Sentences with phrase «pure white forms»

According to RCEWA member Richard Calvocoressi: «This is one of Giacometti's most simplified female figures — flat, almost abstract, its pure white forms pared down to bare essentials.
Committee member Richard Calvocoressi, former director of the Henry Moore Foundation, said: «This is one of Giacometti's most simplified female figures — flat, almost abstract, its pure white forms pared down to bare essentials.

Not exact matches

It's science in it's purest form: flour, corn starch, and baking soda; water, white vinegar, liquid dish soap, and liquid water color.
Lithium in its pure form is a soft, silver white metal, that tarnishes and oxidizes very rapidly in air and water.
Locals suggested the unusual geology of Mole Hill, just a few kilometers from campus, where one could find black obsidian (a superhard rock glass formed when magma cools quickly) or rocks that when cracked open looked as pure white as newfallen snow thanks to the carbonate minerals inside.
It is available in it's pure form, which you may recognize from the traditional white patches athletes like surfers use, although this is not the most attractive, nor discrete when out in public.
To make in a food processor: Place heavy whipping cream, pure vanilla extract, granulated white sugar and cocoa powder in food processor with whip attachment and turn on high for approximately 3 minutes or until stiff peaks form.
Deep red, white and black in their purest form.
John Form has found the perfect gift for his expectant wife, Mia - a beautiful, rare vintage doll in a pure white wedding dress.
John Form has found the perfect gift for his expectant wife, Mia — a beautiful, rare vintage doll in a pure white wedding dress.
The Whitsunday Group: Islands within the Whitsunday Group form the Whitsunday Islands National Park which protects 32 islands, including world famous Whitsunday Island with its pure white sand and clear waters.
Even after a century of abstract art nothing seems quite so radical as this dazzlingly simple form — more parallelogram than square — leaping into scarlet life out of pure white space, tilting eagerly forwards.
The resulting drawings, spare patterns of black dashes on pure white fields, give visual form to the structure of silence.
Excursions en no man's space features 52 works on paper, ranging in palette from bright reds and yellows to pure black and white, and in content from figurative to abstract and elemental forms.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
Think Ellsworth Kelly's shaped canvases, Buckminster Fuller's domes, Paco Rabanne's cocktail dresses made of mirrored discs, the Finnish designer Eero Aarnio's Pastil Chair («pill chair»), all those white - plastic TV sets shaped like globes, and many other playful - provocative essays in the pleasures of pure form.
She wrote: «I must, to avoid the unfortunate surprises that I had in the past, begin to work lightly and more and more build up the colors and the forms... the color becomes pure when I speak of «every color has white within it.»
The Russian Suprematist painter Kazimir Malevich made canvases of pure form and color, like black squares on white backgrounds, or what he termed «Suprematist Compositions» of varied forms floating in space.
A group of wall - based works all entitled CORALS takes the form of hinged panels each furnished with a handle in pure white artstone with forms that speak of the quiet accretions of submarine reefs.
On display is one of West's Accomodes, which resembles the artist's earlier works of pure white paint on plaster forms attached to wires and found objects.
The 2011 text paintings (blue, white or ochre), with their phantom - like effect in which the pure and minimal form is no longer the privilege of the language, gradually open onto the next series.
The new works presented at the White Cube are inspired by comic strips, retaining the form but changing the content to leave space to the mimesis of the pure noise of brush strokes, dripping, pouring and splashing.
One of the first three Burst paintings ever created, Blast II (along with Burst and Blast I) represents the series in its purest form: a white background with a colored orb hanging above a tangled mass below.
A classic double gourd form in the Juniper table lamp gets a fashion update with faceted detailing in pure white glazed ceramic.
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