Sentences with phrase «pure representation of»

«Focused on domestic and interior spaces, Deborah uses still life to express a harmony of line and colour beyond the pure representation of the objects,» says gallery owner Agnes Bugera.

It is common to think of figurative sculpture as a pure representation of reality.

I am drawn to stories and tales but I hope my interest in them translates further, as images that go beyond pure representation of things that I find cool.

It helps explain how a single movement has struck different people as formalism or action painting, the pure representation of space or an artist's self - representation.

But the humanistic drama peaks in its pure representation of that age - old, man - vs - nature battle; flawlessly crafted scenes of storm surges and ice shifts, set against the epic real - world scale of the Himalayan landscape, instantly miniaturise the protagonists and put into perspective, both physically and metaphorically, the insurmountable task of surviving should Mother Nature dictate otherwise.

PES 2015, though, is arguably the best pure representation of the sport ever made.

Maddin, who's known for having a progressive and spiritual perspective towards cinema, has made what might be the purest representation of his mindset on film to date.

It's heart - breaking, because out there on the ice she was the purest representation of herself, she was free, she was beautiful, and expressive.

The 2013 Mitsubishi i - MiEV is another all - electric contender, one that is perhaps the purest representation of a Japanese city car in that it makes few considerations specifically for the U.S. market.

Not exact matches

a) that the bible is an imperfect human representation of gods word b) that the bible is a mixture of mythology and divine inspiration c) that the bible was created in a way that people would understand at the time and intended to be updated d) that a pure message was corrupted intentionally by evil humans or spirits

Thus the pure essence of time can not form a conceptual representation which, though possible, is yet empty and corresponds to no reality.

The emptiness of the pure essence of time can not therefore be only the emptiness of a conceptual representation.

If gender is a pure social construction, then all social representation of sexuality appears as constructed, acquired, and artificial.

If gender is a pure social construction, then all social representation of sexuality is acquired and artificial.

Further, Pure Food Company does not warrant or make any representations concerning the accuracy, likely results, or reliability of the use of the materials on its Internet web site or otherwise relating to such materials or on any sites linked to this site.

Now they're without Yadier Molina, team leader and spiritual icon, blessed catcher and commander of respect, personal representation of all that is pure about... it's too bad we kicked the Cardinals fans out because I'm sure they'd have more.

Under a pure proportional representation system the composition of the legislature is fully proportional to the votes of the populace and a voter can be sure that he will be represented in parliament, even if only from the opposition benches.

(However many nations that utilise a form of proportional representation in elections depart from pure proportionality by stipulating that smaller parties are not supported by a certain threshold percentage of votes cast will be excluded from parliament.)

«Financial futures», «Short selling» and «financial options» apply to these markets, and are typically pure financial bets on outcomes, rather than being a direct representation of any underlying asset.

With a deep and vivid palette and dynamic interchanges of light and dark, these paintings — always executed in oil on wooden panels — collapse the usual binary distinctions between abstraction and representation, narrative and pure sensation, past and present.

It is as if this relationship, in fact, gets in the way of pure representation, pure abstraction and / or pure process art.

See the article Piet Mondrian: The Evolution of Pure Abstract Paintings to see examples of Mondrian's progression from representation to abstraction.

Narrative Fantasy After decades of conceptually oriented art, much of which interrogated codes of photographic representation, a generation of artists emerged during the 1990s that incorporated pure fantasy in their work.

Like the work of Philip Guston, Willem de Kooning, and Asger Jorn, pure abstraction and representation co - exist on the canvas, continuously giving way to each other and contributing to the overall power that is inherent in these paintings.

Like the work of Philip Guston, Willem de Kooning, and Asger Jorn, pure abstraction and representation coexist on the canvas, continuously giving way to each other and contributing to the overall power that is inherent in these paintings.

Tillmans ability to create a network of imagery both literally and metaphorically, through re-contextualization and juxtaposition of images, allows for a dialogue between memory and our ideas of «pure» representation.

Never before has he presented work so bound to the pure idea: Here, the paintings looked like distilled representations of concepts.

Searching for the metaphoric representation of mankind, Millei has used his intuition and painterly brushstrokes to create objects of pure abstraction that are no longer just about making a portrait of one person, but represent a collective portrait of men / women.

The brothers approach painting as a visual representation of pure energy: everyday scenes explode in vortexes of blinding color, movement is practically animated, and products make their placement, an effect similar to viewing every frame of a film simultaneously.

I wish to find the edge of rational representation, to render the moment right before a composition disintegrates into pure abstraction.

While it may have been the objective of some American Minimalist artists to recast their works as the Ding an sich (the thing in itself), «pure» abstraction absent of all representation, Broodthaers was aware at a very early stage that representation never entirely disappears from art.

Mitchell's paintings differed from her Abstract Expressionist colleagues because of their use of hot colors, and Ashbery picked up on this, noting that her palette brought her work closer to figurative representation than pure abstraction.

Speaking of the technique to 1968 Magazine, he said: «I wish to find the edge of rational representation, to render the moment right before a composition disintegrates into pure abstraction.

For example, Gioni, Storr, Ligon, and Ritson discuss Ofili's contrasting representations of the sacred and the pure as opposed to the idolatrous, profane, and debased — prompting Gioni to comment on the artist's choice of materials as «an odd combination of valuable and humble, sacred and profane — diamonds and shit, one might say» (11).

With a deep and vivid palette and dynamic interchanges of light and dark, these paintings, collapse the usual binary distinctions between Abstraction and Representation, narrative and pure sensation, past and present.

As a group, these sculptures occupy an unsettling middle - ground, perched delicately and dangerously on the brink of pure formalist abstraction and pure appropriative representation.

On a visual level, Colour Charts series is pure abstraction but the paintings are also a representation of industrial color sample cards that inspired the artist and therefore and object in its own right.

Such collage elements, seen throughout the exhibition, conceal and reveal fragments of representation, serving to blur the boundaries of pure abstraction.

On this occasion, she explores the territory between representation and pure abstraction with compositions that mostly center on blue and white vertical stripes with bits of black.

The British artist described his paintings as being «impressions» — of people and places — rather than pure representations, and in the show's colourful, expressive paintings it is easy to see the mark this bustling and vibrant country left upon him.

Conway's approach to representation, which is equally precise, methodical, intuitive and analytical, not only involves a depiction of scenes that interweave close observation and pure imagination.

Coined by Russian painter Kazimir Malevich in 1915, Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of «pure artistic feeling.»

(Suprematism, Constructivism, and De Stijl, the early avant - garde movements that were Minimalism's point of departure, had a conceptual dimension, as the theoretical writings of their artists make clear, but it was their rejection of representation in favour of pure abstraction that gave them their important place in the history of modern art, in the eyes of Greenberg.

Early works from the 1990s are brought into a dialogue with recent paintings, demonstrating that the entire work follows a dialectic that discards the conventional distinction between abstraction and representation, and instead treats the subject of each painting in such a formalised manner that it becomes a mere artefact, a transformation of reality into a pure and autonomous expression through painting.

He considered his paintings to be the reflection of his nervous system projected on to canvas, and his opinion, expressed in 1953, that painting is pure intuition and luck, was the presage of the action painting and Abstract Expressionism that was soon to dominate the scene, although he rejected abstract art for himself, since he felt that it evaded the problem of the representation of the human figure which he regarded as the artist's principal challenge.

As Mario Codognato has written, the spin paintings «make the colours participate in a primordial state, where order and creation dissolve and disengage from the mediation of thought and representation, to become pure expression of the basic and vital gesture of painting and its mythology» (M. Codognato, «Warning Labels», in Damien Hirst, exh.

Rafael - Soto's interest moved towards the visual representation of movement, resulting in works of multiple black lines superimposed on a foundation of pure white.

«[The spin paintings] make the colours participate in a primordial state, where order and creation dissolve and disengage from the mediation of thought and representation, to become pure expression of the basic and vital gesture of painting and its mythology» (M. Codognato, «Warning Labels», in Damien Hirst, exh.

Members can also provide advice and representation for education sector clients, including schools, colleges and local authorities — both of pure education issues and wider issues where chambers has real expertise, such as procurement.

This video is pure proof - of - concept, and wasn't a representation of the final mode, but it gets the idea across.