Not exact matches
Pointillism, the term used with respect to the work of Seurat, is the
practice of
painting patterns of small, distinct dots of
pure color next to each other.
The «Poured
Paintings» represent a turning point in Bowling's
practice, marking the moment that he moved away from the referential towards
pure abstraction.
The contrast between the reclaimed «artistic» waste and the richness of the
paint highlights a dynamic tension between Ruby's contemporary
practice and the early - modern belief in the supremacy of «
pure artistic feeling» over the visual depiction of objects.
He thus constructed his
practice in a constant back - and - forth between the physical impulses of work in the studio and the resurgences of a sensorial memory, between the transcription of the sense of nature and the conception of
pure painting fundamentally liberated from any kind of imagery.
Painter and 2008 Pew Fellow Anne Seidman's
practice has allowed her to explore the nature of
pure painting through abstraction, suggesting friction, awkwardness, and ultimately, a sense of self.
Royal Academician Frank Bowling discusses his working
practices, his desire to make «
pure painting» and the changing reactions to his work throughout his lifetime.