I can only imagine three audiences for Campus Man — those that collect every piece of 80s piffle
purely for
nostalgia, those that want to see homoerotic music montages featuring hunky men in swimsuits, or perhaps you're curious to see some early work
by John Dye of «Touched
by an Angel» or Kim Delaney (Mission to Mars, Body Parts) of «NYPD Blue».
Genre conventions show up right on schedule (conflicting egos, creative differences, make - or - break gigs), while the decade's icons drop
by for signposting guest appearances, but wistful or not, the film's magical musical tour isn't
purely a
nostalgia trip.