Sentences with phrase «qualities of an art object»

My objective is to make use of the expertise that I have in the field and also the knowledge that I have gathered in order to improve the quality of art objects through the process of restoration conveyed.

Not exact matches

Similarly, excellence in works of art or in games is a specific quality of the concrete object or game.

The pristine quality of the finish thereby heightens the effect of the color and design underneath, and the shape itself becomes a hyper - realization of the art object.

In the belief that a book is not only a readable text but also an object of art, the press is dedicated to producing beautifully designed, well - manufactured books on acid - free paper, as well as electronic texts of comparable quality.

Titles, show wins, working ability and other qualities have their important place to be sure, but if I want a companion I'd best be looking at breeders who raise and treat their dogs like companions instead of like objects'd art.

• Follow the level design pipeline from «pen & paper» game designs to implement spectacular character based levels and ultra-fun gameplay mechanics • Work closely with level layout artists to identify level assets and gameplay direction to ensure visual and technical quality for the levels • Follow direction of Lead Level Designer to maintain gameplay vision consistency • Contribute to level concept, layout, implementation (camera, entity, etc.), prototype modeling, scenario creation, event scripting, game balancing, pacing, and gameplay tuning • Contribute to general game design, as well as cooperate with all other facets of game production (programming, environment / world art and animation) • Place and trigger entities (such as enemies, movers, and objects) to create fun, absorbing gameplay • Master internal tools for modeling environments and integrating game play • Rough out world geometry, camera paths, and lighting using 3D world - building tools • Assist with the scripting of gameplay entities and events • Creatively resolve gameplay and production issues • Meet production schedules and deadlines • Collaborate with Design team to define and refine gameplay mechanics • Multitask effectively, prioritize competing demands, and follow through on details

In contrast, in their role as holders of the cloth sacks, the hooks are given a function that undermines their autonomy as self - sufficient objects, with the result that they oscillate between display modules and genuine artworks, whereas the Silos — in spite of their formal proximity to those seat - like objects seen in quasi-participational art projects (like those of Franz West)-- utterly lack the quality of sturdy usefulness and seemingly even have to be held in place by the rods of the «Gurneys».

This group of intergenerational artists closely considers the process of art - making in their work by playing with scale, the ephemeral quality of their materials, the nature of time and language, and the relationships between the objects that they create.

By combining contemporary objects and museum - quality artefacts, Wilson challenges the assumptions of exhibition methodology and art historical scholarship.

Many conceptual works take the position that art is the result of the viewer viewing an object or act as art, not of the intrinsic qualities of the work itself.

Through collaboration with various leading museums, galleries and exhibitions in Asia and globally and the UBS Art Collection encompassing over 30,000 objects of the highest quality, we encourage our clients and the public to actively participate in the aArt Collection encompassing over 30,000 objects of the highest quality, we encourage our clients and the public to actively participate in the artart.

The immersive exhibition Carved, Cast, Crumpled investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

These artists have had great significance for the development of international contemporary art, either because they have created visual languages, objects and pictures of originality and quality, or because they have reinvented important aspects of cultural production.

This immersive exhibition investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

Offering a Extraordinary Selection of Antiques, Mid-century Modern, Asian, Silver, Folk Art, African, Garden & Architectural Elements, Americana, Fine Art, Art Deco, Ceramics, Lighting, Jewelry, Contemporary Design & unusual Furniture Decorative Objects from Antiquity to Present Day with a emphasis on quality.

What she does change are intrinsic qualities of the room in which the art is displayed, such as the lighting and wall colors, using these elements to transform the mundane objects into works of art.

By infusing traditional art objects with qualities inherent to practices like performance and architecture, the artists are blurring the distinctions between all of these modes of creation in order to create new and dynamic possibilities.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

The result is a work of art composed of multiple objects that were once singular and utilitarian and are now presented as one work that is imbued with entirely different aesthetic and conceptual qualities.

The section features an array of thoughtfully curated presentations of extraordinary historical art and objects of the highest quality, still available to buy: Highlights include:

Many conceptual works take the position that art is created by the viewer viewing an object or act as art, not from the intrinsic qualities of the work itself.

Each of these qualities indicate an acceptance, and indeed celebration, of the art object's physical presence, harking back to the old Constructivist refrain of «Truth to materials,» which the sturdy clay and stone forms of Mexican sculpture also embody.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Through their formal qualities, along with personal, cultural, and technological references, the works evoked questions about the physicality of the art object.

We are widely acclaimed for the high quality of the objects we sell, our expertise in all areas of contemporary art, from Northwest Artists to nationally and internationally recognized artists and our distinctive exhibitions.

Works of art have an object quality,» she muses, «but are able to access esoteric space and time, independent of bodily logic.

-LSB-...] his blog post «art, the kinetic quality and social objects», Hugh MacLeod — from gapingvoid.com — argues that instead of having a unique selling -LSB-...]

The Arts and Crafts movement emerged during the late Victorian period in England, when anxieties about increasingly industrialized products fueled a positive reevaluation of handcraftsmanship and the inherent qualities and traditions of manmade objects and decorative design that celebrated fine workmanship.

Through his aesthetic creations, Stella demonstrated that an art object is worthy of consideration not for the story it might tell or for the interpretation it might contribute to, but for its own formal aesthetic qualities and the satisfaction they might provide.

This was a reaction to the emotional qualities of abstract expressionism, and focused on the ideas behind the art as opposed to the actual objects.

I don't have full answers, but intuit that there is a self - pitying quality to this, as if the artist were saying that this is the true nature of the interaction with the art object for both maker and viewer: the artist makes something that is untouchable, and the object teases the viewer with its proximity, but never discloses its secrets.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

Hans Andersson creates dense and richly time - layered drawings, collages and objects which perhaps hold some sense of this «timeless» quality of great religious art.

«In this context», the press release writes, «an «industry standard» is reconsidered as an examination of the qualities which the art object must possess in order to pass the «International Organization for Standardization».»

Duchamp distinguished his «readymades» from other «found objects» by stating that, whereas «found objects» are chosen for their interesting aesthetic qualities, «readymades» are mass - produced objects transformed into art by the artist's mere act of selection - thus no exercise of taste is required or implied.

Through their formal qualities, along with personal, cultural, and technological references, the works evoke questions about the physicality of the art object.»

This piece, made from red - dyed painter's canvas and wittily suspended on a wire hanger by two actual clothespins, is a charming version of his series treating the common household object — which for Oldenburg has both anthropomorphic qualities and an affinity to Brancusi's pillars — that found its grandest expression in a giant public - art sculpture across from Philadelphia's City Hall.

The world's top galleries participating in this year's Design Miami / art fair will be presenting museum - quality exhibitions of exceptional design objects from the advent of Modernism to the present day, with select galleries specializing in outstanding 18th and 19th century antiques.

The purpose of this collaboration is to produce high - quality facsimile objects and reproductions of Richter's art.

He rejects conceptual art as the sole claimant of «ideas» and champions the decorative and intimate qualities of handmade objects with stories to tell.

I selected 40 objects from the collection of the Fine Arts Museums of San Francisco and asked individuals to participate in a «dialogue» with a work of art, each taking an expressive gesture and gaze that embodied their emotional response to the art object... Slow - motion cinematography, frozen gestures, and an unseen moving stage comment on the active / passive quality of the interactions.

My dream is that everyone can be a part of that support forum by sharing there quality art objects!

Recipient of the inaugural Calder Foundation Prize in 2005 and the 2008 MacArthur Foundation «Genius» award, Donovan discovers unique physical qualities of objects and transforms them into art.

Sculpture enjoyed much higher regard at this juncture in the New York art scene, and experimentation with moving painting into three dimensions — emphasizing its object quality — was widespread (Lynda Benglis, Blinky Palermo, and Jack Whitten were only a few of the artists exploring this direction).

Taking from Pop Art's exploration of commodities and the anthropomorphic qualities of goods, Craig - Martin's acrylic paintings take mass - produced objects from the consumerist age as subject matter, depicting these quotidian items in graphical lurid colours and outlined in black line drawing.

For Conceptual artists, Duchamp proved that art is not defined by the qualities of particular objects, but by the discourse surrounding them as works of art — discourse generated by artists, critics, and art historians, and by museums, galleries, and art publications.

Both of their works have the quality of a rugged handmade sign post - visual art objects, but created as though they serve some utilitarian purpose.

Like his hero Marcel Duchamp, Creed values the placement of items, rather than their intrinsic qualities, in qualifying their meaning as art objects.

Interested in the fine ambiguity between the object and the art object — he takes up a critical and humorous position towards the contemporary world and investigates the different aspects of the visible and the nature of materials, combining solidity and fragility, forms, motifs and colours to create geometric progressions containing emotional and musical qualities, intuitive and spontaneous, approaching, in form, towards the principles of neo-concretism.

The loan exhibition from the Virginia Museum of Fine Arts is a treasure chest, but so are the booths of the 70 exhibitors, all of which showcase objects of museum quality.