothko and Barnett Newman whose art expressed an urge to transcendence, Kline was focused on pure abstract forms and gesture itself, deprived of any symbolic character or «painting experience».

Alongside music, abstract art is among the purest forms of expression, as it allows artists the freedom to communicate feelings and emotions unconstrained by forms found in objective reality.

While many associate the trippy, repetitive style with the «swinging sixties,» Op Art was pioneered in the 1930s by Hungarian artist Victor Vasarely, whose influential work focused on what he considered the two greatest tenants of artistic creation, «pure color» and «pure form.»

But by the 1940s and»50s, abstract expressionism emphasized pure form and feeling; art was, as Adolph Gottlieb and Mark Rothko put it in a letter to the art editor of The Times: «an adventure into an unknown world.

While both groups valued abstract painting as a «purer» form of art, there were also significant differences between them.

used the pure elements of the visual arts — such as colour, line and geometric form — to create art in a non-representational and absolutely free way.

Since the beginning of his career, Ellsworth Kelly's emphasis on pure form and color and his impulse to suppress gesture in favor of creating spatial unity have played a pivotal role in the development of abstract art in America.

After flourishing for some 20 years, by the 1950s the cerebral concerns of this art — its exploration of pure form and universal principles — were being eclipsed by the more expressive gestural abstraction coming out of the New York School and the School of Paris.

Postminimalism (a term coined by art historian Robert Pincus - Witten while writing on the work of the American sculptor Eva Hesse) was emerging as anexpansive response to the austere, hyper - masculine materials and methods employed by mostly male artists who eschewed the symbolic in favor of literal, pure forms.

Whereas Abstract Expressionists created uninhibited works full of feeling and metaphor, Minimalists purged their art of emotion and allusion, distilling abstraction to its purest form: what is visible to the naked eye.

Colour in Estonian Graphic Art 24.10.2012 — 10.02.2013 4th floor, A-wing, Cabinet of Prints and Drawings After the rough style of the 1960s had exhausted itself, pure colours and geometrical forms appeared in Estonian graphic aArt 24.10.2012 — 10.02.2013 4th floor, A-wing, Cabinet of Prints and Drawings After the rough style of the 1960s had exhausted itself, pure colours and geometrical forms appeared in Estonian graphic artart.

Author of exhibition projects in the form of publications, e.g. «A Cookbook for Political Imagination» (with Galit Eilat), «The Future of Art Criticism as Pure Fiction», «Spoken Exhibitions.

Chitra Ganesh and Simone Leigh render a woman's back as pure form worthy of Constantin Brancusi or African art, but the lack of movement on video and the burial of her head in pebbles are more sinister.

With Propagating Eden: Techniques of Nature Printing in Botany and Art, the International Print Center New York (IPCNY) and Wave Hill pay homage to the beauty of natural plant forms, pure and unadulterated, captured by artists and botanists past and present.

Even after a century of abstract art nothing seems quite so radical as this dazzlingly simple form — more parallelogram than square — leaping into scarlet life out of pure white space, tilting eagerly forwards.

Citing bam leader Amiri Baraka in a new book that accompanies the recent exhibition at the Museum of Contemporary Art Chicago, «The Freedom Principle: Experiments in Art and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity&raquArt Chicago, «The Freedom Principle: Experiments in Art and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity&raquArt and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity&raquart historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity».

While Edwards was at USC, theories of art continued to hold on to an ideal of «pure» abstraction and the pursuit of form for its own sake in painting and sculpture.

More so than Post-Impressionism or Post-Modernism, the genre of art known as Post-Minimalism is a particularly squirrely one to wrap one's mind around — after all, what is there beyond Minimalism's elegant reduction of art to pure form?

Abstract art is an expression of pure form and color, analogous to music.

Disagreeing with Cubist fragmentation, they produced figurative art (mostly still lifes) basic forms stripped of detail and supposedly pure in colour, form and design.

It's a resolutely anti-monumental approach that has hitherto seen Baldock mix up the friable stuff of 21st century life — domestic goings - on, fallible bodies, libidinal currents, rude jokes and cute asides — with references to modernist art and ancient cultures and their notions of pure forms or lasting values.

As Kant indicates, an attractive wallpapering may possess even the highest form of beauty: «free beauty,» which is to be found equally in the decorative arts and in arts approaching «pure form,» like music without a thema, or, after Kant's time, in abstract art.

From studies of the human figure in urban or industrial life to honoring form as a pure subject, British Modern art was a vibrant and rich universe of staggering creativity.

Having already denounced, in his personal letters, the painter widely considered the king of 20th - century art («charlatan» was his epithet of choice), Graham (again, from Wilkin's essay) «expanded on his objections, castigating artists for emphasizing -LSB-...] formal concerns: «Young painters, nowadays, are wont to talk about pure form, plastic values, plane - tension, texture, space, design and whatnot.

The Black Paintings stark simplicity, impersonal handling of the medium, and use of repeated geometric forms made them enormously influential on the emergence of Minimalism, whose practitioners likewise pursued the viewer's pure interaction with the art object.

Whitechapel Gallery, London, 15 January — 16 April 2015 Abstract art can sometimes seem like a self - contained art form, existing as a pure engagement only with other modes of artistic abstraction.

Martin considered music to be the purest form of abstract art and in paintings such as Desert Flower, 1985 and Untitled No. 12, 1997 the carefully repeated arrangements of various bands are themselves suggestive of musical phrasing and evoke a contemplative mood.

Taken together, these shows trace a line of erotic imagery from the crass commercialism of pure pornography to the more refined commercialism of the art gallery, raising questions about how these forms relate to modern sexuality.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

New Mexico 2003 Magical Light Kittrell Riffkind Gallery Dallas, Texas 2001 Solid Air Houston Center for Contemporary Crafts Houston, Texas 1999 Pure Light in Glass Philabaum Glass Gallery Tucson, Arizona Group Exhibitions (selected) 2016 Mid Winter - Love Light Gallery 286 London, UK 2015 Paseo - Taos Fall Arts Festival Taos, New Mexico Cinnabar Gallery San Antonio, Texas International Exhibition of Holograms Elisseev Palace St. Petersburg, Russia Dallas Art Fair Nyehaus Gallery Dallas, Texas Inventory of Light Gerald Peters Gallery Santa Fe, New Mexico Collaboration Gallery 286 London, United Kingdom 2014 A Contemporary Edge Bonhams London, United Kingdom The Very Last Plastics Show Dorfman Projects New York, New York Currents The Santa Fe International New Media Festival Santa Fe, New Mexico Armory Show Center for the Contemporary Arts Santa Fe, New Mexico Momentary Realties Cinnabar Fine Arts San Antonio, Texas 2013 No Paint Gallery Sonja Roesch Houston, Texas Luminescent Cloud 5 Santa Fe, New Mexico Light as Form

Miró's local landscapes and portraits of this period show traits of the pure, bright colours of Fauvism, the broken forms and precision of Cubism and the two - dimensionality of Catalan folk art.

The «action painting» of Jackson Pollock and Willem de Kooning, being devoid of naturalistic references, was seen as a higher more modern form of art, and was paralleled by an even purer form of Abstract Expressionism in the work of Mark Rothko and others.

As a result of the ethical crisis brought on by the Second World War and the Shoah (see also Holocaust art), the Abstract Expressionism movement turned its back on all forms of representational art and focused exclusively on pure art devoid of any external content.

All the while maintaining an overarching interest in celebrating beauty as a pure form in an ideology redolent of the statements of art historian Bernard Berenson — who advocated the passage «from the observation of forms to that of a form».

Within the genre of abstract expressionist painting the purest form of gestural art can be seen in Jackson Pollock's Action Painting - in which paint is applied all - over a horizontal canvas using a «drip, dribble and splash» method.

Stephen Thompson's Antiquities of Britain, 1872, and Albert Renger - Patzsch's prints from 1925 to 1939 chart the shift in perceiving photography as not just pure documentary but also an art form.

It represented the» incommensurable zone in which the old state turns to the new... a zone of silence and pure possibilities for a new beginning... «Also, as a numeric symbol, zero signifies «nothing,» an erasure of the past, yet the circular form represents «everything,» a promise for the future of humanity, art, and technology.

The collection, featuring more than 240 works by 171 artists from 22 countries, includes paintings of geometric forms and pure colors by Victor Vasarely, Josef Albers, and Max Bill, early computer art by Manfred Mohr, virtual sculptures by Gerhard Mantz, and recent works of Concrete photography.

Picking up the early avant - garde thoughts of the deconstruction of shapes and geometry, filtering colors until they appear in their purest form the works of selected artists do not only reflect but also advance several 20th century art movements from early constructivism, different categories of abstract art, to pop - art related styles.

He called his innovation Suprematism — an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin.

Clarity of form, a superb sense of color and breathtaking plays with figure and ground place Nozkowski into the rare league of artists that transform the art of looking into an act of pure pleasure and delight.