Sentences with phrase «pure forms and colors»

His pure forms and colors blended with the tendency to suppress gesture in favor of creating spatial unity within the composition paved the way for Kelly to have massive influences on both the Color Field painting and Minimalist movement.

Since the beginning of his career, Ellsworth Kelly's emphasis on pure form and color and his impulse to suppress gesture in favor of creating spatial unity have played a pivotal role in the development of abstract art in America.

They abandon recourse to mythical symbols and show Gottlieb's exploration of pure form and color.

Bolotowsky was one of the founding members of the American Abstract Artists, a New York organization active during the 1930s and 1940s that opposed realistic styles and embraced non-objective subjects based on pure form and color.

Since the beginning of his career, Kelly's emphasis on pure form and color, and his impulse to... read more... «Ellsworth Kelly film arrives in Boston»

Abstract art is an expression of pure form and color, analogous to music.

He also zeroed in on Mr. Noland's careerlong commitment to pure form and color.

The Russian Suprematist painter Kazimir Malevich made canvases of pure form and color, like black squares on white backgrounds, or what he termed «Suprematist Compositions» of varied forms floating in space.

Characterized by pure form and color and imbued with spatial unity, his works influenced greatly the development of abstract art in America.

Not exact matches

It's science in it's purest form: flour, corn starch, and baking soda; water, white vinegar, liquid dish soap, and liquid water color.

Himalayan salt, which gets its pink color from trace amounts of iron, is considered to be the purest form of salt in the world because it's mined from ancient salt deposits and has not been contaminated by the environmental pollutants that other sea salts have been exposed to.

Based on everyone's feedback, we found the perfect blend of form and function in our three new tops, which we're offering in an exclusive Pure Barre color palette.

In its purest form, Upstream Color can be viewed as a balancing act of textures and surfaces — the crucial discourse between image and sound to depict a state of pureness within our complex and achingly human world.

In 2007, painter Sanford Wurmfeld wrote that Jones «looks afresh for ideas - ideas that are pure color and form... For him it is a visual language from which arises pictorial events to be savored.»

Acheiving a surface that resembles flaking plaster walls, with rich pure pigment color, Gross crops and reverses quotidian images to reveal abstract shapes and forms that are at once familiar and foreign.

Berg's language of pure color and forms (formats, really) is simultaneously precise and animated.

While many associate the trippy, repetitive style with the «swinging sixties,» Op Art was pioneered in the 1930s by Hungarian artist Victor Vasarely, whose influential work focused on what he considered the two greatest tenants of artistic creation, «pure color» and «pure form.»

This transition towards abstract forms and shapes is best illustrated in Kandinsky's Study for Composition # 8, 1909, a turning point in the artist's vision, where recognizable forms — people, church towers, cupolas and hills co-exist with abstract shapes and pure fields of color.

Simultaneously, the work appears to both actively materialize and dissolve into the surrounding environment, allowing the experience of pure color and form in space.

His desire for pure expression was fulfilled with color and form arranged with apparent disregard for both subject and object, the simple depiction of a complex thought.

With lines, shapes, and colors, pure abstraction can suggest emotion and action, concentrating on the relationships between forms and colors.

These works functioned in terms of the painting medium and focused on pure ideas of form, composition, color, scale, and texture.

Consistent features of his paintings are his interests in color, form, surface treatments and the pure physicality of paint and various collage elements.

Neoclassical artists, in homage to the Greek and Roman Classical tradition, crystallized their subject matter to a pure, harmonious form with a sober clarity and a subdued sense of color.

«Austin,» which opens to the public this month, is very much the culmination of Kelly's oeuvre, not just a summation of his work's themes but his masterpiece, the grandest exploration of pure color and form in a seven - decade career spent testing the boundaries of both.

Tracy Helgeson and Hale Johnson address the iconic shape of a barn in austere landscape, Helgeson describing a New England classic as pure abstract form, Johnson noting individuality of texture and placement of architecture with a faithfulness to surface and color reminiscent of Andrew Wyeth.

Throughout his career, artist Robert Mangold has married drawing and painting in a personal investigation of pure abstract form and color.

Cézanne and fellow Post-Impressionists used increasingly abstract and geometric forms and juxtapositions of pure, intense colors toward emotional effect to create works such as La Montagne Sainte - Victoire (1888 - 90).

Optics presented Kidner with a challenge in his pursuit of a pure form of imagery, seeking a phenomenological approach to the fluctuating effects of light and color within the space set by the canvas.

'' [Kelly's] seven - decade career has been an unwavering exploration of shape, line and color in their purest forms.

The After Image series captured the vivid, pure impression of a retinal after - image — exploring the searing effects of oppositional colors in facing circular and angular forms.

Much as these great masters of the past shared the use of pure color as a resource for describing light and space, Mobilia artists too have redefined vivid color and form as a vehicle to project a mood or an emotional response.

Stern's pure abstract forms call to mind the stained canvases of Morris Louis and Helen Frankenthaler, but her work embodies a unique elegance that differentiates it from that of her color field contemporaries.

Sometimes linked to Nouveau Réalisme, this movement, whose name was meant to highlight its affinity with Minimalism, emphasized discovery by promoting artistic creation unconstrained by tradition, calling for the use of simple forms and pure colors and light.

Cast in varied, bright colors and presented in the gallery's storefront window on glass shelves, the Brancusi-esque formal properties of these quotidian objects reveal themselves; a «pure,» universal form which, when endlessly repeated via mass production, is intended to ensure brand loyalty.

Others might intuitively understand, recognizing the colors, textures, lines and shapes in the so - called real world, and the rugged realities of pure color and concrete form in what is supposedly abstract.

Regardless of the geometric form, he wrote, «Mr. Noland has been consistent and unvarying — not to say single - minded — in his artistic purpose, which has been to fill the canvas surface with a pictorial experience of pure color.»

The artist further contends that only pure experientialism enables us to comprehend the true nature of color and form.

She wrote: «I must, to avoid the unfortunate surprises that I had in the past, begin to work lightly and more and more build up the colors and the forms... the color becomes pure when I speak of «every color has white within it.»

These investigations reflect an interest in pure color and form, as well as self - expression including notions of identity, desire, internal struggle, and liberty.

The paintings are at once abstract and representational: the multiple grids recall the bars of the bird cages; and the birds themselves are simultaneously recognizable forms and moments of pure color.

Eric Ernst's work creates an «interaction of forms, shapes, and colors that, mixed with musical and harmonic elements, conjure a more immediate narrative and strive to transcend the limits of pure geometric abstraction,» according to his artist statement.

The collection, featuring more than 240 works by 171 artists from 22 countries, includes paintings of geometric forms and pure colors by Victor Vasarely, Josef Albers, and Max Bill, early computer art by Manfred Mohr, virtual sculptures by Gerhard Mantz, and recent works of Concrete photography.

It expands upon previous multidisciplinary works, such as BEAT (2007) and Tangerine (2012), and emphasizes the experience of simultaneously seeing both pure color in the form of light and a single instrument performed live.

Picking up the early avant - garde thoughts of the deconstruction of shapes and geometry, filtering colors until they appear in their purest form the works of selected artists do not only reflect but also advance several 20th century art movements from early constructivism, different categories of abstract art, to pop - art related styles.

Like her husband, the Abstract Expressionist painter Willem de Kooning, Elaine de Kooning was interested in abstracting the human form through gestural mark - making with black lines and the direct application of pure, unmixed paint colors juxtaposed, rather than blended, on the surface.

Clarity of form, a superb sense of color and breathtaking plays with figure and ground place Nozkowski into the rare league of artists that transform the art of looking into an act of pure pleasure and delight.

Knobby Knees, Travis Collinson's second solo exhibition of paintings and drawings at Maloney Fine Art, is a new body of work; a series of portraits using family, friends and colleagues painted with a signature style of simplified form and pure color, providing insight into the intimacy shared between the artist and his subject.

Exemplified by Red and Blue, Gottlieb's painting balanced this pure exploration of form and color with a gestural expressionism akin to Jackson Pollock and Franz Kline.

One of the first three Burst paintings ever created, Blast II (along with Burst and Blast I) represents the series in its purest form: a white background with a colored orb hanging above a tangled mass below.