Sentences with phrase «put work of other artists»

The exhibition includes two series and, for the first, Kennon composed mid-sized prints that put work of other artists, including John Baldessari, Franz West, Sherrie Levine and Wolfgang Tillmans, into curated conversations with each other.

Not exact matches

It gets a 3 because you can tell the environmental artists put a lot of work into the game, the gameplay itself is copy pasta'ed from other games, the story is SJW tripe and boring as heck.

This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?

But the artist who takes the emotional risk of putting themselves out and showing their work to the world gets the benefit of finding the people who respond to their work, and helpful feedback from other artists who can help them make their work better.

And in even more interesting news, Joy Garnett just gave me a heads up that the Warhol Foundation has actually filed an amicus brief in Cariou v. Prince, warning the courts that if Judge Batts» ruling were to stand, it would put works by other artists in jeopardy, and would cause «such uncertainty in the field as to cause a chilling effect on the creation of new works.»

I have in mind the many artists who cut holes in canvas or paint likenesses of cotton or linen weave, as if to say, This is a painted surface on painted painting of a painted surface that is a painting; or the many more good little postmodernists who make art - historical references or paint in known styles, so the message is something like, This is a nod to other works of art, which tells you that this painting knows it's «a painting»... put me in a biennial.

Why put more effort into the work of other artists?

She started working with other artists in the neighborhood, putting up shows at the Living Gallery and Bizarre and even released two books of her photos.

Putting the ultramarine color aside, this artist also introduced ideas such as sponge sculptures, living paintbrushes, fire paintings and other conceptual works, as well as some of the most original performance acts ever assembled.

The works in exhibition seek to exist between genres of figurative or abstract, highbrow or lowbrow, sentimental and academic, and all the other limiting binaries of interpretation to be both volatile and conservative, soulful and austere, containing elements that appeal to both sides in these paintings, or as the artist puts it, «ambassadors between the two mindsets.»

In the years 1977 to 1979 Noffke, working with the University of Georgia and several other artists, put together three annual «National Ring Shows» featuring the younger generation of metalsmiths.

We once put up a work by a young German artist on a wall with the Richter and a Richard Prince, and when I told the gallery about it and the dealer said to me, «Can you send me a picture of it installed in the room, so that it shows up with the other art?»

This other history — one that existed despite (and perhaps to some degree against) the «American hegemonies,» as Algus puts it, of Abstract Expressionism, Pop art, Minimalism, Conceptual art, and Photorealism — is primarily European, and the group of artists he included worked in France, Germany, and Italy.

Emily Nathan, writing for artnet this week notes: «Along with other younger artists, Ekblad is putting her own stamp on a kind of evocative abstraction that had seemed exhausted by earlier masters, from Wassily Kandinsky and Joan Miró to Jackson Pollock and Asger Jorn, and her works offer a refreshing return to the simple, physical pleasure of sculpture and painting.

Calle's work springs up around «the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist,» as curator and art critic Christine Macel puts it.

She spent a year at the Fogg Art Museum, working on an exhibition of Eli Broad's collections; moved on to become an assistant curator at Chicago's Museum of Contemporary Art; then landed a job as chief curator at the ICA in Boston, where she put on a dizzying number of exhibitions, including the first American museum shows of non-American (and non-British) artists Olafur Eliasson, Carsten Höller, Marlene Dumas, and others.

Lauder put up a quarter of a million dollars himself, found three other collectors to do the same, and the work was purchased for the Whitney Museum of American Art for $ 1 million, then a record for a living artist, according to Glimcher, who still gloats at the significance of this.

Rosenfeld's exhibition series «African - American Art: 20th Century Masterworks,» held annually from 1993 through 2003 and featuring works by Jacob Lawrence, Eldzier Cortor, Alma Thomas, and numerous others — all artists he still has on his roster today — is recognized for having put momentum behind the market and institutional demand for works by black artists of the last century.

BHQFU IS A PROJECT of the Bruce High Quality Foundation, which was formed in 2001 by a group of eight anonymous artists who met as students at Cooper Union in New York and upon graduation realized, as one of them put it in an early interview, that in the era of an ever - expanding art market and the professionalization of art - making, «all we really had in the world was our work and each other.»

It anchors «Long Play: Bruce Conner and the Singles Collection,» which puts «Three Screen Ray» alongside music - inspired video works by various other artists, all to bolster curator Rudolf Frieling's startling view of Conner as the precursor of music videos.