Sentences with phrase «pure red paint»

Matisse could suggest a whole room with nothing more than a plane of pure red paint — and now here was another way of doing something similar, of jolting the viewer out of complacency and facing up to the trickery of art and vision.

Not exact matches

Pure White Chalk Paint Red latex paint (I already had it, otherwise I wouldn't have used latex) Modern Masters gold metallic paint Purdy paint brush FrogTape for delicate surfaces (my favorite for painting projects) Yardstick This stencil (I only used the crown) Overhead projector for transferring the «Telephone» graphic (created in PicMonkey and printed onto clear transparency paper) Sharpies for outlining the letters and black paint for filling in the letters

Cinematographer John Seale, Oscar - nominated here and more recently for Mad Max: Fury Road, uses lighting to paint sin as lurid (the red of a car light, the brown grime of the city) and goodness as pure (the uncomplicated raising of a barn).

The 2017 update is pretty mild on the aesthetics, with nothing more than the addition of three new metallic paint colors — Midnight Black, Pure White, and Dynamic Sunstone Red.

A host of exterior paint finishes are available for the Coupé, eight in all, these being Chilli Red, Pepper White, Spice Orange, Midnight Black, British Racing Green II, Eclipse Grey, Lightning Blue and White Silver, while the roof is painted as standard in a contrasting colour, with a choice of Jet Black or Pure Silver to pick from.

You can order your GTI in the following flat paint colours, Tornado Red and Pure White.

Optionally the coupé — and this is new too — can also be ordered with the legendary «Talladega» design 18 or 19 inch alloy wheel which was previously reserved for the Scirocco R. Moreover, five of the 13 available colours are new to the line - up: these are the three standard paints «Pure White», «Flash Red» and «Urano Grey» as well as the metallic colours «Ultra Violet» and «Pyramid Gold».

The dressed - up GXL test car was hot and sassy in its «pure red» paint, from soft urethane nose and air dam to soft urethane rear bumper cover.

Lot # 731 - This rare Corvette is finished in gorgeous two - tone red lacquer paint with pure white coves.

Russian Suprematist artist Kazimir Malevich furthered this flatness by placing flat colorful shapes on pure white backgrounds in his works, and De Stijl painter Piet Mondrian painted flat grids in red, blue, yellow, white, and black.

Bursts of pure red, yellow, blue, and green echo de Kooning's abstract paintings of the 1970s, five of which were presented alongside Baselitz's early work in the pivotal exhibition «A New Spirit in Painting» of 1981 at the Royal Academy in London.

Even in these somber works, however, greys were never pure greys but shifted subtlely from pink - grey to blue - grey, from warm to cool (one thinks of the incredible range of color with which Brice Marden could imbue his grey paintings), and the blacks were never merely black but contained blues, reds and browns.

Parrot (1976), on the other hand, is one of the paintings that introduced Bolduc's signature style, and intimated his deeper ambitions: a yellow and white line of pure pigment atop a yellow and red base, situated in the midst of a roiling jungle of green, blue, and red strokes.

(1913 Buffalo, New York, USA - 1967 New York, New York, USA) was an Abstract Expressionist artist notable for painting nearly «pure» monochromes over a considerable span of time (roughly from 1952 to his death in 1967), in red or blue, and lastly and most (in) famously, in black.

monochrome painting II, 1988/1989 second station — christ carrying the cross alexander rodchenko PURE RED COLOUR, 1921 oil on canvas location unknown

His looser works are almost pure explorations of colour where the figures in the paintings are secondary to the swathes of red, yellow and blue.

(An early announcement in modernism of the inadequacy of easel painting as a single canvas was Rodchenko's Pure Red Color, Pure Yellow Color, Pure Blue Color, a work that consists of three physically separate canvases.

Looking at these triptychs, one might have thought for a moment of Aleksandr Rodchenko's iconoclastic Pure Red Color, Pure Yellow Color, Pure Blue Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced nudes.

On the margins of the painting, however, the white is pure and unadulterated, as there is no red - green contrast to disturb it.

Comprised almost entirely of aggressive smears of screaming yellow, electric blue, fire - engine red, and pure white paint squeezed straight from the tube, these whiplash images make Impressionism's rapidly dabbed surfaces look like fussy Old Master compositions.

So, put in yellow; this shadow, rather blue, paint it with pure ultramarine; these red leaves?

Exemplified by Red and Blue, Gottlieb's painting balanced this pure exploration of form and color with a gestural expressionism akin to Jackson Pollock and Franz Kline.

Cat., New York, Whitney Museum of American Art and the Solomon R. Guggenheim Museum, Adolph Gottlieb, 1968, p. 21) The immediate intensity of the inky red and black orb is mirrored by the saturated blue explosion that embodies the title of Red and Blue, resulting in an enduring painting of pure optical brillianred and black orb is mirrored by the saturated blue explosion that embodies the title of Red and Blue, resulting in an enduring painting of pure optical brillianRed and Blue, resulting in an enduring painting of pure optical brilliance.

He followed this with a number of exceptionally large paintings characterized by vibrant pure colours, such as his series Who's Afraid of Red, Yellow and Blue (1966 - 8) and the 28 feet x 9 feet Anna's Light (1968).

A pure grisaille with black paint and varied gray tones does not lend well to color layers, unless it is completely covered or used purposefully as a stylistic choice (I think of Schindler's List with the girl in the red coat, or the Take On Me video by Ah - Ha).

The bench also came with that red distressed edge, so in an attempt to work around that I started off by painting the bench in Slate by Kristi Kuehl Pure Home Paint, which is a darker gray than my next layer will be.