In the catalogue introduction to the exhibition Fry argued that the post-impressionist creates, not a pale response to actual appearance, but a new reality.18 He argued that the logical extreme of such a method would be the complete renunciation of natural form and the creation of
a purely abstract language, a visual music.
In 1917, Mondrian painted his first
purely abstract work, Composition in Line, and by 1919 had fully developed an
abstract visual
language, Neo-Plasticism.
The early Pictographs were created with a defined grid structure in order to organize theimages, often figurative and fragmented, in a utilitarian manner.Around 1948, Gottlieb began deconstructing the grid in an effort to find an alternative way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate
abstract forms that could still be relatable to a larger universal
language, without the help ofthe grid.Inscription, 1954, demonstrates Gottlieb's further progression into
purely abstract imagery using an evocative and highly developed lexicon.